Finding Wonders

Finding Wonders by Jeannine Harris is a fictional children’s book based on three real girls, Maria Sibylla Merian, Mary Anning, and Maria Mitchell, who made scientific contributions. Told with poems, each girl’s story begins with her childhood. Each girl learned to look beyond what other people took for granted or mistrusted. Each girl overcame the biases and challenges of her time for the sake of learning. These stories are an inspiration to anyone who has ever wanted to try something new despite the people around them. These girls were told they could not, should not, and would not, but they did anyway.

Genre: Children’s historical fiction

Setting: 1600s Germany, Amsterdam, and Suriname, 1800s England, 1800s Massachusetts

Number of pages: 195

Objectionable content? Several characters die, both adults and children, and religion is portrayed in a negative manner in some parts of the book.

Can children read this? Yes. This book is well-suited for elementary school children and up.

Themes: Learning, independent women, science, curiosity, restrictions

Rating: Five stars

Childhood Horrors

Sometime ago in the mists of the last century, there were only three TV networks. On holidays, you usually had the choice of a football game, a different football game, or the longest movies the network could find – usually Chitty Chitty Bang Bang and The Sound of Music.  Chitty, an overly technicolor musical, scared the daylights out of me. As soon as that Childcatcher came prowling, I was behind the sofa holding my breath. Today’s kids would just send his photo to Instagram and beat him up.

Children see things differently. Some are easily spooked, some are skeptical from birth. Kids misunderstand and misinterpret things, and that alone can create unfounded horror.

Obviously, most children’s films try to avoid horror, but what’s marketed to kids is not always Barney and Big Bird – few Grimm’s Fairy Tales end happily ever after. Poltergeist –  ghosts, demons, peeling faces, and evil clowns in child-swallowing glowing closets – was only rated PG. PG, because PG-13 hadn’t been invented yet.

Young Sherlock Holmes (the food nightmare) scarred one of my children; to this day she won’t eat cream puffs. Tim Burton’s Mars Attacks! and its disembodied heads was another. Another didn’t trust Nazgûl (nor should you), and was terrified by Matilda. The 1971 Alastair Sim animated A Christmas Carol, with its writhing starving waifs and the faceless, voiceless Ghost of Christmas Future taints every incarnation I’ve seen since.

If your child likes spooky things and wants to be a part of the Addams family, here’s a list of kid’s films – honest! – that just might give your kid the shivers. If you have a child with a more sensitive nature, you might want to wait a few years on these:

Toy Story – Oh, doll-headed spider and hook-bodied Barbie, how we hate you! You may be Pixar, but you’re scary!

Coraline – Creepy button-eyed fake parents trying to steal a child?  Hmm….

Labyrinth – Sure, we adore Bowie, but these are Muppets who steal babies, chase girls with drill bits with intent to kill, and drop people into pits lined with talking disembodied hands. ‘Nuff said.

Something Wicked This Way Comes – Disney likes to whistle and pretend this isn’t theirs, but Ray Bradbury didn’t edit the scariness out of his novel of two boys and an evil carnival run by Mr. Dark, complete with electrocutions and freakshow.

Who Framed Roger RabbitBut this is a comedy! you cry – and it is, until crying Toons get faced with The Dip. Be prepared for a talk on death.

Return to Oz – if the flying monkeys didn’t scare you, perhaps Dorothy’s electroshock treatments will.

Jumanji – sure, it’s a game, but a deadly one. Floors that swallow people are just some of the issues; the intensity and situations may be too much entirely for young viewers.

Harry Potter series – yes, the first one is a charming tale of an orphan boy who learns he’s a wizard, but the stories get darker, and major beloved characters start dying. By the third film, Voldemort is embodied evil and believably out to get Muggles. Like your child.

The Dark CrystalFraggle Rock it’s not. It’s a dark Muppet film with lots of dark themes. Preteens maybe, but there’s no Elmo to lighten it for the little kids.

Gremlins – another movie made before PG-13, so it was stuck with PG. Gremlins are cute little things until you feed them, and then they become psychopathic demons out to harm and kill.  If preteen horror films was a separate genre, this would be one of their cornerstones, along with perhaps The Witches, Watcher in the Woods, and Jaws (which is also only PG).

Willy Wonka and the Chocolate Factory – let’s face it, Roald Dahl is almost never nice to children. Here alone, he sucks them up pipes, dumps them down garbage chutes, and has them cornered by very scary men in dark alleys asking them to sell their souls for money. But the crowning touch cited by many critics is the boat ride  scene, all psychedelic and threatening – but that’s the way it is in the book, too – a disorienting journey where everyone believes Wonka’s looney.

Every parent knows their child best. Some kids like a scary movie, some kids will wind up sleeping in your bed for a week with all the lights on. If your kid shows interest in scary movies, these might be a gentler introduction over, say, The Exorcist. Just be aware that even a seemingly wholesome, kid-marketed movie can have some really scary moments when you least expect it.

Reliability is Overrated – 10 Books With Unreliable Narrators

Recently, I was discussing two of my favorite television series’ of the past year, “Mr. Robot“, and “Legion“, when it occurred to me what I found compelling about both of them – they are both told by unreliable narrators. The narrative characters in each show have major difficulties perceiving reality, which means the viewer sees the story through their skewed lens, often having to puzzle out what is real and what is not.

It’s a challenging concept, relatively uncommon in television, but more often used in literature. In the literary device of the Unreliable Narrator, the character who leads the reader through the story cannot be taken at face value. The reason could be because this character is lying, insane, or simply seeing events from a very limited viewpoint. In every case, though, it leads the reader to form conclusions beyond what is being disclosed in the narrative. A puzzle of sorts, where questioning what everything really means becomes part of the reading experience.

As I thought about it, I realized that many of the novels that have stayed with me long after reading them have had some kind of unreliable narrator. I remember finishing some of these books, and immediately starting them over again, looking for the “tells” that would have clued me in to the real truth of the tale if I had recognized them the first time. Here, with as few spoilers as possible, are some of my favorite unreliable narrators, (and a few whose heads I could not wait to get out of):

1. Silver Linings Playbook – When we meet the  point-of-view character Pat,  he’s being released from a mental facility into the care of his parents. That’s the first indication that situations in the story may not be exactly as they seem. As Pat’s repressed memories start to come forward, we’re able to piece together exactly why Pat was institutionalized in the first place.

2. Flowers for Algernon –  Charlie Gordon is a learning disabled man who undergoes an experimental operation to increase his intelligence. The novel is told through entries in Charlie’s journal, and the reader is able to see the improvements in self-awareness and intelligence through those entries. Then, too, we witness his deterioration as the long-term effects of the operation make themselves known. Bring a hankie.

3. Life of Pi – A fantastical tale of a boy set adrift after a shipwreck, with a tiger sharing his life raft. It’s a beautiful and uplifting story, until it is revealed that it may be what the narrator’s chosen to believe rather than what actually occurred.

4. Room Told from the very limited point of view of a five-year-old boy, Jack,  who has spent his entire life in an 11-square-foot soundproofed room with Ma, his mother. When Ma devises a plan for Jack to escape, we experience the exhilaration and confusion the world for the first time along with him.

5. The Curious Incident of the Dog in the Nighttime – The engaging narrator of this book is an autistic teen, so we perceive the events in the story the way he would. When he comes across a neighbor’s dog stabbed with a fork, his obsession with Sherlock Holmes takes over to help him solve the mystery.

6. Fight Club – Whether you’ve seen the movie or read the book, the twist that’s revealed about the identities of characters in this story packs a real punch (sorry, I couldn’t resist).

7. Shutter Island – In this gripping psychological thriller, nothing is quite what it seems. It starts out as an investigation into the escape of a mental patient, and well,  to say more  would be too spoiler-y.

8. Lolita – A compelling and beautifully written book told by a pedophile who is as charming as he is perverse. His justifications and attempts to win the reader’s sympathy are as fascinating to read as they are icky.

9 & 10.  The Girl on the Train  & Gone Girl – I’ve lumped both of these together even though they both contain different types of unreliable narrators (a blackout drunk and just plain liar) because they came out close together, are both murder mysteries, and if you’ve read one, you’ve probably read the other. I couldn’t wait to close the covers on both of them, though, the characters were just too unlikable for me to want to spend much time with.

Wick-ed Action

I love a good action film. In going over lists of various film genres, I discovered I’ve seen the majority of the “best” action films, though I don’t always agree with what is considered an “action” film. I expect an action film to have – well, action: a lot of movement of characters or equipment, such as vehicles. It could be modern reality based – James Bond or Air Force One, or futuristic, such as Terminator, Alien, or Serenity, comic book heroes, or war-type films such as Commando or Rambo (my grandmother made me take her to every Stallone and Schwartzeneggar film that came out). There should be suspense, perhaps mystery, a vehicle chase, and almost always a good fight scene. Body counts are expected, but graphic violence isn’t required – Suicide Squad had a high bullet count, but little gore. History of Violence had a lower bullet count, but extremely graphic depictions. I don’t mind gore, but I won’t watch cruelty or sadism – I shut off Killing Season because it was focused on torture, not action.

I adored John Wick, an action movie with Keanu Reeves as an assassin who tries to retire but is sucked back into the business against his will. It was just about everything I could want in a film – the script is good, the acting is good, the cast is excellent and the action is awesome. It’s just a good all-around film. I saw John Wick 2 on opening day (the DVD was released June 13) and – it was good, but not quite as great as the first. The action is impeccable – perhaps the best actual hand combat choreography I’ve ever seen (especially compared to the farce of Batman v. Superman). The script is good. But Wick’s lines, so eloquent before, are cut to choppy, often one-word sentences, which Reeves is not good at. It’s got a high bullet count, a high body count, and realistically graphic splatter from a man who was known for killing four people with a pencil.

One thing I noticed about John Wick 2, though not as obvious as it was in London Has Fallen, a C+ film with multiple script flaws: the impact of videogames on choreography of action sequences. JW 2 has a wonderful flight/fight scene through the ancient underground tunnels of Rome, but you can see the influence of popular games such as Call of Duty or Grand Theft Auto. Run, stop, run, corner, shoot, shoot balcony. Man pops out of hall, bang. Run, stop, turn, shoot. It might fit the tone of the scene, but it’s very stiff and staged. London Has Fallen was much worse: the greatest action sequence of the film, the Big Rescue, and the movie looked as if you’d taken a clip from Call of Duty, overlayed it with actors, and CGI’d them together. Maybe it was my TV upgrading the blu-ray to 4K, but you could almost see pixelation in the edges of the graphics. You could have checked it off a list: guy pops up behind garbage can? Check. Drive-by shot through windshield? Check. Balcony? Check. It was so obvious that not only did it stand out, it was distracting, and you stopped watching the progression because you were so offset by the fakeness, a “Where-Have-I-Seen-This-Before?”

Is this the wave of the future? I hope not. Sure, you can look back at an early Bond film and see how cheesy the fight scenes are. You can almost hear them counting off in their heads: fist, block, step, kick, block, groin, throw, grab, twist… You can marvel at the slo-mo twists and turns of The Matrix sequences, but that’s not exactly reality, either. CGI is wonderful – it gave us Legolas sliding down oliphaunts , Avatar, and Inception. Almost all movies are made with a green-screen at this point, even comedies. But videogames are another empire – like trying to equate a romance film with porn: all the action, none of the reason. You can pop bullets all day, but why you’re doing it is a vague battle against “bad guys.” Relying on a videogame sequence kills the creativity needed. Think of the cliché of the good guy crouched down, pointing people what direction to go and then shooting at the target to cover them, or the stock western of a shootout on main street, with townsfolk peering through broken shutters. Action movies need to reinvent themselves by nature to keep themselves fresh and interesting.

Videogames are fun. Action films are fun. Sometimes movies based on a videogame are really fun (Warcraft, Tomb Raider, Mortal Kombat). But using videogame mentality in place of a more expensive or creative thought process – that’s cheating, and it doesn’t look nice.

Have you noticed the “videogame effect” in any other films?

You Know You Love Sci-fi if….

You know you love sci-fi if…

1. You see the words “Travel Program” in an email and think it says “Time Travel Program”.  (Yes, I did this! Wouldn’t that have been a great library program?)

2. Your collection of cosplay costumes is larger than your regular wardrobe. (Guilty.)

3. You have a working knowledge of Klingon. (Did you know that Klingon translations of works of world literature have been published? Just saying…)

4. You have strong feelings about the Star Wars versus Star Trek debate. (In the interests of not offending anyone, I’m going to give this a miss.)

5. When someone mentions the number 42, you laugh. (Every time.)

If this sounds like you,  you’re in luck! The Cheshire Library has a great collection of science fiction. Check out some of our new sci-fi arrivals:

The Hike
by Drew Magary
When Ben, a suburban family man, takes a business trip to rural Pennsylvania, he decides to spend the afternoon before his dinner meeting on a short hike. Once he sets out into the woods behind his hotel, he quickly comes to realize he is falling deeper and deeper into a world of man-eating giants, bizarre demons, and colossal insects, and the path he has chosen cannot be given up easily.

A Night Without Stars by Peter F. Hamilton
On a routine space flight, Major Ry Evine inadvertently frees a captive vessel that crash-lands on the planet of Bienvenido carrying the last, best hope for human survival: a baby. But a far from ordinary one. The child not only ages at a remarkable rate but demonstrates knowledge and abilities far beyond those of Bienvenido’s humans. Hunted by all, she is a crucial link to humanity’s lost past–and a  future already almost out of reach.

Take Back the Sky by Greg Bear
Marooned beneath the icy, waxy crust of Saturn’s moon, Titan, Skyrine Michael Venn and his comrades face double danger from Earth and from the Antagonists, both intent on wiping out their growing awareness of what the helpful alien Gurus are really doing in our solar system. Venn must  journey far beyond Pluto where he will finally understand his destiny and the destiny of every intelligent being in the solar system.

The Stars are Legion by Kameron Hurley
On the outer rim of the universe, a galactic war has been waged for centuries upon hundreds of world-ships. But these worlds will continue to die through decay and constant war unless a desperate plan succeeds. Anat, leader of the Katazyrna world-ship and the most fearsome raiding force on the Outer Rim, wants peace. To do so she offers the hand of her daughter, Jayd, to her rival.

Navigators of Dune by Brian Herbert
Navigators, mutated by spice into beings far superior to normal humans, have made space travel possible: their prescient awareness allows them to foresee safe paths through the universe as starships “fold” space. Only one man knows the secret of creating Navigators, and he intends to use them to build a commercial empire that spans the galaxy.  What could go wrong?

Spaceman of Bohemia by  Jaroslav Kalfar
Hoping to become a national hero, Czech astronaut Jakub Procha accepts a dangerous solo mission to Venus and faces unknown dangers, wavering sanity, Russian rivals, and a giant alien spider who engages him in philosophical conversations.