Unorthodox Aliens

Reading science fiction can be overwhelming — what on earth is a chrono-synclastic infundibulum? Despite the tough jargon and speculative concepts, it’s quite an inward-looking genre. These stories typically loop back around to reflect something about ourselves — an assumption or expectation or fear that could use some interrogation. Aliens are possibly the most overt display of this narrative device. They are funhouse mirror versions of ourselves: the same but different. Aliens carry all the social, cultural, and political baggage we tend to associate with Otherness, but evoke sympathy too. At the end of E.T., are we not puffy-eyed to see that strange creature, who’s been nurtured and accepted, finally return home?

And don’t we all feel like E.T. — an alien, a pariah — in some way?

Here are some novels and stories that feature subtle and unconventional alien characters.


Sirens of Titan by Kurt Vonnegut

Kurt Vonnegut loves his unorthodox aliens. Hand-shaped Tralfamadorians play a significant role in Slaughterhouse-Five, but I’d like to mention a minor alien race from Sirens of Titan. In a slight deviation from his main journey, protagonist Malachi Constant crash-lands on a planet populated by harmoniums: flat, kite-shaped beings that cling to cave walls and only perceive the world through touch. They communicate with limited telepathic abilities and are able to send two possible messages:


The first is an automatic response to the second, and the second is an automatic response to the first.
The first is, “Here I am, here I am, here I am.”
The second is, “So glad you are, so glad you are, so glad you are.”


Hyperion by Dan Simmons

Hyperion borrows its framing device from The Canterbury Tales. Its narrative unfolds as each of six pilgrims tells their portion of the story on their way to the time tombs, where they plan to confront the omnipotent Shrike. The Shrike fits your evil-monster-alien archetype (with some twists along the way), but there are other alien beings that populate the many planets of Hyperion. Most poignant is Simmons’ depiction of a human race that has lost its home: the Earth. They become aliens in their own right, establishing new civilizations around the galaxy but ultimately “alienated” in one way or another.


Stories of Your Life and Others by Ted Chiang

“Story of Your Life,” from the short story collection Stories of Your Life and Others, is about language, specifically the field of science known as linguistic relativity. Researchers in this field try to determine whether the language we use affects the way we think. For example, some languages describe time using distance terms (like “short” and “long”) and others describe time using quantity related terms (like “much” or “little”). A study from 2017 concluded that, under certain circumstances, these language differences result in actual differences in time perception.

Chiang takes this idea to its extreme and introduces an alien race that communicates in a completely circular language. As a result, these aliens perceive time as though it were a circle, living the entirety of their lives simultaneously- past, present, and future.

What if a human were to learn their strange and powerful language? “Story of Your Life” was adapted into the 2016 film Arrival.


The Paper Menagerie by Ken Liu

Some might be familiar with Ken Liu’s translation work. He’s best known for the English translation of The Three-Body Problem, a sci-fi epic by Liu Cixin (now a Netflix Original). He also writes novels and short stories that blend sci-fi, fantasy, and folklore.

His short story collection Paper Menagerie opens with “The Bookmaking Habits of Select Species.” The title says it all — how might alien races create persistent representations of their language and thoughts? I particularly like how he describes the Allatians: they stick their proboscis onto an impressionable surface, and as they speak, their proboscis vibrates and etches a groove into the surface. To read what another Allatian has written, one drags their own proboscis through the groove, and a hollow part of their skull amplifies the sound; the voice of the writer is recreated.


The Book of Strange New Things and Under the Skin by Michel Faber

Aliens are a recurring theme in Michel Faber’s writing. His 2014 novel, The Book of Strange New Things, takes place on a far-away planet that has been introduced to Christianity. Missionary Peter Leigh becomes the new minister of a docile alien congregation but struggles to reconcile his ecclesiastical commitment and the guilt of leaving his wife back on Earth, where climate change and political turmoil conspire to topple civilization.

Under the Skin, Faber’s first novel, paints a darker portrait of humanity (or alienity, ha). It’s the kind of book that holds its cards close and lets the reader marvel (and shudder) as the story progresses.

Faber presents a kaleidoscope of Otherness; themes of exploitation, gender, immigration, class politics, and animal cruelty are woven throughout and explored with satirical levity. The book was loosely adapted into a movie of the same name in 2013 with Scarlett Johansson.


Which “Unorthodox Aliens” am I missing? Let me know in the comments section below.

One thought on “Unorthodox Aliens

  1. Very much like the “Darmok” episode of Star Trek: The Next Generation, where the Tamarians communicate only in metaphors, and great difficulties arise until this is figured out. Frederik Pohl’s “Jem” also comes to mind, with aliens very different from humans. For horror aliens, there’s “Belarus,” by Lee Hogan. Communication isn’t the problem, it’s how the aliens feed.

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