Thirty Years of Phantom of the Opera

September 26, 2016September 21, 2016 / Mary / Leave a comment

This October marks the 30th anniversary of the debut of Andrew Lloyd Weber’s Phantom of the Opera and we’re celebrating on Saturday, October 1st with a showing of the 25th anniversary production filmed on stage at the Royal Albert Hall in London. This lavish performance stars Ramin Karimloo and Sierra Boggess. (Can’t wait for October 1st? Download the 25th anniversary performance from hoopla.)

Phantom originated as a novel by Gaston Leroux that takes place in the Paris Opera House. Nearly everyone connected with the opera house has felt the phantom’s vague, troubling presence. But only Christine Daae will learn the secret of why the man who has made the tunnels beneath Paris his private domain must forever hide his face behind a mask. Part horror story, part historical romance, and part detective thriller, the tale of a masked, disfigured musical genius is familiar to millions of readers, as well as to movie and theater-goers. Leroux’s phantom is darker and, yes, crazier than the phantom of stage and screen and a comparison of the original story to the play and movie adaptations is a must for all Phantom fans.

So read the book, listen to an audio version, watch the movies and then join us at the library on October 1st to see the ultimate stage production of the longest running musical of all time.

Phantom2 And don’t forget! The elusive Phantom himself will be on hand to pose for pictures before and after the show!

The Phantom of the Opera downloadable audiobook

The Phantom of the Opera DVD.

The 2005 movie starring Gerard Butler.

The Phantom of the Opera downloadable movie.

The original version starring Lon Chaney!

The Phantom of the Opera

The original novel.

Unsung Heroes: The Soundtracks of Your World

August 1, 2016June 28, 2016 / Susan O. / 2 Comments

Think of your favorite movie or television program. Now think about watching it with the sound turned off. It’s just not the same, is it?

Every film, starting with the advent of the movie theater, has some sort of background music that adds to the drama of the moment. You know many of these tunes without even thinking, like Chopin’s Sonata No. 2 in B-flat Minor. Say what? You might know it better as the iconic Funeral March, parodied in umpteen cartoons and shows. Even if you’ve never seen the films, you can probably recognize the theme from Rocky, or Star Wars, Raiders of the Lost Ark, or Purple Rain. Remember the hits Ghost Busters, Saturday Night Fever, or 9 to 5? Those all began as movie songs. Think of na-na’ing with Batman or to Jaws, Hawaii Five-O, or Bad Boys, the theme from the white-T-shirt-promoting TV show Cops. Soundtrack songs stick in your head, sometimes without you wanting them there.

Sometimes a soundtrack can introduce you to music you wouldn’t normally listen to. My chances of cranking Mozart in my car are close to zero, but I’ll watch the film Amadeus over and over, reveling in “Salieri’s” moving descriptions of Mozart’s music, and I’ll feel every note of its beauty. I’m not too much into old-timey twangy folk, but the soundtrack to the 30’s-era epic Oh Brother, Where Art Thou? adds an earthy realism to the film. Stand By Me is chock full of pop hits from the early ’60’s. Ditto for Forrest Gump, whose soundtrack is pretty much a history of modern American music. Sometimes the music seems to have nothing to do with the movie but we love it anyway, such as Simon and Garfunkel’s top hits from The Graduate. The folky acapella track of Katniss singing “Hanging Tree” in Mockingjay hit number one on the charts in England. Philadelphia has a nice variety of music, from Oscar-winning pop hits to opera. The old British comedy series Young Ones used to spotlight different songs, and got me hooked on the group Madness.

There are times, however, that the orchestral music in the background of a film or TV series is so beautiful it can distract you from the film itself. The soundtrack to Thor did that to me; the movie was engaging, but the music drew your ear away. Pirates of the Caribbean is another – what is Jack Sparrow without his sneaky tiptoe music? Like Star Wars, the music themes give away what’s coming next. The soundtrack to The Lord of the Rings is majestic, speckled with sung tracks by Bjork, Annie Lennox, and the vastly underrated voice of Billy Boyd – Pippin himself. If you want to find a good one fast, John Williams is probably the undisputed King of Soundtrack music, but also look for Hans Zimmer, Danny Elfman, Howard Shore, and the late James Horner. Every one of them makes soundtrack music look effortless. You may not like “classical” music, but these orchestral arrangements – “modern classical” – can put a different voice to the genre.

Soundtrack music can make or break a film or TV show. I’ve never seen 1981’s Chariots of Fire, but that darned theme is still stuck in my head. Whether or not you liked the shows, the title themes from The Brady Bunch, Gilligan’s Island, The Addams Family, and The Mickey Mouse Club remain cultural icons, still widely recognized decades later. It was a song in the middle of the movie version of M*A*S*H* that later became the opening theme for the television series. Forty years later we still know the theme song to Scooby Doo, a show that originally ended in 1976, or The Flintstones (ended in 1966), but no one remembers the theme from Holmes and Yoyo, Dharma and Greg, Eureka, or even Monk. Half of Malcolm in the Middle’s charm was the catchy theme by There Might Be Giants.

Having a “soundtrack” album isn’t just for Hollywood musicals – those are a class by themselves – but for every film or TV series, and most of them, good or bad, have released one, though some may be hard to find (took me years to find the soundtrack to Ladyhawke, a poorly filmed but underrated movie). Check out the film, then check out the soundtrack. You may be delightfully surprised.

What movie or TV music rocks your world?

Revisiting Fiddler on the Roof

August 23, 2014October 7, 2014 / Mary / Leave a comment

My family and I recently saw a live performance of Fiddler on the Roof. It was my daughter’s first time seeing the play and as we discussed it afterwards, I marveled at how my perspective of the show has changed over the years.

I first saw Fiddler in the 1970’s when I was a young girl. I always identified with Tevye’s daughters and their hopes and fears as they dealt with their roles in their traditional village and the changes overtaking their world.

Upon seeing the play again, as the mother of a twenty year old, I discovered that my perspective had shifted. When as a girl I could not understand Golde’s preoccupation with planning her daughters’ futures, as an adult I now saw her point of view. It’s not the “can my daughter make a good match” aspect of Golde that I mean; it’s the concern over the future of a beloved child.

When I was younger I watched as Hodel, the second daughter, boarded the train for Siberia so she could be with the man she loved, and I saw nothing but the romance and the adventure. Now as a parent watching that scene, I cringed at the thought of sending a child off to a far away place, perhaps never to see her again.

And the songs! My sisters and I would often sing the Matchmaker song. Now, as I watched the play, it was Do You Love Me that held my attention and Sunrise, Sunset that brought tears to my eyes.

My daughter was enthusiastic about the show and wanted to see the movie to compare it to the stage production. She borrowed the DVD from the library, along with the Broadway soundtrack.

We spent an enjoyable evening later that week watching the film version and had an animated discussion about Tevye’s daughters and the choices each made. I watched my daughter as she focused on Tevye’s daughters and thought of a stanza from Sunrise, Sunset. Swiftly fly the years…

If you would like to revisit Fiddler on the Roof or perhaps see it for the first time, you can find the movie, soundtrack, and the musical score all at the library.