Graphic Novel Adaptations: Old Stories with a New Twist

Graphic novel adaptations are not new, comic books based on classic literature could be found as early as the 1940’s and 50’s. Lately, however, there’s been a new crop of adaptations in graphic novel format that deserve some attention. While an adaptation of a book can never take the place of the original, it has value as a companion piece to the original, offering a fresh perspective on a well-established tale. This is particularly true of graphic novel adaptations, where illustrations and a change in pace can breathe new life into an older book. Even when a book isn’t all that old, a graphic novel interpretation allows us to see the story from a different angle.

We have a whole bunch of graphic novel adaptations on our shelves, for all ages. Here are some of our favorites.

FOR ADULTS:

The Handmaid’s Tale, original story by Margaret Atwood ; art & adaptation by Renée Nault.

Animal Farm, original story by George Orwell ; adapted and illustrated by Odyr.

The Great Gatsby, original story by F. Scott Fitzgerald ; illustrated by Aya Morton ; text adapted by Fred Fordham

Small Gods : a Discworld graphic novel, original story by Terry Pratchett ; adaptation by Ray Friesen

City of Glass, original story by Paul Auster ; adaptation by Paul Karasik and David Mazzucchelli

American Gods 1: Shadows, story and words by Neil Gaiman ; art by Scott Hampton 

A Game of Thrones, original story by George R.R. Martin ; adapted by Daniel Abraham ; art by Tommy Patterson

FOR TEENS (and adults, too!):

The Hobbit, original story by J.R.R. Tolkien ; adapted by Charles Dixon with Sean Deming : illustrated by David Wenzel

To Kill a Mockingbird, original story by Harper Lee ; adapted and illustrated by Fred Fordham

Jane (based on Jane Eyre by Charlotte Brontë), written by Aline Brosh McKenna ; illustrated by Ramón K. Pérez 

Poe : Stories and Poems, original content by Edgar Allan Poe ; adapted by Gareth Hinds

A Wrinkle in Time, original story by Madeleine L’Engle ; adapted and illustrated by Hope Larson

The Giver, original story by Lois Lowry ; adapted by P. Craig Russell ; illustrated by P. Craig Russell, Galen Showman, Scott Hampton

Speak, by Laurie Halse Anderson ; artwork by Emily Carroll

FOR MIDDLE GRADE READERS:

Meg, Jo, Beth, and Amy (based on Little Women by Louisa May Alcott) ; adapted by Rey Terciero ; pencils by Bre Indigo

Anne Frank’s Diary ; adapted by Ari Folman ; illustrations by David Polonsky

The Graveyard Book, original story by Neil Gaiman ; adapted by: P. Craig Russell ; illustrated by: Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, Stephen B. Scott

Anne of Green Gables, original story by L. M. Montgomery ; adapted by Mariah Marsden & Brenna Thummler

The Secret Garden on 81st Street (based on The Secret Garden by Frances Hodgson Burnett) ; adapted by Ivy Noelle Weir ; illustrated by Amber Padilla

The Witches, original story by Roald Dahl ; adapted and illustrated by Pénélope Bagieu

Oz : the manga, original story by L. Frank Baum ; adapted by David Hutchison

The Maus Trap

As long as there have been books, there has been controversy about books. There have been six major book-burnings in the US (yes, America) over Harry Potter, because some people believe a little too much in witches, though, personally, if I believed that strongly in witches, I might just not want to anger them.

But logic doesn’t exist in book burnings, or bannings.

In 1948, in Binghamton, New York , people went door to door gathering and burning comic books, to save youth from their moral depravity. It sparked a nationwide comic-book burning spree, including here in Connecticut.

This year’s book fiasco (and this happened on January 10), has been the McMinn County (Tennessee) School Board voting 10-0 to remove the graphic novel Maus from their curriculum, over the use of 8 curse words (the most objectioned being – forgive me if you will, God damn), and the depiction of a naked mouse in a bathtub, with a breast showing. A mouse-breast. 

Maus is not drawn as graphic realism; with its heavy line style, it could be cut and printed in woodblocks and look the same.

Maus, by Art Spiegelman, is the winner of a 1992 Pulitzer Prize, the only graphic novel ever to do so. In it (sometimes found in two volumes, sometimes as one combined), Spielman interviews his father, a Polish Jew, as to what it was like to survive the Concentration Camps – his father spent time in both Auschwitz and Dachau, and his mother in Auschwitz. Nazis are portrayed by cats, Jews by mice, Americans by dogs, French by frogs, British as fish, and Swedes as deer.  

Spiegelman has a lot of anger toward his father that comes out now and then in the story. His father was, understandably, damaged by the war and not necessarily an empathetic father. Spiegelman’s mother couldn’t rid herself of the experience, and committed suicide when he was 20 (the unfortunate mouse in the bathtub). It’s a true story, an honest story, and Spiegelman’s struggle to make sense of it and his place in the narrative is the struggle we all face trying to understand the Nazi rise to power and the unimaginable atrocities they carried out – atrocities so horrific, the experiences threw open the study of epigenetics on the belief that the DNA of survivors’ children had been altered by the experiences of the parents, though some studies are undecided.

Tennessee withdrew the book from the curriculum just three days before Holocaust remembrance day, citing moral issues that included violence and showing dead mouse children, language, and that naked mouse breast in one panel. 

Maus is now the top-selling book in America, thanks to Tennessee’s decision that thirteen year olds learning about the Holocaust in graphic form and seeing mild curse words in print might damage them. Good thing they never saw the photo novel my father, a historian, has of World War II, which is nothing but photographs of the war, including too many horrific images from the various camps, a book which has haunted me since childhood.

The internet, while not reliable for many things, had the best quote: If it was okay for 13 year old Anne Frank to live through it, why is it too disturbing for 13 year old Tennessee children to learn about it? 

There are many reasons some books may be objectionable, outside of really bad prose, and yes, it is not unreasonable that some books should have an age limit – after all, movies and video games do. I would not recommend reading “The Exorcist” to a ten year old, even a literate one. The thing to remember is that not everyone can agree on what or why something should be limited, or worse, banned. Always, always, read the banned book, find out what information someone is trying to suppress, why, and then talk about it. If you still find the material objectionable, that’s fine, but you don’t have the right to control its availability to others.

Decide for yourself. Maus is currently sold out on Amazon, but you can join the wait list for the library’s copy here. Meanwhile, check out these commonly banned books – most of which the rest of America considers classics (1984 by Orwell is the #1 banned book in America).

The World of Castle Waiting

jacket-aspxCastle Waiting by Linda Medley is a graphic novel in two volumes that depicts a world where horses walk upright and wield swords. A world of ghosts and amulets and curses. And yet, a world of  everyday life that deals with such things as the logistics of cooking for a crowd, doing the laundry, and whether it’s more important for underwear to be functional or interesting.

And through it all, one plucky heroine named Jain travels in search of the legendary Castle Waiting, a sanctuary for anyone who needs it. The characters are wonderful and no one bats an eye at any being, no matter how different: talking storks, annoying sprites, bearded ladies, the mentally unstable, the warriors are all taken in stride and regarded with compassion and a touch of humor.

A small demon  patrols the neighborhood around Castle Waiting looking for souls to corrupt. Sprites infest the castle walls. A lion with wings watches silently and mysteriously, sometimes from the roof and sometimes from the nearby woods. And Jain, who has spent months on the road, arrives just in time for the birth of her baby, whose father is as much of a mystery as everything else in the castle.

castleMeticulously drawn and by turns touching, hilarious, and heartbreaking, this story sucked me right in. With a deft hand,  Medley strews literary references throughout the story and skewers old fairy tales. One reading simply is not sufficient. Only through multiple readings will you be able to catch all the allusions and details. Each panel not only features the major characters but a wealth of of background action. (Watch for the sprites stealing things while no one notices.) The architectural detail of the castle made my wanna-be architect heart beat faster.

This is not a utopian story. People die. There are thieves, baby-nappers, and violence. Jain starts her journey by escaping from an abusive husband. Yet, in a way, Castle Waiting is a utopia. Bickering happens and personalities clash, but underneath it all there is an unquestioning acceptance of everyone.

It seems like a wonderful place to be. It is just quirky enough for my taste and there are enough adventures to keep boredom at bay. The characters bowl in the castle halls. They eat Turkish Delight. They dye their hair red and hold impromptu tea parties.  And each one has a story that is slowly revealed though the (so far) two volumes.

Jain Solander from the graphic novel Castle Waiting. Artist: Linda Medley.

From Castle Waiting, Vol. 1. Copyright Linda Medley.

Did I mention that Castle Waiting has a library complete with a ghost? I want to go live there.

Take a look at other Graphic Novels available at the Cheshire Library.

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Dark Justice

       4810718-7340774645-the-b_Arl6x9k I don’t read comic books; the drawings v. words are too visually distracting for me. The ones I hold tight in my file cabinet you’ve probably never heard of. But I love Batman. Adam West Batman. Super Friends Batman. Keaton, Clooney, Kilmer, Bale, I like them all. And yes, I had no problem with Affleck’s performance. Nine Batman films have raked in a combined profit of more than $2.2 Billion – no small change. I like Wonder Woman, and Spiderman, and don’t get me started on how much I love the Avengers.

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But I don’t like Superman. Never did. My favorite would be Super Friends Superman, and after that it’s Chris Reeve or nothing. Perhaps he’s too squeaky-clean – far more than Captain America, and too powerful. Krypton is one of the rarest gases, one part per million of our atmosphere. You would have to sift an awful lot of air to gain enough Krypton to affect him. Barring Lex Luthor, Superman is more or less invincible, and no one likes a prissy Lawful Good (this is the same problem fought in the X-Men series, Watchmen, and Captain America: Civil War). What good is a hero who has no faults and can’t be harmed?

51omO8G3K-L._AC_US160_Batman v. Superman: Dawn of Justice – due on DVD July 16 – didn’t grab me from the start, but I went to see it because – well, Batman. If you haven’t seen the last reboot of the Superman franchise, Man of Steel, be prepared for confusion, for BvS takes up right where Man of Steel left off. Batman is mighty ticked at Superman for all the damage he wrought in lives and property, and takes it upon himself to curtail Superman in a surge of animosity that seems to come out of nowhere. Batman’s good for a simmering revenge, not a sudden “You need to be taken down, I don’t like you” petty vindictiveness. Batman, a mere mortal with cool toys, tries to take down a superbeing who cannot be stopped. Needless to say, it does not go well.

Batman v. Superman seems lost in its own purpose. It’s a fair Batman film, a wooden and flat Superman film (Spider-Man has more lines in Civil War than Superman did in BvS), and if Batman-V-Superman-Zack-Snyder-Trinitythere’s any shining hero here, it’s Wonder Woman. If anything, it’s merely a clunky prequel to 2017’s Wonder Woman movie. In fact, you probably could have cut the whole rivalry down to 30 minutes, then began the Wonder Woman movie, and had a much better film.

My biggest gripe with the film, writing and directing aside, is that Batman breaks character. Guns are not Batman’s forte. Batman does not carry them, Batman does not shoot them. Batman is about outsmarting the villain and bringing them TO justice, not carrying it out himself. Batman is the thinking man’s hero. Batman never even kills the Joker. But here’s  Batman, shooting and killing like Rambo. That was my breaking point. And it is quite established that Batman is well-versed in martial arts; Batman’s moves in BvS are poor at best; slow and unconvincing.

batman-vs-superman-dawn-of-justice-movieIf you hunt for it, there are enough good bits to make the film worthwhile; all the Wonder Woman scenes among them. It is certainly nowhere near the abysmal level of 1992’s Batman Returns, with Danny DeVito as a deformed demented Penguin – surely the lowpoint of his career. Forbes magazine nails the issues with the film quite nicely here: http://www.forbes.com/sites/insertcoin/2016/05/09/captain-america-civil-war-shows-exactly-why-batman-v-superman-failed/#6dda5e6446bb.

If you really love the superhero genre, then by all means watch it. There are far worse superhero films out there – Green Lantern and Eric Bana/ Incredible Hulk (2003) come fast to mind. But if you really want to see superheroes eating their own and winning at it, wait for Captain America: Civil War.

Get up to Speed on Graphic Novels

Graphic novels are often put down or considered less than traditional books. However, the artistry and creative storytelling that is included in quality graphic novels is simply amazing.

I have to say that I have always loved graphic novels, and both the quality and quantity of available works seems to be increasing. Classic works, popular fiction, and new ideas are all being made into graphic novels at a pace I simply cannot keep up with. Here are some of the best, new, graphic novels available in our adult and young adult collections bestgn1that I would recommend. Keep in mind that if you do not see the titles you are hoping for in our physical collection we have even more available digitally. You could join my husband in reading through a variety of great graphic novels available through Hoopla!

Ms. Marvel. 1, No Normal by G. Willow Wilson, Adrian Alphona
Kamala Khan, a Pakistani-American girl from Jersey City who lives bestgn3a conservative Muslim lifestyle with her family, suddenly acquires superhuman powers and, despite the pressures of school and home, tries to use her abilities to help her community.

March. Book One and March. Book Two by John Lewis, Andrew Aydin, Nate Powell
A first-hand account of the author’s lifelong struggle for civil and bestgn5human rights spans his youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., and the birth of the Nashville Student Movement.

Nimona by Noelle Stevenson
Lord Blackheart, a villain with a vendetta, and his sidekick, Nimona, an impulsive young shapeshifter, must prove to the kingdom that Sir Goldenloin and the Institution of Law bestgn4Enforcement and Heroics aren’t the heroes everyone thinks they are.

Lumberjanes. Volume one, Beware the Kitten Holy written by Noelle Stevenson & Grace Ellis
Best friends Jo, April, Mal, Molly, and Ripley spend a fun summer at Lumberjane scout camp where they encounter yetis, three-eyed wolves, and giant falcons while solving a mystery that holds the fate of the world in the bestgn6balance.

The Thrilling Adventures of Lovelace and Babbage by Sydney Padua
Presents an alternate history in which Charles Babbage and Ada, Countess of Lovelace, build the “Difference Engine” and use it to explore the wilder realms of mathematics and fight crime for the sake of both London and science.

bestgnbottomMore graphic novels that are must reads for anyone remotely interested include: The Sandman: Overture by Neil Gaiman, J.H. Williams III, Dave Stewart, Todd Klein,  The Sculptor by Scott McCloud, Rat Queens. Volume One, Sass and Sorcery by Kurtis J. Wiebet, Roc Upchurch, Black Science. Volume 1, How to Fall Forever by Rick Remender, Matteo Scalera, Pretty Deadly. Volume One, The Shrike by Kelly Sue Deconnick, Emma Rios, The Wake by Scott Snyder, Sex Criminals by Matt Fraction, Chip Zdarsky, Becka Kinzie, Christopher Sebela, Attack on Titan. 1, The bestgn2Desperate battle Begins! by Hajime Isayama, translated and adapted by Sheldon Drzka, and Saga. Volume 1  by Brian K. Vaughan, Fiona Staples.