Fast and (Not Always) Furious

I don’t “watch” TV. The last series I actually watched was the last season or two of NYPD Blue, back in the early ‘00’s. My life was just too complicated to worry about being home to catch a program, because nine times out of ten, it just wasn’t going to happen. And my life was so much better for it! Free time I never had before.

But, thanks to the availability of On-Demand programming, whether streaming Hulu or Amazon or Netflix or Hoopla, I do get to see some shows – on my time, when I’m able, and it’s no crime if today’s not one of those days. If it’s a television show, we’ll watch one episode during dinner – everyone around the table, talking and watching. That’s how I got through six seasons of Sons of Anarchy, two fabulous seasons of Penny Dreadful, a full 12-season recap of NYPD Blue, and now my husband has me watching Blue Bloods, a mild police drama starring Tom Selleck, though I still think of him as Magnum, P.I., and the original Sweeney Todd himself, Len Cariou, whom I adore in anything.

Blue Bloods is okay. It’s got good actors, it’s entertaining, but it’s not deep. Each episode is self-contained, bright and polished like an old Quinn-Martin production, and none of the gritty realism and continued drama of NYPD Blue. It’s very clean and family oriented, but the writing is not always the greatest, with occasional weak scripts and clichéd lines. Because each episode wraps up on its own, nothing can get too much meat to it.

The last episode I watched had to do with insurance fraud over a valuable car – the car allegedly from the Steve McQueen movie Bullitt, which they touted as one of the greatest car chase scenes ever.

So of course we had to watch it.

My dad’s favorite sport was cars – race cars – not the NASCAR stock stuff, but the elegant turns of the Monaco Gran Prix, the high-speed chase of Formula One, or the Holy Car Holiday in our house, The Indy 500. I thought Jackie Stewart was the greatest announcer in history. And I learned to drive stick on my parents’ automatics just by the engine sounds my dad would make when he pretended he was driving a race car – when I finally did learn stick, it was effortless because I could tell when to shift by the sound of the engine.  So I don’t mind a bit if I have to watch a car-chase movie. And I guess I’ve watched a lot of them.

Bullitt, as a movie, is typical of the late-60’s-early-70’s dark genre: a slow movie where actors must have been paid by the line, because nobody says anything unless they absolutely have to, all the actors are deadpan, and the sound quality is horrible because they really did just take a cheap microphone out onto the street, with little soundtrack, and there’s no great conclusion, they just sort of end with a “Life Stinks” blackout. What was strange was realizing not only there was Zero airport security, but no paramedics yet (1968; paramedics weren’t even an idea until 1971), rotary phones – not even push button, glass IV bottles, and no gloves during surgery. San Francisco lends itself to many great film chases (such as the comedy What’s Up Doc?), and this one does not disappoint, pitting a 1968 Ford Mustang 390 GT against a 1968 Dodge Charger 440 Magnum. That they manage to hold those corners is impressive.

Fandango listed their account of the ten best car-chase movies (a bad thing to think about as summer approaches and pavement is dry and the weather begs you to take a long drive) as:

  1. Bullitt
  2. Max Mad: The Road Warrior (still my favorite movie of all time)
  3. To Live and Die in LA
  4. Deathproof
  5. The Blues Brothers
  6. Ronin (I think this should be number 2 myself – it’s truly awesome)
  7. Smokey and the Bandit (How can you not love this one?)
  8. Gone in 60 Seconds (the 1974 original, though I like the remake better as a film)
  9. The French Connection (more famous than Bullitt, but the same era of filmmaking)
  10. Terminator 2: Judgment Day

For myself, I’d add Batman: The Dark Knight (anyone who can flip a tractor trailer end over end ranks high in my book), and the new Bourne movie, Jason Bourne, which opens with a wicked car chase through Las Vegas that got me from the first go.

Even if you don’t like car movies or car chases, I highly recommend the movie Ronin, as well as French Connection, Jason Bourne, and even Bullitt, movies where the storyline takes precedence and the chase is inconsequential and there’s no harsh screeching music track – like the Fast and Furious films, the thinking person’s car chase films; a little something for everyone.

 

The Road to El Dorado

The Road to El Dorado is a wonderful movie for the entire family. It is about two Spanish con men, named Tulio and Miguel, who, after gambling for a map, getting captured and escaping from Cortés himself, and taking his horse Altivo along, find themselves somewhere in South America. They follow the map to find the legendary city of gold. Upon arriving, they meet a wonderful cast of characters, they are worshiped as gods, Tulio forms a relationship with a woman named Chel, and they get caught up in the sinister plans of a man named Tzekel-Kan. All the while, Cortés is drawing closer…

This movie is one of my personal childhood favorites. It is a musical comedy that is perfect for children and adults. The plot is well-paced. At no point does one feel as if things have slowed down too much, which is especially good for children. The songs are memorable, the jokes are consistently funny, and the portrayal of Indigenous people is done very well.

Did you know that the people of El Dorado are meant to represent many different cultures of South America? Each aspect of the society (i.e. the buildings) is taken from a different civilization of South America.

Setting: Spain and the continent of South America in 1519.

What is this movie rated? PG

What is the run time? One hour and twenty-nine minutes.

Is there any objectionable content? There is cartoon violence in this movie, allusions to violence that is unseen, two on-screen deaths (one is a human and the other is a seagull), and two short scenes that show blood. Chel is a bit scantily clad, and there is a suggestive scene between her and Tulio. Tzekel-Kan has some scary scenes when he uses dark magic and when he is trying to sacrifice someone. This character also presents dark views of religion. Also, there are several adult jokes that are aimed at parents. However, as mentioned above, the portrayal of the people of El Dorado is not done disrespectfully.

Is this movie appropriate for children of all ages? Younger children may be scared or upset at a few scenes, but they should be fine otherwise. They will probably miss the adult jokes.

What themes are found in the movie? Themes of friendship, romance, good vs. evil, making mistakes, and adventure are found throughout this movie.

Who would like this? This movie is good for most families who like music, adventure, and comedic family fun.

Rating? Five stars.

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Strong Girls, Stronger Women

stb-jaylah-3While previewing the DVD for Star Trek: Into Darkness (as if I didn’t see it in the theater and wasn’t buying it myself 5 days later), I realized that Jaylah, the lead female character, is everything I want my daughters and granddaughter to be: strong, brave, smart, resourceful, a planner, a leader, and even when emotionally wounded, she never, ever gives in. Surely one of the strongest female leads ever, without losing her femininity in the process, like Grace Jones as May Day in A View to a Kill, or Louise Fletcher as Nurse Ratched in One Flew Over the Cuckoo’s Nest. It may even be safe to say that Jaylah’s the strongest female lead ever in Star Trek itself – and no, not even Uhura, who, although she could kick butt, was often saddled with lines like, “Captain, I’m frightened.”

And that made me start thinking on who the strongest female leads might be. By strong I don’t mean nastiest or most vicious goal-driven women, no Joan Crawfords or Cersei Lannisters or Erica Kanes. I mean women or girls who started out ordinary, but when faced with impossible odds, had the grit and determination and education and smarts to work their way into survival.

First on almost any list is Warrant Officer Ellen Ripley, from Alien. While you can say it ec93835d9542a13ce50f467297565f63already took guts and grit to be a warrant officer aboard a deep-space ship, finding out your mission was a suicide run to bring back an alien life form and you’re its food can either send you screaming in helpless panic (as Lambert did), or make you hike your bra straps and shoot first. Ripley is a real woman – no makeup, no unrealistic sexy uniforms, and not afraid to be pushy when she needs to be. And almost 40 years later (can it possibly be that long?) Alien still holds up on every level of film making; truly, a masterpiece.

katniss_prim_hugKatniss Everdeen is also a favorite for strongest female: just sixteen at the start of The Hunger Games, Katniss is already a survivor, having raised a sister and cared for a dysfunctionally depressed mother following the death of their father, in a world where people are kept in line through fear and starvation. Sacrificing herself to the Hunger Games to save her sister is just the start; surviving the Hunger Games not once but twice, surviving on luck, wits, and the smarts acquired through a lifetime of survival makes Katniss a formidable – but sympathetic and realistically feminine – heroine.

Sarah Connor of Terminator fame would round out my top three: a simple waitress who thought she was minding her own business until she’s hunted down by a terminator from the future – because when push comes to shove, Sarah will become a serious survivalist to save her son – a son who will grow up to be the leader against the machines that take over the world. Sarah is thrown into an impossible situation but comes out on top through sheer determination and a survival instinct that won’t quit.

Why so many women from science-fiction? That’s a good question. Perhaps it’s because “strong” women in literature or film are often seen as detestable power-hungry ladder-climbers who will use murder or sex to achieve their goals, and it is only in the realm of “fantasy” that women are allowed to be every-day humans, both strong and vulnerable at the same time, without boob jobs and fake nails. Yet the real world is peppered with incredibly strong women – Anne Frank, Malala Yousafzai, Margaret Sanger, Harriet Tubman, and so many more. Not one of them is sexualized by the media, either.

turn_me_loose_it_s_ashleySo, to be fair, there are literary women who also struggled against formidable odds: Scarlett O’Hara’s entire world was ripped from her by the Civil War: her income, her inheritance, her mother, her husband (whether or not she wanted him alive) wind up Gone With the Wind. She takes charge in a time and place when genteel women did not do that, and through guile and determination pulls her life and the lives of her family back together. And as the anti-Scarlett, I would include Mammy, who carried on through war and starvation, caring for former slaves and slave-owners alike, facing the same dangers as Scarlett but with even less means or social approval. In The Color sofiaPurple, yes, Celie has to survive an ugly life, but to me Sofia is far more of a tough cookie, taking her lumps and even prison because she won’t take the abuse anymore. Sofia is limited by society, but she’s every bit as tough as Katniss.

And moving further away, I would also nominate Maria, from West Side Story. She’s sixteen and stands between two warring gangs for love. The Sharks don’t frighten her. The Jets don’t frighten her. The police don’t frighten her. She gets in the face of each and every west-side-story-1961-dvdrip-moviecenter-avi_snapshot_02-16-56_2016-07-21_15-39-34one, standing up for what she believes in. No one is telling Maria what to think or do.

I could add more – Elizabeth Swan, Marion Ravenwood, Molly Weasley, Natasha Romanov – but if you’re looking for role models for girls and teens, real women who aren’t villainous or overly sexualized or vacuuous but incredibly strong and resourceful, there are plenty to choose from.

The World of Castle Waiting

jacket-aspxCastle Waiting by Linda Medley is a graphic novel in two volumes that depicts a world where horses walk upright and wield swords. A world of ghosts and amulets and curses. And yet, a world of  everyday life that deals with such things as the logistics of cooking for a crowd, doing the laundry, and whether it’s more important for underwear to be functional or interesting.

And through it all, one plucky heroine named Jain travels in search of the legendary Castle Waiting, a sanctuary for anyone who needs it. The characters are wonderful and no one bats an eye at any being, no matter how different: talking storks, annoying sprites, bearded ladies, the mentally unstable, the warriors are all taken in stride and regarded with compassion and a touch of humor.

A small demon  patrols the neighborhood around Castle Waiting looking for souls to corrupt. Sprites infest the castle walls. A lion with wings watches silently and mysteriously, sometimes from the roof and sometimes from the nearby woods. And Jain, who has spent months on the road, arrives just in time for the birth of her baby, whose father is as much of a mystery as everything else in the castle.

castleMeticulously drawn and by turns touching, hilarious, and heartbreaking, this story sucked me right in. With a deft hand,  Medley strews literary references throughout the story and skewers old fairy tales. One reading simply is not sufficient. Only through multiple readings will you be able to catch all the allusions and details. Each panel not only features the major characters but a wealth of of background action. (Watch for the sprites stealing things while no one notices.) The architectural detail of the castle made my wanna-be architect heart beat faster.

This is not a utopian story. People die. There are thieves, baby-nappers, and violence. Jain starts her journey by escaping from an abusive husband. Yet, in a way, Castle Waiting is a utopia. Bickering happens and personalities clash, but underneath it all there is an unquestioning acceptance of everyone.

It seems like a wonderful place to be. It is just quirky enough for my taste and there are enough adventures to keep boredom at bay. The characters bowl in the castle halls. They eat Turkish Delight. They dye their hair red and hold impromptu tea parties.  And each one has a story that is slowly revealed though the (so far) two volumes.

Jain Solander from the graphic novel Castle Waiting. Artist: Linda Medley.

From Castle Waiting, Vol. 1. Copyright Linda Medley.

Did I mention that Castle Waiting has a library complete with a ghost? I want to go live there.

Take a look at other Graphic Novels available at the Cheshire Library.

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High Interest Books for Middle Grade Readers

I have talked before about reluctant readers and transitional readers, particularly about finding books that can interest and engage them as they work to become more confident readers. (Check out the list here if this would apply to the books you are looking for). However, my kids are a little older now, so I have spent more time looking for the elusive perfect middle grade book to interest my high energy readers. They both love to read but only if the subject matter and action level meet their specific standards. I know this is a common issue since I have helped many a frustrated parent and child find something to read while working in the children’s room.

Why do I bring this up? Well, this week as I was unpacking a new order of children’s books I was thrilled to see a large number of books that fill this sweet spot of reads that would interest many middle grade readers. Right away I started mentally listing some of the best and realized how many zany, energy packed reads are available.middlegrade1

Here are some high interest, high humor, and high action reads for those who have trouble getting into a book, or who have convinced themselves that reading is boring. These are not readers who have trouble reading, only who are tired of being told what to read or have not found highly entertaining books and might have lost interest in books because of it.

Most of these suggestions are series starters or are by authors who consistently write this style of book, middlegrade2so if you find one that makes your reader happy they will have more to follow it up with.

The Last Kids on Earth by Max Brallier & Douglas Holgate

Whales on Stilts by M.T. Anderson

Home Sweet Motel by Chris Grabenstein

Marvin and the Moths by Matthew Holm and Jonathamiddlegrade3n Follet

Attack of the Fluffy Bunnies by Andrea Beaty

The Hero Revealed by William Boniface

The Adventures of Nanny Piggins by R.A. Spratt

Wonkenstein by Obert Skyemiddlegrade5

Castle Hangnail by Ursula Vernon

My Rotten Life by David Lubar

As usual, I found more books I wanted to include than can fit in a simple list, so more suggestions are: The 13-Story Treehouse by Andy Griffiths, SPHDZ by Jon Scieszka, The Robe of Skulls by Vivian FrenchHerbert’s Wormhole by Peter Nelson and Rohitash Rao, Frank Einstein and the Antimatter Motor by Jon Scieszka, The Lunch Witch by Deb Lucke, Dodger and Me by Jordan middlegrade6Sonnenblick, Timmy Failure: Mistakes Were Made by Stephan Pastis, My Big Fat Zombie Goldfish by Mo O’Hara, The Odd Squad: Bully Bait by Michael Fry, The Mysterious Howling by Maryrose Wood, and The Abominables by Eva Ibbotson.

Did I miss a book that was a hit with you or a reader you know? Share the title here so we can give it a look too!