Frankenstein

Some people love winter, love the brisk air, the blinding glare, the crystal-clear night skies, soft fluffy snow and cups of steaming hot chocolate. Other people hate the freezing cold, the knifing winds, the treacherous roads, bare trees, and endless brown mud and slush clinging to shoes, cars, and pet feet tracking through the house.

For me, winter is a romantic time, curled by a fireplace (wood, gas, or electric) before a window with long velvet drapes (one of my favorite possessions), reading a book in a favorite chair while snow swirls outside the window and an animal lounges at my feet. It means a stew bubbling on the stove, fresh bread in the oven, or perhaps fresh shortbread cookies and a cup of Earl Gray tea by that fire. Perhaps it’s a holiday, with candles and lights and decorations, waiting for company to make it through the snow. Yeah, yeah, there’s no groundsman to shovel the walks when it’s over, I have to do it myself, but for a few hours I’m lost in an old English fantasy, there’s a mystery in the air, a challenge ahead, but love and fortune win in the end (note: I have never achieved this fantasy, but I keep hoping).

English Tales of Winter

Which made me think: why are all those images we cling to English fantasies? Sure, that period of literature is within what’s called the Little Ice Age, which ran from the 1300’s to the 1890’s, killing off the Vikings in Greenland and creating all those iconic Currier and Ives scenes, but it also put those chunks of ice in Washington Crossing the Delaware, and in 1816, with the dust of the exploded volcano Mount Tambora in the air, summer never arrived, and temperatures were still below freezing in June. Where is the American winter tale? American stories tend to be about blizzards, hardship, starvation, and ghosts. Nathaniel Hawthorne, Edgar Allen Poe, and Washington Irving are hardly on par with Jane Eyre or Wuthering Heights. Reading about the Donner party probably isn’t a good idea before eating stew.

American Tales of Winter

The only American “winter” tales I know well are children’s literature: The Long Winter by Laura Ingalls Wilder, Left By Themselves by Charles Paul May, the semi-historical Seven Alone by Honore Morrow, and the absolutely timeless endearing tale of Mandy, by Julie Andrews Edwards (Yes, Mary Poppins herself. Adults will love this, too!). But where are the adult books? Problem is, not much adult American literature of that period gives off that type of security.

That period of literature we think of is called the Romantic movement and includes Gothic literature, dealing with mystery, spiritualism, ghosts, hauntings, and torturous love – Frankenstein, Les Miserables, Dorian Gray, Hunchback of Notre Dame, A Christmas Carol, Oliver Twist – some of our most famous classics, running from about 1760 through the Victorian age, around 1890. America in 1776 was not only new and still forming, it was mostly unsettled, and people in the colds of Fort Duquesne, Fort Niagara, and Fort Cumberland were more concerned with staying alive than writing literature. Of course you still had authors, but not to the degree England – a stable civilization for 1200 years – did. While Heathcliff was brooding the lonely moors, Americans were exploring and giving us stories like Last of the Mohicans, Legend of Sleepy Hollow, Moby Dick, and The Scarlet Letter. Not the same, and certainly not the same as being snowed in and wringing one’s hands on the family estate. The American experience is uniquely American in that regard.

Just because our snow stories don’t go back to King Wenceslas (ok, Wenceslas was Bohemian/ Czechoslovakian, but the song, 900 years later, is English) doesn’t mean American literature isn’t good, it just means it’s different. Maybe you’ll have to settle for cotton twill drapes and a medium double-latte with a space heater and a Snuggie. If you love gothic literature, delve into a classic or something newer; there are hundreds of books (and films!) to choose from. If you love reading about snowy days while curled in a chair listening to the winds howl, try some of these modern tales (and films):

Office Girl by Joe Meno

The Lazarus Project by Aleksandar Hemon

Then We Came to the End by Joshua Ferris

Snow by Orhan Panuk

Snow Country by Yasunari Kawabata

The Snow Child by Eowyn Ivey

Wolf Winter by Celia Ekback

Winter Solstice by Rosamunde Pilcher

The Book Thief by Markus Zusak

Snow Falling on Cedars by David Guterson

The Shining Stephen King

Smilla’s Sense of Snow by Peter Høeg,

Winter’s Tale by Mark Helprin

Game of Thrones by George R. R. Martin

Have you read any classic books? Even if you haven’t, you can still enjoy the books on this list. These are inspired by classics as they tell the stories of supporting characters, are prequels or sequels to the classic stories, or even retell the classics themselves. Read them all!

Gertrude and Claudius by John Updike
This prequel to Hamlet tells the story of Gertrude Queen of Denmark before the action of Shakespeare’s Hamlet begins. Updike brings to life Gertrude’s girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband’s younger brother.

Madame Bovary’s Daughter by Linda Urbach
This continuation of Flaubert’s classic Madame Bovary finds twelve-year-old Berthe cast off by society in the aftermath of her mother’s suicide and sent to live with her impoverished grandmother, from where she eventually rises through the ranks of Charles Worth’s famed fashion empire.

The Beekeeper’s Apprentice, or, On the Segregation of the Queen by Laurie R. King
In 1914, a young woman named Mary Russell meets a retired beekeeper on the Sussex Downs. His name is Sherlock Holmes. The Great Detective is no fool, and can spot a fellow intellect even in a fifteen-year-old woman. So, at first informally, then consciously, he takes Mary as his apprentice.

Juliet’s Nurse by Lois Leveen
A new telling of Shakespeare’s Romeo and Juliet, from the perspective of Juliet’s nurse. In Verona, a city ravaged by plague and political rivalries, a mother mourning the death of her day-old infant enters the household of the powerful Cappelletti family to become the wet-nurse to their newborn baby. As she serves her beloved Juliet over the next fourteen years, the nurse learns the Cappelletti’s darkest secrets.

Ruth’s Journey by Donald McCaig
A prequel to one of the most beloved and bestselling novels of all time, Gone with the Wind. The critically acclaimed author of Rhett Butler’s People magnificently recounts the life of Mammy, one of literature’s greatest supporting characters, from her days as a slave girl to the outbreak of the Civil War.

Revenge by Stephen Fry
This brilliant recasting of the classic story The Count of Monte Cristo centers on Ned Maddstone, a happy, charismatic, Oxford-bound seventeen-year-old whose rosy future is virtually pre-ordained. Handsome, confident, and talented, newly in love with bright, beautiful Portia, his father an influential MP, Ned leads a charmed life. But privilege makes him an easy target for envy, and in the course of one day Ned’s destiny is forever altered.

The Historian by Elizabeth Kostova
A woman discovers that the past of her family is connected to the stories of Vlad the Impaler, the man who inspired Dracula and must decide whether to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.

Dean Koontz’s Frankenstein: Prodigal Son
This is a retelling of Frankenstein set in New Orleans. In the 19th century, Dr. Victor Frankenstein brought his first creation to life, but a horrible turn of events forced him to abandon his creation and fall away from the public eye. Now, two centuries later, a serial killer is on the loose in New Orleans, and he’s salvaging body parts from each of his victims, as if he’s trying to create the perfect person. But the two detectives assigned to the case are about to discover that something far more sinister is going on…

Wide Sargasso Sea by Jean Rhys
Jean Rhys brings into the light one of fiction’s most mysterious characters: the madwoman in the attic from Charlotte Brontë’s Jane Eyre. Set in the Caribbean, its heroine is Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Rochester. In this best-selling novel, Rhys portrays a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind.

Monsignor Quixote by Graham Greene
When Father Quixote, a local priest of the Spanish village of El Toboso who claims ancestry to Cervantes’ fictional Don Quixote, is elevated to the rank of monsignor through a clerical error, he sets out on a journey to Madrid to purchase purple socks appropriate to his new station. Accompanying him on his mission is his best friend, Sancho, the Communist ex-mayor of the village who argues politics and religion with Quixote and rescues him from the various troubles his innocence lands him in along the way.

There are many, many more books that are inspired by the classics. Sometimes even classics are inspired by other classics! What are your favorite classic spinoffs?