What is the Next Book in This Series?

March 20, 2017February 21, 2017 / Sharon Tyler / 2 Comments

It is extremely frustrating to read a book only to discover it is part of a series, and there is no clear list of reading order. While some series are loosely tied together and allow for skipping around and reading out of order, others can only be fully enjoyed when read in order. To help ease your frustration, I am going to share the tools that I use to help determine the correct reading order. There are several routes to find the answer to this question, some are simple and easy, others require a little work.

The first way to find the answer of reading order is to find the author’s website. Many internet savvy authors, or their publishers, maintain websites with series listings in order and, in the case of multiple series, the suggested reading order for everything. Not all authors do this, but some have very helpful lists to help out their readers. Many include printable lists so you can easily keep track of titles you have read and what you should read next.

Some examples of authors that offer comprehensive lists or tools on their websites to find the reading order include Nora Roberts, Gail Carriger, James Patterson, Janet Evanovich, Charlaine Harris, and many more. I highly suggest checking with the author’s website first before branching out and trying other avenues, because who better to explain the best reading order than the person that wrote them?

If the author fails you, do not lose heart! My second choice for series order, and further reading suggestions, is Goodreads. If you search for a book title, Goodreads will give you a wonderful amount of information. On the book’s page you can follow links to the author page or a list of book in that series (both published and sometimes books that have not been released yet) in order. The bonus is you get suggestions for books that might appeal to you because some authors list what they are currently reading or their own recommendations. For instance, on the author page for one of my current favorites, Maria V. Snyder, you can see her books listed by series, in order, and what she is currently reading.

There are also a few websites dedicated to helping readers find the next book in a series, or the complete reading order of any given series. One website that I often use is well titled as: Book Series in Order which you can search by author or character name. Order of Books is a second site that can help you find the reading order of different authors and series. This site allows you to search by author or main character. If you are looking specifically for children’s series check out Juvenile Series and Sequels, and if you need young adult series listings I would suggest using Series and Sequels.

If you still are not sure about the series order of the books you are reading or want to read, please stop in and visit our Welcome Desk or give the library a call. We are here to help.

Strong Girls, Stronger Women

March 8, 2017March 1, 2017 / Susan O. / Leave a comment

While previewing the DVD for Star Trek: Into Darkness (as if I didn’t see it in the theater and wasn’t buying it myself 5 days later), I realized that Jaylah, the lead female character, is everything I want my daughters and granddaughter to be: strong, brave, smart, resourceful, a planner, a leader, and even when emotionally wounded, she never, ever gives in. Surely one of the strongest female leads ever, without losing her femininity in the process, like Grace Jones as May Day in A View to a Kill, or Louise Fletcher as Nurse Ratched in One Flew Over the Cuckoo’s Nest. It may even be safe to say that Jaylah’s the strongest female lead ever in Star Trek itself – and no, not even Uhura, who, although she could kick butt, was often saddled with lines like, “Captain, I’m frightened.”

And that made me start thinking on who the strongest female leads might be. By strong I don’t mean nastiest or most vicious goal-driven women, no Joan Crawfords or Cersei Lannisters or Erica Kanes. I mean women or girls who started out ordinary, but when faced with impossible odds, had the grit and determination and education and smarts to work their way into survival.

First on almost any list is Warrant Officer Ellen Ripley, from Alien. While you can say it already took guts and grit to be a warrant officer aboard a deep-space ship, finding out your mission was a suicide run to bring back an alien life form and you’re its food can either send you screaming in helpless panic (as Lambert did), or make you hike your bra straps and shoot first. Ripley is a real woman – no makeup, no unrealistic sexy uniforms, and not afraid to be pushy when she needs to be. And almost 40 years later (can it possibly be that long?) Alien still holds up on every level of film making; truly, a masterpiece.

Katniss Everdeen is also a favorite for strongest female: just sixteen at the start of The Hunger Games, Katniss is already a survivor, having raised a sister and cared for a dysfunctionally depressed mother following the death of their father, in a world where people are kept in line through fear and starvation. Sacrificing herself to the Hunger Games to save her sister is just the start; surviving the Hunger Games not once but twice, surviving on luck, wits, and the smarts acquired through a lifetime of survival makes Katniss a formidable – but sympathetic and realistically feminine – heroine.

Sarah Connor of Terminator fame would round out my top three: a simple waitress who thought she was minding her own business until she’s hunted down by a terminator from the future – because when push comes to shove, Sarah will become a serious survivalist to save her son – a son who will grow up to be the leader against the machines that take over the world. Sarah is thrown into an impossible situation but comes out on top through sheer determination and a survival instinct that won’t quit.

Why so many women from science-fiction? That’s a good question. Perhaps it’s because “strong” women in literature or film are often seen as detestable power-hungry ladder-climbers who will use murder or sex to achieve their goals, and it is only in the realm of “fantasy” that women are allowed to be every-day humans, both strong and vulnerable at the same time, without boob jobs and fake nails. Yet the real world is peppered with incredibly strong women – Anne Frank, Malala Yousafzai, Margaret Sanger, Harriet Tubman, and so many more. Not one of them is sexualized by the media, either.

So, to be fair, there are literary women who also struggled against formidable odds: Scarlett O’Hara’s entire world was ripped from her by the Civil War: her income, her inheritance, her mother, her husband (whether or not she wanted him alive) wind up Gone With the Wind. She takes charge in a time and place when genteel women did not do that, and through guile and determination pulls her life and the lives of her family back together. And as the anti-Scarlett, I would include Mammy, who carried on through war and starvation, caring for former slaves and slave-owners alike, facing the same dangers as Scarlett but with even less means or social approval. In The Color Purple, yes, Celie has to survive an ugly life, but to me Sofia is far more of a tough cookie, taking her lumps and even prison because she won’t take the abuse anymore. Sofia is limited by society, but she’s every bit as tough as Katniss.

And moving further away, I would also nominate Maria, from West Side Story. She’s sixteen and stands between two warring gangs for love. The Sharks don’t frighten her. The Jets don’t frighten her. The police don’t frighten her. She gets in the face of each and every one, standing up for what she believes in. No one is telling Maria what to think or do.

I could add more – Elizabeth Swan, Marion Ravenwood, Molly Weasley, Natasha Romanov – but if you’re looking for role models for girls and teens, real women who aren’t villainous or overly sexualized or vacuuous but incredibly strong and resourceful, there are plenty to choose from.

Tales of Three Chrises

February 1, 2017December 23, 2016 / Susan O. / Leave a comment

While looking at upcoming films, I watched the newest trailer for the Wonder Woman movie (due June 2, 2017, and it looks fantastic), and was surprised to see actor Chris Pine in the role of Steve Trevor – I had no idea he was in the film. I like Chris Pine, he’s a worthy actor, and I think he’ll do a wonderful job in the role. But I can’t help but notice, he’s been cropping up in an awful lot of films lately.

Sometimes Hollywood gets hooked on a new actor and they become “hot” – in high demand because they seem to pull in audiences and thus make a lot of money, worthy or not. They may hang around a while, then fade off into obscurity when it’s realized they have no real talent, only to reappear on a C-grade cable network show pushing designer socks. Sometimes actors let their popularity run for a few years, make their money, and then get out altogether, to pursue directing, theater, music, or sometimes even a college degree.

But lately the name Chris seems to be the favorite in Hollywood – Chris Pine, Chris Pratt, and the other blockbuster, Chris Hemsworth. All are fine actors who have taken on roles that shot them to stardom, yet all have solid resumes of good films behind them even if you’ve never heard of them.

Chris Pine comes from an acting family – his dad was Robert Pine, Sgt. Getraer from CHiPs, and he’s one of those well-rounded actors with actual talent. Although currently best known for taking on the iconic role of Captain James Kirk in the Star Trek reboot, he’s done an array of very worthy films, from action hero in Jack Ryan: Shadow Recruit, to wine maker in Bottleshock (a very underrated movie with an excellent cast), to Coast Guard skipper in The Finest Hours. If you doubt his acting talent, listen to his singing voice as he belts out the tune “Agony” in Into the Woods. If he runs out of films, he can switch easily to Broadway. If you’re of a certain age, or have daughters of a different age, you may remember him from Princess Diaries 2. He’s not just taking on any role to make a buck.

On the other end, you have Australian actor Chris Hemsworth, who gained thirty pounds of pure muscle to take on the role of powerful comic book hero Thor in the multitude of Marvel films. But Hemsworth is not just eyecandy. His latest film was a comic role in the Ghostbusters reboot (okay, not exactly a great film, but not Thor either), but he’s popped up regularly in Snow White and the Huntsman, The Huntsman: Winter’s War, chasing Moby Dick in In The Heart of the Sea, racing cars in Rush, and escaping computer espionage in Black Hat, a worthwhile thriller though not of the same caliber of a Marvel film. He may look like he fell off the cover of a romance novel, but you can’t say he’s allowed himself to be typecast. He, too, was in the Star Trek reboot, as George Kirk, James T.’s father – a role he will be reprising in the next Star Trek film, which has not yet entered production (even though he’s three years younger than Chris Pine). If you really want entertainment, listen to him speak with his native Australian accent – you realize just how impressive his American accent is.

Chris Pratt landed two franchises – starring in the latest Jurassic Park flick, Jurassic World, as well as the lead of Peter Quill in Marvel’s Guardians of the Galaxy (and the upcoming GG2, due out May 5 of 2017, and the next Jurassic, in pre-production, and reprising his Peter Quill role in the Avengers Infinity War, currently filming – talk about busy!). AND he starred with Jennifer Lawrence in December’s new release, Passengers. Before taking over the action-hero trade, he appeared in such varied films as Zero Dark Thirty, Moneyball, and the recent star-studded western, The Magnificent Seven. Of the three, he’s also done extensive television, with recurring roles on Parks and Recreation, The O.C., and Everwood. He’s earned the right to be exhausted!

So while the weather is less than delightful, make it a weekend of high entertainment and Chris-cross some of these films off your list. No matter what your style of movie – westerns, intrigue, racing, science fiction, comic heroes, fairy tales, covert wars, musicals or more, one of these men has the perfect film for you.

High Interest Books for Middle Grade Readers

January 19, 2017December 20, 2016 / Sharon Tyler / Leave a comment

I have talked before about reluctant readers and transitional readers, particularly about finding books that can interest and engage them as they work to become more confident readers. (Check out the list here if this would apply to the books you are looking for). However, my kids are a little older now, so I have spent more time looking for the elusive perfect middle grade book to interest my high energy readers. They both love to read but only if the subject matter and action level meet their specific standards. I know this is a common issue since I have helped many a frustrated parent and child find something to read while working in the children’s room.

Why do I bring this up? Well, this week as I was unpacking a new order of children’s books I was thrilled to see a large number of books that fill this sweet spot of reads that would interest many middle grade readers. Right away I started mentally listing some of the best and realized how many zany, energy packed reads are available.

Here are some high interest, high humor, and high action reads for those who have trouble getting into a book, or who have convinced themselves that reading is boring. These are not readers who have trouble reading, only who are tired of being told what to read or have not found highly entertaining books and might have lost interest in books because of it.

Most of these suggestions are series starters or are by authors who consistently write this style of book, so if you find one that makes your reader happy they will have more to follow it up with.

The Last Kids on Earth by Max Brallier & Douglas Holgate

Whales on Stilts by M.T. Anderson

Home Sweet Motel by Chris Grabenstein

Marvin and the Moths by Matthew Holm and Jonathan Follet

Attack of the Fluffy Bunnies by Andrea Beaty

The Hero Revealed by William Boniface

The Adventures of Nanny Piggins by R.A. Spratt

Wonkenstein by Obert Skye

Castle Hangnail by Ursula Vernon

My Rotten Life by David Lubar

As usual, I found more books I wanted to include than can fit in a simple list, so more suggestions are: The 13-Story Treehouse by Andy Griffiths, SPHDZ by Jon Scieszka, The Robe of Skulls by Vivian French, Herbert’s Wormhole by Peter Nelson and Rohitash Rao, Frank Einstein and the Antimatter Motor by Jon Scieszka, The Lunch Witch by Deb Lucke, Dodger and Me by Jordan Sonnenblick, Timmy Failure: Mistakes Were Made by Stephan Pastis, My Big Fat Zombie Goldfish by Mo O’Hara, The Odd Squad: Bully Bait by Michael Fry, The Mysterious Howling by Maryrose Wood, and The Abominables by Eva Ibbotson.

Did I miss a book that was a hit with you or a reader you know? Share the title here so we can give it a look too!

The X Factor

January 11, 2017January 3, 2017 / Susan O. / Leave a comment

Indiana Jones and the Temple of Doom created an uproar in the movie industry. While it didn’t meet the criteria for an R rating, the intensity of the violence and its unrelenting action and danger freaked out so many kids and parents and caused so many complaints that the PG-13 rating was born – probably the same people that brought their six year old grandchildren to see Deadpool and didn’t think twice. Before that, there were just four ratings by the Motion Picture Association of America: G (general audience), PG (parental guidance suggested), R (no one under 17 without guardian), and X (now NC-17, meaning No One Under 17 Admitted, no way, no how, this will scar you for life).

Of course, as a kid, you can’t help but wonder, what’s in an X movie? What could be more violent than people beating each other up? What could be grosser than people naked? How many more swear words are there? And then the internet was born and we’ve never wondered since.

Surprisingly, though, some of our favorite movies DID have an X rating at the start. Film makers want to be cutting-edge and push envelopes, but an X/NC17 rating can sink an otherwise profitable film because it cuts out the teen crowd that hangs out at theaters every week and also makes some adult film-goers leery. After repeated trips back to the editing room, most of the movies do achieve their golden R rating.

Some, however, never do. Three movies were nominated for Oscars despite their X rating: Midnight Cowboy, A Clockwork Orange, and Last Tango in Paris. Midnight Cowboy actually won the Best Picture Oscar for 1970. When rereleased in 1971, it carried only an R rating, even though not a single edit had been made. It had been given the X rating for “homosexual suggestions,” and that was no longer a criteria. Times were already changing.

Two things are usually to blame for an X rating: extreme violence/gore, or explicit nudity/sexual content. It’s hard to believe, but for all the outcry against The Exorcist (some viewers were taken away by ambulance), it only garnered an R rating. (So, in 1969, homosexuality would get you a deadly X rating, but by 1973, demonic possession, gore, blasphemy, and violent sexual situations involving children would not. Go figure.) Sometimes the fix was something so banal as toning down the brightness of the blood (Taxi Driver), which makes you wonder who is actually doing the judging and rating of the films. Others, like Cliffhanger, needed adjustments to almost every single scene. Although Casino cranks in at more than 420 utterances of the Fornication word (that’s almost 2.5 for every minute of film), it was the violence that created its problems.

Here is a list of popular films you’ve probably heard of, and probably have seen, that were originally rated X before being edited yet again (American Pie needed four tries) to win the magic R. Some of these are very good films that just happen to be a little more graphic than others. Some of them you knew were headed for trouble just by the title (Freddy Got Fingered), but others, especially twenty years later when there sometimes doesn’t seem to be a limit on sex or violence in movies or on television (Boogie Nights drew trouble for a 10-second shot of a prosthetic penis, yet Life of Brian and Trainspotting didn’t for showing a real one), make you scratch your head at what the fuss was.