Nonfiction

Context for Conflict: The Iran War

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I took four college courses in Russian, and “Ya ne panimayu pa-Russki” – translated, “I don’t understand Russian” – is about all I have to show for it. It’s not surprising. It was the late 2000s, and the U.S. was neither in active competition nor actively antagonistic toward Russia. Enrollment in Russian was so low at my university that my professor, a Ukrainian by birth, padded out most of his semesters by teaching basic Spanish courses. Even the writers of the textbook seemed apathetic; they included vocabulary referring to Soviet-era stores, even though the Soviet state had dissolved 15 years prior to the edition’s publication.

For anyone who can remember all those case declensions, Russian language media must be a fascinating read these days.

Russia and Ukraine have been at war since 2014, with February 24, 2022 marking the invasion of Ukraine by Russia and a new phase of the war. It’s not the only war in the headlines. Israel has been at war with Hamas in Gaza since October 7, 2023. And now, with the assassination of Ayatollah Khamenei mere days ago on February 28, it appears that the U.S. and Israel are actively at war with Iran. I can’t say what could or should happen in any of these conflicts. I am a terrible student of history and I’m even worse at geopolitics. However, I am a librarian who can present you with works by experts to contextualize these conflicts, and I can find narratives by reporters and memoirists who are documenting their experiences as they happen. From there, you can read and draw your own conclusions.

I can’t do justice to these three conflicts in one blog post, so I’m going to break this down into parts, starting with today’s biggest headline dominator: the Iran War. If you know of an informative resource that’s not on the list, please feel free to leave a comment so other readers can find it!

Iran: A Modern History by Abbas Amanat (2017)

A comprehensive treatment of Iran’s history written by a top scholar. From the publisher: “Amanat combines chronological and thematic approaches, exploring events with lasting implications for modern Iran and the world. Drawing on diverse historical scholarship and emphasizing the twentieth century, he addresses debates about Iran’s culture and politics. Political history is the driving narrative force, given impetus by Amanat’s decades of research and study. He layers the book with discussions of literature, music, and the arts; ideology and religion; economy and society; and cultural identity and heritage.”

A History of Iran: Empire of the Mind by Michael Axworthy (2008)

If you’re looking for a quicker read, try this book by another excellent Iran historian. From the publisher: “Although frequently vilified, Iran is a nation of great intellectual variety and depth, and one of the oldest continuing civilizations in the world. Its political impact has been tremendous, not only on its neighbors in the Middle East but also throughout the world. From the time of the prophet Zoroaster, to the powerful ancient Persian Empires, to the revolution of 1979, the hostage crisis, and the current standoff over Iran’s nuclear ambitions, Michael Axworthy vividly narrates the nation’s rich history.”

America and Iran: A History, 1720 to the Present by John Ghazvinian (2021)

From the publisher: “In this rich, fascinating history, John Ghazvinian traces the complex story of the relations between these two nations back to the Persian Empire of the eighteenth century—the subject of great admiration by Thomas Jefferson and John Quincy Adams—and an America seen by Iranians as an ideal to emulate for their own government. Drawing on years of archival research both in the United States and Iran—including access to Iranian government archives rarely available to Western scholars—the Iranian-born, Oxford-educated historian… makes clear where, how, and when it all went wrong. America and Iran shows why two countries that once had such heartfelt admiration for each other became such committed enemies—and why it didn’t have to turn out this way.”

The Coup: 1953, the CIA, and the Roots of Modern U.S.-Iranian Relations by Ervand Abrahamian (2013)

From the publisher: “In this authoritative new history of the coup and its aftermath, noted Iran scholar Ervand Abrahamian uncovers little-known documents that challenge conventional interpretations and sheds new light on how the American role in the coup influenced diplomatic relations between the two countries, past and present. Drawing from the hitherto closed archives of British Petroleum, the Foreign Office, and the US State Department, as well as from Iranian memoirs and published interviews, Abrahamian’s riveting account of this key historical event will change America’s understanding of a crucial turning point in modern United States-Iranian relations.”

All the Shah’s Men: An American Coup and the Roots of Middle East Terror by Stephen Kinzer (2003)

Kinzer is a former journalist who knows how to craft a compelling and factual story. From the publisher: “This national bestseller brings to life the 1953 CIA coup in Iran that ousted the country’s elected prime minister, ushered in a quarter-century of brutal rule under the Shah, and stimulated the rise of Islamic fundamentalism and anti-Americanism in the Middle East.”

Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion and Collective Memory in the Middle East by Kim Ghattas (2020)

A fresh perspective on Iran’s place in the Middle East, from a Beirut-based journalist. From the publisher: “Kim Ghattas seamlessly weaves together history, geopolitics, and culture to deliver a gripping read of the largely unexplored story of the rivalry between Saudi Arabia and Iran, born from the sparks of the 1979 Iranian revolution and fueled by American policy.”

The Mantle of the Prophet: Religion and Politics in Iran by Roy Mottahedeh (1985)

From the publisher: “Drawn from the first-hand accounts of eyewitnesses, Roy Mottahedeh’s absorbing tale of Islam and Politics in revolutionary Iran is widely regarded as one of the best records of that turbulent time ever written.” Forty years after its initial publication, it’s still a great book to help one understand the 1979 revolution – especially the role that clerics and religion played.

Persepolis by Marjane Satrapi (2003)

There’s little I can say that hasn’t already been said about Persepolis. This graphic novel is a personal account of a girl living through the revolution and the social restrictions that followed, then her young adulthood as she goes between Europe and Iran. It’s wonderfully accessible, even for those who aren’t usually graphic novel readers.

King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation by Scott Anderson (2025)

From the publisher: “From the author of the landmark bestseller Lawrence in Arabia comes a stunningly revelatory narrative history of the Iranian Revolution, one of the most momentous events in modern times. This groundbreaking work exposes the jaw-dropping stupidity of the American government and traces the rise of religious nationalism, offering essential insights into today’s global unrest.”

For the Sun After Long Nights: The Story of Iran’s Women-Led Uprising by Fatemeh Jamalpour and Nilo Tabrizy (2025)

From the publisher: “A moving exploration of the 2022 women-led protests in Iran, as told through the interwoven stories of two Iranian journalists.”

As a millennial whose male friends all wanted to be Anthony Bourdain, I have to give a shout-out to Bourdain’s CNN documentary travel show Parts Unknown. The late chef-turned-travel-host had a gift for finding connections with people across the world, and it was on display during his visit to Iran in 2014. You can watch it in season 4 episode 6. Parts Unknown is available through multiple free and paid streaming services.

And if you’re interested in Iran’s contributions to art, please check out our Islamic Art program on Tuesday, March 17. Wadsworth curator Hamid Hemat will take us on an art journey through the Islamic world, including Iran’s famous Nastaliq calligraphy. You’ll also get to try writing Persian script yourself! Register here: https://cheshirelibrary.libcal.com/event/15030026

The Reclusive Era

/ Susan O. / 1 Comment

Despite having numerous streaming channels, I was yet again faced with the dilemma of watching something dull but background noise (stand-up comedians, or weather disaster documentaries), watching something I loved for the 15th time, or something new that I would have to pay attention to, most of which I didn’t have time to finish. I wound up watching the documentary Grey Gardens, something that was on the far end of my to-be- watched list.

Grey Gardens is the story of Edith Beale, and her daughter, “Edie” Beale, who are, to be polite, a little bit batty. Hard recluses, they live in a 28-room, 100-year old mansion on Long Island, which is decrepit and at one point had been condemned by the town as being unlivable. Enter Jackie Kennedy Onassis – yes, that one – and her sister Lee, close relatives of the Beales, who throw money into the house and keep it from being torn down. Yet, when we meet the Beales, they basically live in one nasty room, Edith cooks from a burner next to her stained mattress, cats are seen pooping on the furniture, and they complain about the fleas.

Much of the documentary is spent with mother and daughter reminiscing about could have beens and should have beens –I could have been a singer … I could have been a dancer if you hadn’t … Sometimes they dream about what they should do – cut down the overgrown trees and make a garden. They don’t leave the house except to step onto the porch, where they can see to the gate and let people in, but only people with prior approval, like the handyman. They are both immature, lost in fantasy, and living in squalor without ever realizing it. Some people condemn the film as exploitive, while others consider it documentary of the purest form. The film made me think of of other, similar stories, that took place in the same era (Grey Gardens was filmed in 1975, with the mother born in 1895 and daughter born in 1917). This is not the only story with controlling mothers living in recluse with their daughters…

At the time, I was also reading the book Empty Mansions, a biography of heiress Huguette Clark, and the similarities were striking. Clark – heir to her father’s immense copper fortune – was an extreme recluse, not even attending her mother’s few social gatherings in their 5th-Avenue apartment where she herself lived. She had expensive homes she’d never been to, but that were still maintained and kept for tens of thousands of dollars a month, just in case. She didn’t set foot outside her apartment for fifty years, until she was forced into a hospital due to cancer, where she liked the room so much she stayed in it for 20 years (she lived to 105) – at cost, of course. While she was said to be sweet and generous over the phone or in letters, she saw no one face to face but certain doctors or nurses, and her personal aide. Those family members or schoolmates who had known her remembered a shy girl who didn’t speak much, but even into her 30’s carried dolls with matching outfits to high-society events with her mother (she owned more than 1200 dolls). There was something off in Huguette, but no one knew her well enough to understand exactly what. Huguette was born in 1906 and lived her whole life with her mother, who was shy but functioning, though she would throw social gatherings for friends’ children, but not the friends. Strange.

One of the saddest biographies I’ve ever read, The Secret Life of the Lonely Doll, is that of Dare Wright, the photographer who produced The Lonely Doll children’s book series. Wright was a highly talented artist, model, and photographer but was tightly controlled by her domineering mother. She frequently crossed familial boundaries – sleeping in her daughter’s bed, breaking up her engagement, not allowing her a separate life, until all Wright had was her dolls and her camera. It’s a difficult book to find, and you might not find it in a local library, but I urge you to read it if you can. Was Wright actually that loyal to her mother, or was she mentally reduced to submission by a controlling parent? Dare Wright was born in 1914 and lived much of her life in New York City. You can check out her famous Lonely Doll series here.

I think back to someone I knew who was born in that same era, 1905-1912, who lived on Long Island. Like many women of that era, in that location, she was concerned with appearances, society, never learned to drive, never wrote a check, never did anything but keep house, which was all a woman of that era was expected to do. Her only child, a daughter, was more than a little batty. Although they lived together for much of their lives, they did not become recluses until late in life, when poor health left the mother unable to walk well, or to deal with the daughter who had physical and mental issues of her own.

Is it just a coincidence that these women all lived in the same geographic area, were born in a 10-year window, led isolated lives, lived with their mother their entire life, and if not actually penniless (the Beales ran through their trust fund years before), lived in a single room and acted that way? Was there something in that era that created issues (and yes, societal and family expectations and lack of choices are acceptable answers)? Did clusters happen in other major cities, too? Are these just isolated examples that happened to come to the world’s attention because they were such outliers, or did things like this happen in tenement families, too? Or is three-four examples just too small a data pool to say anything? It certainly cries for more investigation, but unless you like the dry statistics of Jacob Riis and his studies of New York tenements, there isn’t a lot of information out there.

Watch Grey Gardens. Give Empty Mansions a read (it has a major twist at the end!). If you can, track down The Secret Life of the Lonely Doll. See what you think.

Can you think of any similar biographies?

Pure Food

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The FDA has been under increased scrutiny in recent years. When discussing its value and the ways it promotes public health, it’s important to dive into its history.

A hundred years ago, infant mortality in New York City was 25% – one out of FOUR children would die before the age of one. While diphtheria, whooping cough, measles, small pox, mumps, polio, scarlet fever, cholera, and pneumonia were as common as fleas in crowded, dangerously sub-divided tenements, the greatest cause of infant mortality was… milk. Toxic milk.

Back then, cows were often fed cheap “swill” – the discarded mash from distilleries. Sometimes it was still boiling hot, and needless to say, it made cows – who stood in filth up to their bellies and were often tubercular and covered in udder abscesses – malnourished and ill. They gave off a rancid, thin, blue-gray milk that had no nutritive value. To counteract public opinion, it was often “recolored” with chalk or even plaster. Bread was full of fillers such as sawdust, alum, and plaster. Spoiled meat might be colored up with toxic copper. Lead, copper, and mercury were used to color candies.

Babies died.

Enter the Pure Food and Drug act of 1906. Partly fueled by the nascent science of chemistry which could detect what was really in the food, and partly by the publication of Upton Sinclair’s The Jungle, a novel based on real events that exposed the horrific true conditions of the Chicago stockyards and meat packing industry, people began to raise a stink about the condition of their food supply. Teddy Roosevelt, a libertarian at heart, was opposed to regulation. He was heavily lobbied by the industries, but eventually signed laws against selling tainted food. Milk, a major spreader of tuberculosis, had to be pasteurized if it was to be sold across state lines. Meat could not have more than a minute amount of contamination. Items sold as remedies had to list their actual ingredients. Infant mortality dropped by 68%.

By 1938 (note: 32 years later), the US Food and Drug Administration was created after more than 100 people died from cough syrup that used anti-freeze as a sweetener. Because of legal loopholes, the only law it broke was mislabeling. The FDA was in charge of overseeing and regulating food, drugs, and cosmetics, making sure that such items were safe for the general public, to the wails of businessmen. The FDA was designed to work alongside the US Department of Agriculture, founded under Abraham Lincoln. Hairs are often split between the two, pushing responsibility back and forth. When a food poisoning outbreak was traced to frozen pot pies, the blame was focused on the FDA for not watching the factory. BUT, the culprit was further traced to the grain in the crust, and grain safety falls under the USDA.

It is almost impossible to eradicate all sources of food poisoning. Chickens can be born Salmonella positive. Listeria survives in soil, then gets tracked on animal feet and into your food. The toxic dose of botulism – that thing people willingly inject in their faces to paralyze muscles? – is so minute it is measured in nanograms (that’s a billionth of a gram. A raisin is about one gram, so think of a raisin in one billion pieces). One single gram – a raisin’s worth – can kill more than a million people. Food poisoning – usually through inadequate cooking – kills more than 3,000 people a year, with an estimated 48 million illnesses in the US alone. As always, children and the elderly are most at risk, as many of these bacteria target kidneys.

Every law regarding food safety –every law – has been enacted because people have been sickened or killed by toxic food. Sellers are trying to maximize profit, and since most US food is owned by a small number of companies (just 4 companies own 90% of US meat production), they can afford an unstoppable army of lobbyists to pressure lawmakers to vote against public interest. So what can you do? Buy from quality sources. Read your labels. If your bread doesn’t mold in 5 days (like all those name-brand hot dog buns), consider it suspect for chemical preservatives, approved or not. Know that meats should be cooked to a specific temperature (depending on the meat), and that no food – hot or cold – should be left out more than 2 hours, probably less in hot weather.

Think you don’t have to worry? Frozen food was recalled last September because six people had died from listeria contamination. In November, more than 10 infants were infected with botulism from baby formula. Poisoned food kills. Support the agencies fighting for you.

Check out these books, and keep yourself informed!

Protecting America’s health : the FDA, business, and one hundred years of regulation by Philip J. Hilts

Eating Dangerously: Why the Government Can’t Keep Your Food Safe, and How You Can by Michael Booth

The Poison Squad by Deborah Blum

Death in the Pot by Morton Satin

Outbreak: Foodborne Illness and the Struggle for Food Safety by Timothy Lytton

Swindled: The Dark History of Food Cheats by Bee Wilson

The Jungle by Upton Sinclair

Poisoned: The True Story of the Deadly E. coli Outbreak That Changed the Way Americans Eat by Jeff Benedict

This Must Be the Place: New Books and Documentaries to Stoke Your Musical Nostalgia

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There’s this article from The Onion that my husband and I keep chuckling over. The joke headline is “Cool Dad Raising Daughter on Media That Will Put Her Entirely Out of Touch with Her Generation,” and it’s followed by a photo of a middle-aged man presenting a girl with a vinyl copy of the Talking Heads Remain in Light as she regards the album in her hands with utter skepticism. We may or may not have played that very album for our kids before heading to New Haven to watch former Talking Heads members—now septuagenarians—perform it live. That joke article is about us.

Anyone who’s interrupted a Disney playlist to subject their progeny to a few excruciating minutes of A Very Important Music Thing can relate. We want to share the things we love with the people we love. We want them to know who we are. It could be music or movies, hobbies, sports teams, longtime vacation spots. For me, it’s reggae and Joni Mitchell’s Blue and Neil Young’s Harvest, all of which I heard as a kid on weekend mornings. It’s hurtling down the interstate in a car full of teenagers scream-singing along to Jimmy Eat World’s “Sweetness” or Jay-Z’s “Dirt Off Your Shoulder” or Underworld’s “Born Slippy.” It’s the first two Decemberists albums, played as my future husband and I aimlessly wandered the backroads near the town we were so very desperate to leave. This music is as much me as the cells in my body. So now I sing “Heart of Gold” and “The Crane Wife” to my kids as bedtime lullabies, and for background noise I play Bob Marley and classic R&B songs that were sampled by rappers.

Until the kids are old enough for evening concerts, I’m passing my limited free time by reading and watching documentaries about music, especially the scenes and artists that have dimmed the stage lights for the last time. Did you know that emo was a product of the suburbs? (Thanks, Andy Greenwald!) Or that Carrie Brownstein, half of the hilarious duo on Portlandia, was part of Olympia’s feminist Riot Grrrl movement in the early 90’s? Here’s some recent media if you’re feeling nostalgic for the sounds of the past.

Night People: How to be a DJ in ’90s NYC by Mark Ronson (2025)

From the publisher: Organized around the venues that defined his experience of the downtown scene, Ronson evokes the specific rush of that decade and those spaces—where fashion folks and rappers on the rise danced alongside club kids and 9-to-5’ers—and invites us into the tribe of creatives and partiers who came alive when the sun went down. A heartfelt coming-of-age tale, Night People is the definitive account of ’90s New York nightlife and the making of a musical mastermind.

Tonight in Jungleland: The Making of Born to Run by Peter Ames Carlin (2025)

From the publisher: From the opening piano notes of “Thunder Road,” to the final outro of “Jungleland”—with American anthems like “Born to Run” and “Tenth Avenue Freeze Out” in between—Bruce Springsteen’s seminal album, Born to Run, established Springsteen as a creative force in rock and roll. With his back against the wall, he wrote what has been hailed as a perfect album, a defining moment, and a roadmap for what would become a legendary career. Peter Ames Carlin, whose bestselling biography, Bruce, gave him rare access to Springsteen’s inner circle, now returns with the full story of the making of this epic album. Released in August, 1975, Born to Run now celebrates its 50th anniversary.

Hip-Hop Is History by Questlove (2024)

From the publisher: Questlove traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits-and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story and a sweeping theory of the evolution of the great artistic movement of our time. Questlove approaches it with both the encyclopedic fluency of an obsessive fan and the unique expertise of an innovative participant. Hip-hop is history, and also his history.

Psst: If you prefer to watch a documentary, Questlove’s Hip-Hop Evolution (2016) runs along similar lines. It’s available on Netflix.

Sharing in the Groove: The Untold Story of the ’90s Jam Band Explosion and the Scene that Followed by Mike Ayers (2025) 

From the publisher: Sharing in the Groove is a rich examination of an underdog genre that helped define the 1990s musical landscape―a scene that paved the way for modern-day cultural institutions such as the Bonnaroo Music Festival and kept the Grateful Dead ethos alive. It was also a world with its own values and its own unique interactions with fame, record labels, MTV, drugs, and success.

The Name of This band is R.E.M.: A Biography by Peter James Carlin (2024)

From the publisher: Deeply descriptive and remarkably poetic, steeped in 80s and 90s nostalgia, The Name of This Band is R.E.M. paints a cultural history of the commercial peak and near-total collapse of a great music era, and the story of the generation that came of age at the apotheosis of rock.

The Harder I Fight the More I Love You by Neko Case (2025)

From the publisher: Case brings her trademark candor and precision to a memoir that traces her evolution from an invisible girl “raised by two dogs and a space heater” in rural Washington state to her improbable emergence as an internationally-acclaimed talent. In luminous, sharp-edged prose, Case shows readers what it’s like to be left alone for hours and hours as a child, to take refuge in the woods around her home, and to channel the monotony and loneliness and joy that comes from music, camaraderie, and shared experience into art.

How Women Made Music: A Revolutionary History from NPR Music edited by Alison Fensterstock (2024)

From the publisher: Drawn from NPR Music’s acclaimed, groundbreaking series Turning the Tables, the definitive book on the vital role of Women in Music—from Beyoncé to Odetta, Taylor Swift to Joan Baez, Joan Jett to Dolly Parton—featuring archival interviews, essays, photographs, and illustrations.

The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America by Larry Tye (2024)

From the publisher: This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America… What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America’s eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.

Rebel Girl: My Life as a Feminist Punk by Kathleen Hanna (2024)

From the publisher: An electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre… As Hanna makes clear, being in a “girl band,” especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination. But the relationships she developed during those years buoyed her–including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett- were all a testament to how the punk world could nurture and care for its own.

Music by John Williams (2024) Produced and directed by Laurent Bouzereau

My favorite music documentaries fill me to the brim with joy (see: Twenty Feet from Stardom)  and this journey through the most iconic music in cinema history does just that. Williams wrote the scores for Star Wars, Jurassic Park, Indiana Jones, E.T., Harry Potter, Jaws, and lots of other movies that are memorable in part due to Williams’ mastery. It’s only available on Disney+, but it’s worth a trial if you aren’t already a subscriber.

Summer of Soul: (…Or, When the Revolution Could Not Be Televised) (2022) Directed by Questlove

I’m cheating a little here when it comes to “recent” releases, but this is another piece of joy. It follows the 1969 Harlem Cultural Festival, which was overshadowed by Woodstock and hardly made a blip on the radar. You’ll get the context of the almost-forgotten festival, along with footage of Stevie Wonder, Nina Simone, the 5th Dimension, and Sly and the Family Stone (rest in peace) doing what they do best. If you don’t start moving to Gladys Knight and the Pips’ upbeat rendition of “I Heard It Through the Grapevine,” then I can’t help you. Borrow the DVD from the library or stream it from your preferred service.

The Write Stuff: 9 Books to Make You a Better Writer

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Books require readers, but they also require writers. And not just books – writers are required for things you never think of, from greeting cards to the labels on your cough syrup and face cream jars. Writers put words in the comic book superhero’s mouth. Writers help K-Mart ship their pants, the Geico Cavemen get insurance, and made Downton Abbey so intriguing.

For a small town, Cheshire has a large number of published writers, and for every published author, we have at least four who are either dreaming of writing, or struggling with the actual task. Good writing – like acting, like music, like fine art, like athletics – starts with a natural talent. You have an ear for speech. You have a knack for conversation. Grammar was easy for you. This doesn’t mean that if you’re dyslexic, or can’t spell, or have no idea when to use a semicolon, that you can’t be a writer. That’s what an editor is for. What’s important is getting that idea out.

But how? How do you know what you need to do, when you haven’t had an English class in 20 years? You don’t remember a past perfect subjunctive case? And what do you mean by third person unreliable narrator? I just want to write a story – why is this so complicated?

Writing a story your mom loved is a good start, but to reach a larger audience, you will need grit, determination, skill, and a steel spine. But I don’t know any writers! you wail. Workshops are so expensive! I can’t take three weeks off my job for a retreat in Washington State!

Few people can, and that’s why libraries are so important! Ray Bradbury – Pulitzer winner, multiple Hugo-award winner, Emmy winner, and more – told the story of how he was too poor to afford college, so instead he read every book in his hometown library – every one – and got the education he needed that way. There are so many good books out there to help you with writing, depending on what level you’re at, what you want to know, and how you need to do it. Let’s explore a few of the best ones:

Writer’s Digest Magazine

This is a great resource if you’re just starting out. You’ll find helpful hints, articles by authors, agents, publishers, and vague contests (caution: most cost money to enter, which is how they get the prize money. They aren’t exactly a scam, but your chances of winning are low). You’ll learn about genres and what other authors are doing. This is great for a year, but after that, you realize they run the same information over and over again every year.

Sol Stein: Stein on Writing

To this day, my favorite book on writing. If you only have the patience to read one book on writing, read this one. Stein will walk you through every aspect of writing, from making the characters real to creating tension to love scenes, and he does it in everyday language you will understand. This is your college class on writing. If you’re starting out or still in school, this book will turn you into a writing powerhouse.

Ursula LeGuin: Steering the Craft  

This is probably the best book on the practice of writing I’ve ever read. LeGuin states this isn’t for beginners – she’s not going to give you the basics like Stein does; she digs a level deeper. This is your Writer’s Workshop in a box. LeGuin will walk you through the various aspects of writing, from multiple points of view, to tense, to use of adjectives and adverbs, dialogue, and the rest. She will assign you writing exercises, some easy, some not. Find a buddy, even online, and do the exercises. This is a full creative writing class for zero cost . I wound up buying myself a copy (a whopping $7).

Donald Maass: Writing the Breakout Novel 

I went into this one with a swagger, and landed on my butt. Donald Maass, owner of one of the premiere literary agencies in the country, sent me crawling back to my manuscript like it was fit for nothing but lining the litter box. Maass discusses the death of the mid-level writer, and takes you point by point illustrating what makes a novel not just good, but brilliant. I ran right back to my manuscript and dug deeper, and was so pleased with the result. This was far more useful than I’d ever hoped, and I read it with actual interest. This is a must-read, but, published in 2001, some of it is woefully dated: He says The Handmaid’s Tale is not believable, no one can follow more than one subplot (he obviously never read Game of Thrones), and to never submit by email, when that’s all agents and publishers accept today.

Annie Dillard: The Writing Life

Dillard’s another Pulitzer Prize winner, with lofty prose that requires a lot of thinking. If you are a beginner, just starting out, trying to see if this is the career you want, this is not the book for you. You’re not going to get the deeper story. If writing is burning your soul with a searing pain that keeps you awake night and day, if you can think tangentially and in leaps and in metaphors, then you will appreciate this book and take comfort in it. In short, writing is not a straight line, and the story you think you want to write will probably not be the one you wind up with as the story twists out of your control. It’s a book for the writer’s soul. 

Ray Bradbury: Zen in the Art of Writing

Bradbury, as a short story writer more than a novelist (he said the goal is to write one short story a week; going by the law of averages, at least 10 a year should be really good), isn’t going to bore you with “Do This.” Instead, this is a collection of essays delving into how he writes, and his thought processes. It’s painless and inspirational, will boost your creativity, and is one you should be reading.

Anne Lamont: Bird by Bird: Some Instructions on Writing and Life

This is another surprise book I wound up purchasing. Lamont frees you from the guilt of writer’s block by giving you permission to write one word at a time. That’s how books are written: one word at a time. She’ll drag you through all the pitfalls of writing while holding your hand, patting you on the back, and inspiring you all at the same time. 

John Mullan: What Matters in Jane Austen

Okay, this isn’t a book on writing – but if you ignore the fact that it’s Austen, and the fact some of it dates from the late 1700’s, and PBS has ground the stories into the dirt, there is a LOT of writing advice to be found in this book. Mullan picks apart Austen’s stories, discussing how she shows characterization, dialogue, even class in between the lines, describing things without ever coming out and saying them. Whether or not you’re an Austen fan (I’ve only read one, and that was 40 years ago), this is a treasure-trove of writing information if you don’t mind feeling like a total failure in her shadow.

Stephen King: On Writing

This is the first book everyone runs to, and then squeals about. I’m going to commit heresy here: Don’t bother. This book is not going to help you become a writer. It’s going to help you sympathize with King for having all the same highs and lows and writer’s blocks that you do, but primarily, this is a book on King’s journey into writing. It’s not a self-help guide. It’s a biography.

Want to improve your writing? Track down Sol Stein, Ursula LeGuinn, and Donald Maass. They will not fail you. Dean Koontz’s book, How to Write Best Selling Fiction is widely regarded as an excellent book, but is out of print and used copies go as high as $500(?!?). However, you CAN access the material (or other bits on Youtube and such) through a PDF here on Scribd.com (beware of frequent ads).