Behind the Scenes: The Mark Twain American Voice in Literature Award

I never really need an excuse to read. It is my favorite pastime. I typically have an expanding “to be read” list and my nightstand is always covered by an unwieldy pile of books. At the start of this year, however, I was in a reading funk and couldn’t seem to finish any book I started. It was right around that time that I received an email from someone at the Mark Twain House looking for readers to help create the long list for the Mark Twain American Voice in Literature Award. The Mark Twain House has been giving the award out since 2016 to works of fiction that “speak with an American voice about American experiences.” I signed up to be a judge, hoping that this commitment to judging at least three titles on the list would motivate me to start reading again.

The list of titles to choose from was long and extensive so I decided to pick a variety of different genres. Crook Manifesto by Colson Whitehead was first on my list but to read that book, I needed to read the first in what will eventually be a three-part series, Harlem Shuffle.  Harlem Shuffle is set in Harlem from 1959-1964. For anyone who has read Colson Whitehead, it is a departure from his heavier works like The Nickel Boys. Harlem Shuffle follows the life of Ray Carney, a furniture salesman in Harlem with a dubious past, desperately trying to live a crime-free life. It is a funny, clever, and breezy crime novel, reminiscent of Chester Himes’s Harlem Detective Series.

The second in Whitehead’s series, Crook Manifesto takes place in the early 70s and the plot is centered around the protagonist, Ray Carney trying to score impossible to find Jackson 5 tickets for his daughter. Crime, violence, and comedy ensue. The two books in the series are both fun reads that give a great snapshot of New York City in the 60s and 70s. Whitehead still manages to portray issues of race, class, and police brutality, particularly during his description of the Harlem race riot of 1964 and the tension between the police and those active in the Black Power movement in the 1970s. There is no date set for the publication of the final book in the series, but I am awaiting its release to see if Ray Carney does eventually manage to stay on the straight and narrow.

The next book I read was a debut novel titled A Haunting in Hialeah Gardens, by Cuban American author Raul Palma. I was immediately intrigued by the title having grown up in Miami. The story follows Hugo Contreras who is mourning the sudden death of his wife as well as dealing with mountains of debt. Deeply immersed in the world of Santeria since he is a Babalawo, Hugo agrees to help the debt collector who has been tormenting him, who is in turn being tormented by a ghost, in exchange for clearing his debt. It is an absurd story, but also a very Miami story. The novel is a modern gothic tale, complete with hauntings, demonic possession, and highly accurate descriptions of the oppressive heat in Miami and endless rows of strip malls. It is scary at times with an ending easily left up to interpretation by the reader and a good read for anyone who wants a different kind of supernatural novel.

The last book I chose to read was Dearborn, a collection of short stories, also written by a debut author, Ghassan Zeineddine. I love short stories as a genre, so I was excited to dive into these ten stories chronicling the Arab American experience in Dearborn, Michigan. The stories were funny, sweet, poignant, and at times heartbreaking. Though focused on Arab American life, the stories often told a greater story about the immigrant experience more broadly. This was the book that I most enjoyed out of all the ones that I read and the one I chose to be considered for the prize’s long list. Zeinedine writes beautifully and I hope he chooses to publish more in the future.

The long list for the Mark Twain American Voice in Literature Award is up on their website. Unfortunately, Dearborn didn’t make the list but I am grateful for the experience of being a reader for this prize. I was able to discover novels I might not have read otherwise and it got me reading again.

The Delights of Pop Culture

It’s an awesome time to be a fan of pop culture. You can listen to podcasters going episode-by-episode through the shows you binge-watched on DVD in college. You can read delightfully bizarre theories about the characters in your preschooler’s favorite TV show. You can gather with other fans at venues like ConnectiCon. And as the main orderer of nonfiction books, I know this is an excellent time to read about pop culture, too. Here are some new and recent books to both entertain you and deepen your appreciation for your show / movie / franchise du jour. 

Did Arya, Maximus, or Chandler have the biggest surge in popularity as a baby name? How many parents start off dead in Disney movies? Is Ash Ketchum a better GM or coach? Find the answers in this book, which is a fun mix of visualized data and writing which explores how mere “entertainment” affects politics, the economy, and even shark populations. Pulitzer Prize-winning author Hickley used to be the Chief Culture Writer at FiveThirtyEight, and it shows in his love of statistics. 

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic by Daniel DeVisé (2024) 

The saga behind The Blues Brothers is epic, encompassing the colorful childhoods of Belushi and Aykroyd, the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City, the early years of Saturday Night Live where the Blues Brothers were born, and the indelible behind-the-scenes narrative of how the film was made. Based on original research and interviews of principals from director John Landis and producer Bob Weiss to SNL creator Lorne Michaels and Aykroyd himself, The Blues Brothers vividly portrays the creative geniuses behind modern comedy. 

On Locations: Lessons Learned from My Life On Set with The Sopranos and in the Film Industry by Mark Kamine (2024) 

Married and with a child, the author takes unpaid gigs to get a foot in the door, and eventually ends up working on all seasons of The Sopranos. The show’s setting and its creator’s insistence on accuracy placed the native New Jersey author in the right place at the right time to become part of television history, and to witness the effects of sudden fame and acclaim on the show’s principal players. Includes many stories about guest stars, as well as the cast, including new tales of James Gandolfini. 

Opposable Thumbs: How Siskel & Ebert Changed Movies Forever by Matt Singer (2023) 

Award-winning editor and film critic Matt Singer eavesdrops on the iconic balcony set of Gene Siskel and Roger Ebert, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series. Their partnership was cut short when Gene Siskel passed away in February of 1999, but their influence on in the way we talk about (and think about) movies continues to this day. 

I Like to Watch: Arguing My Way Through the TV Revolution by Emily Nussbaum (2019) 

In this collection, New Yorker columnist and Pulitzer Prize winner Emily Nussbaum writes about her passion for television beginning with Buffy–as she writes, a show that was so much more than its critical assessment–the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And, she also explores the links between the television antihero and the rise of Trump. The book is an argument, not a collection of reviews. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that places one kind of culture over another. It traces her own development as she has struggled to punch through stifling notions of ‘prestige television,’ searching for a wilder and freer and more varied idea of artistic ambition. 

Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen by Brian Raftery (2019) 

In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace.  Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. 

Surely You Can’t Be Serious: The True Story of Airplane! by David Zucker, Jim Abrahams, and Jerry Zucker (2023) (downloadable audiobook) 

An in-depth and hysterical look at the making of 1980s comedy classic Airplane! by the legendary writers and directors of the hit film. With anecdotes, behind the scenes trivia, and never-before-revealed factoids, these titans of comedy filmmaking unpack everything from how they persuaded Peter Graves to be in the movie after he thought the script was a piece of garbage, how Lorna Patterson auditioned for the stewardess role in the back seat of Jerry’s Volvo, and how Leslie Nielsen’s pranks got the entire crew into trouble, to who really wrote the jive talk. It also features testimonials and personal anecdotes from well-known faces in the film, television, and comedy sphere, proving how influential Airplane! has been from day one. 

Titles we don’t have but you can borrow from other libraries in our consortium: 

No Crying in Baseball: The Inside Story of A League of Their Own by Erin Carlson (2023) 

The Coen Brothers: This Book Really Ties the Films Together by Adam Nayman (2018) 

Movies (And Other Things): A Collection of Questions Asked, Answered, Illustrated by Shea Serrano, illustrated by Arturo Torres (2019) 

Short Stuff

I’d like to read more, but I don’t have time to read a long, involved story.

There’s a solution for that. It’s called a short story.

 Short stories are those that can be read in under an hour – often not more than 5,000 words (beyond 7,500 is called a novella, and they are often published alone in little books, like Stephen King’s The Shawshank Redemption,  J.A. Jance’s The Old Blue Line, or Shirley Goodness and Mercy by Debbie Macomber) and they are often grouped together in anthology volumes, anthology meaning, literally, a collection of stories, the same way a CD album is a collection of individual songs.

Short stories are an art form of their own, still carrying the same structures of their longer novel cousins (plot, themes, metaphors, etc) but in a very short package. Some are complete stories (think of Ray Bradbury’s All Summer in a Day, or Shirley Jackson’s The Lottery) while others might just give you a slice of life, a few hours in the life of an individual with no clear beginning and no clear end, leaving you to wonder what might come next (some stories by Anton Chekhov, or Ernest Hemingway’s Hills Like White Elephants). They can be happy or sad, comic or dramatic, or full of irony (The Necklace, by Guy de Maupassant). Sometimes an anthology might consist of short stories on a single theme (love, loss, westerns, adventure), or they could be a mix of anything. And the beauty of an anthology is you can read one or two stories, or the whole thing, depending on your time and interest.

But short stories don’t carry the same weight as novels.

Of course they do! Many writers are known more for their short stories than for their novels – Alice Munro is considered one of the premier short story writers, having won the 2013 Nobel Prize for Literature in part for her short stories. Ray Bradbury is another prolific short-story writer, not quite horror, not quite science fiction, not quite fantasy, just imaginative. His philosophy was to write one short story a week, because out of 52 short stories, you were bound to have three or four that were really good. Short stories are easier to sell, if not to anthologies then to magazines – many a writer got their start in The New Yorker, Collier’s, or Atlantic, let alone Good Housekeeping and Readers’ Digest. Some of the most popular authors – Isaac Asimov, Dashiell Hammett, and Raymond Chandler – carved their name writing for pulp fiction magazines.

Short stories don’t always stay short, either. Many popular films started out as short stories – The Secret Life of Walter Mitty (published in The New Yorker) (Did you realize this one takes place in Waterbury, Connecticut?), All About Eve, 2001: A Space Odyssey, The Curious Case of Benjamin Button, 3:10 to Yuma, Shawshank Redemption, Minority Report, Brokeback Mountain, Rear Window, Total Recall, and many, many others.

A little story can go a long way. If you’re pressed for time, check out the stories in these collections, and more!

Best Short Stories of Jack London

Ray Bradbury Stories: 100 of His Most Celebrated Tales

Collected Short Stories of Louis L’Amour, Vol. 4

Children of the Night: Best Short Stories by Black Writers

Dancing Through Life in a Pair of Broken Heels

No Middle Name: The Complete Collected Jack Reacher Short Stories

Beautiful Days

Amish Front Porch Stories

Bring Out the Dog: Stories

Complete Stories of Edgar Allen Poe

Cutting Edge: New Stories of Mystery and Crime by Women Writers

20th Century Ghosts

When Art Imitates Life

Anne Perry is an accomplished mystery writer with more than forty novels to her name, including the Thomas Pitt series, the Daniel Pitt series, the William Monk series, and more. Many of her novels take place around World War I. 

She’s also a convicted murderer.

A friend from college – who is also a librarian – told me this while I was reading Death with a Double Edge, the fourth of her Daniel Pitt series. And thereby hangs a tale.

Perry (whose birth name was Juliet Hulme) was born in England but spent much of her childhood in the Bahamas, South Africa, and New Zealand. As a teen in New Zealand, she became fast friends with a girl named Pauline Parker. Their friendship was so tight it bordered on obsessive, with the girls creating rich fantasy worlds they pretended to live in, and throwing tantrums if they couldn’t be together.

When Perry was 15, her mother was caught in an affair, and her parents decided to divorce. Perry was going to be sent to South Africa to stay with relatives for a while. This sent the friends into a panic. They asked Pauline’s mother if Pauline could go with Anne/Juliet, and her mother said no. Pauline then, in the short-sighted way children have, decided to kill her mother, freeing Pauline to travel with Anne/Juliet. When Anne hesitated, Pauline threatened to kill herself if Anne didn’t help. Just three days later, while walking with Pauline’s mother, the girls beat her to death with a brick – a deed that took twenty savage blows.

Perry and Hulme were caught quickly. They were too young for the death penalty, and both wound up serving five years in prison. They didn’t speak to each other again. Perry eventually settled in the United Kingdom, where she lived a quiet, penitent life and took up writing mysteries that often had a theme of redemption. It wasn’t until 1994, when no one less than Peter Jackson made a movie about the crime (Heavenly Creatures), that a New Zealand journalist outed her as Juliet Hulme – three days before the release of the film. No one had spoken to her to get any actual facts about the crime, and the film remains highly fictionalized.

Is Perry the only author who has done hard time? Of course not. Mystery writer Dashiell Hammett did six months in jail for contempt of court. Nelson Algren, who wrote Man With the Golden Arm, spent five months in jail for stealing a typewriter. William S. Burroughs, author of The Naked Lunch, first spent time for forging a prescription, but later killed his common-law wife after a drunken argument while in Mexico. He escaped prosecution by fleeing back to the United States. Chester Himes was sent to jail for eight years at the age of 19 for armed robbery, where he began to write such novels as A Rage in Harlem and Cotton Comes to Harlem. In all cases, incarceration, even for a little while, made a huge impact on the writer and their view of the world.

Anne Perry’s latest book, Three Debts Paid, a fifth volume of the Daniel Pitt series, was released in April.

Made in China

Every now and then you read a book so disturbing you change your life because of it. That’s how I felt about Amelia Pang’s book, Made in China. I have not been so disturbed by a book since Road of Lost Innocence, by Somaly Mam. 

In 2012 Julie Keith opened up Halloween decorations, only to find a note in broken English, asking her to “kindly resend this letter to the World Human Right Organization. Thousands people here who are under the persecution of the Chinese Communist Party Government will thank and remember you forever.”

Julie did – contacting Amnesty International, Human Rights Watch, The United Nations Human Rights Council, and Anti-Slavery International.

None of them called her back.

Through her own research, she slowly learned the extent that America’s cheap consumer goods are, too often, being manufactured illegally by political prisoners in China, who work in concentration camp conditions amid torture and starvation.

 It wasn’t until she spoke to Immigration and Customs and Border Protection that she got anyone to listen – ICE and CBP are the agencies responsible for preventing forced-labor products from entering US markets. ICE made a formal request to visit the “reeducation center” where the product was made. China refused. Keith learned that China has never allowed inspection of their manufacturing facilities, and one piece of evidence isn’t enough to push further.

But Keith couldn’t stop thinking about the person who wrote the note. She wound up doing an interview for The Oregonian, and suddenly found herself in the spotlight of Chinese dissident news, CNN, Fox, and more. Through the group Human Rights Watch, Keith found out it’s almost impossible to prove human rights violations – Kmart insisted the factory had been audited every 6 to 12 months, absolutely within the law, but audits cost money and mostly check for cleanliness and quality control. They never check for the source of labor. When you have a hundred thousand subcontractors, and each audit is $1,000, the costs and time add up to impossible.

Sun Yi and his letter

Sun Yi was the man who wrote that note in 2009, three years before Julie Keith found it. He was imprisoned and tortured for belonging to a meditation group that fell into disfavor with the Party. After two years of  starvation, torture, and working sometimes 24 hours a day in inhumane conditions, he was released. CNN interviewed him, blocking his face so he could not be identified. Sun Yi decided that, while he could get the information out, he wanted to write a letter to Julie, thanking her. He included his email address. Sun realized if he was to live, he had to leave China, and slipped out to Indonesia before the Chinese authorities could stop him, since Indonesia didn’t require a visa for Chinese citizens. There, he had free communication with the world.

In March of 2017, Julie Keith flew 36 hours to Indonesia, to meet Sun Yi in person, something she always wanted to do. The meeting was bittersweet, and Keith learned much about Yi’s poor treatment.

In October of 2017, Sun Yi died mysteriously of a lung infection and kidney failure. He was said to have been befriended by a Chinese woman not long before. She wasn’t seen in Jakarta afterward. No autopsy was performed.

This book tore at my heart. It’s short, easy to read, and always engaging. As we flip past internet bargains and snap up dollar deals, think twice before buying cheap merchandise. Ask if the item was made in the USA, and try (oh yes, it’s difficult) to buy items made only in countries who pay fair wages and rely on fair trade. Does that pop-up ad on social media look beautiful, at a reasonable price? Google the company. If there’s little to no information on it, it may be because it’s fly-by-night. You might get a nice product, but the company may fold in one town and open up under a different name three blocks away in the same Chinese city, using the same illegal workers. 

I got suckered in by that myself: researched the company, found no red flags, ordered what I thought was a hand-made item by a small Mom & Pop company, until a few weeks later when I got an email telling me my package had just cleared customs from China.

Huh? 

The package arrived with a label that had a New York State company address – slapped directly over the label that was on the envelope that arrived from China.

Think when you purchase something. Without demand for cheap products, there will be less demand for labor. Ask yourself: Do I really need this? Is the price too good to be true? Where was it made? Who made it? Who is profiting from my buying it? Was someone harmed by my decision to purchase this item?

Sometimes, the answer might be yes.