Listen Up! with an Audiobook

Don’t have time to read?  Driving a long commute, or perhaps an out-of-state trip? Do you have trouble focusing on printed words?  Try an audio book! Cheshire Library has a large collection of books on cd, from mysteries to romance, to fiction, non-fiction, science-fiction, and foreign languages, and we add at least one new selection a day. Here’s a list of just some of our newest additions in the past month:

[Cover]  Whiskey Beach by Nora Roberts

Toms River by Dan Fagin

The Hormone Cure by Sara Gottfried

Suspect by Robert Crais[Cover]

Vampires in the Lemon Grove by Karen Russell

Coming of Age in Mississippi by Anne Moody

[Cover]Pukka’s Promise: The Quest for Longer-lived dogs by Ted Kerasote

Rita Moreno: A Memoir By Rita Moreno

The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte [Cover]Cristo by Tom Reiss

The Dogs of War by Lisa Rogak

When Your Parent Becomes Your Child by Ken Abraham

[Cover]Car Talk: 25 Years of Lousy Car Advice

Savage Continent: Europe in the Aftermath of World War II by Keith Lowe

A Land More Kind than Home by Wiley Cash

The Butterfly’s Daughter by Mary Alice Monroe[Cover]

The Tenant of Wildfell Hall by Anne Bronte

Red Ink: Inside the High-Stakes Politics of the Federal Budget by David Wessel

[Cover]My Beloved World by Sonia Sotomayor

This Disc Won’t Play! Part II – Scratch That Idea

So you’ve wiped down your CD or DVD, buffed it shiny, but it still skips, chirps, freezes, and refuses even to advance to the next section.  Now you’ve got a problem. Check that mirrored side.  Chances are, it’s covered with scratches.  Small scratches, especially those on audio media like CDs and audiobooks, and those that run outward from the center to the edge of the disc, may not have any effect at all on performance.  DVDs, however, are much fussier, and a minor ding may create havoc.  Scratches that run around the disc like an old record interfere the most.

41I5j7KgWNL Cheshire Public Library has professional equipment for resurfacing media discs.  If simply washing and wiping doesn’t help, we put troubled discs through a three-step process. Seriously damaged discs are scoured smooth with fine sandpaper, then buffed back into shape at high speed, and finished off with a polishing coat of protectant. Usually this is enough to bring them back into good-as-new shape. Small, light scratches will disappear; deep gouges – the kind you can click with your fingernail – are a very bad sign and usually cannot be repaired.

brokenSome damage cannot be fixed. Disc materials are a layer of polycarbonate, a layer of foil, and a layer of lacquer. Any damage to the foil layer, from pen marks, pavement divots, dog teeth, to separation of layers and peeling, is a death sentence for the disc. Likewise, cracks cannot be repaired, because they interfere with that all-important foil layer where the data is stored. Blu-Ray discs are generally much tougher than regular discs, which is good, because they cannot be repaired at all. Blu-Rays have a heavier coating that the cleaning machine cannot penetrate. Amazingly, despite several years of use, we have lost perhaps only two Blu-ray discs because of scratch damage.

The easiest way to keep discs working well is to be gentle with them!  Don’t wrestle them from packaging but press that center hub until the disk releases. Always handle them by the edges, and replace them in their case as soon as you are finished with them.  Make sure they click onto that hub – shaking around loose in the case will scratch them! Don’t let children play with them, and don’t leave them where your dog can chew them. Be especially careful with items you listen to in the car: the sand you carry in the carpeting of your automobile can damage a disc exceptionally fast. If a disc won’t work, let us know, so we can fix it as soon as possible – tell us which disc of a set, which scene or which track if possible.  If the case is broken and the disc is rattling inside, tell us, because those broken hubs are little scratch factories. Disc materials are an expensive part of library acquisitions, and we work hard to keep them in the best shape they can be.

The 2013 Hugo Award Nominees

hugoCongratulations to all of Hugo Award nominees for 2013!  The Hugo award is given to the year’s best science fiction, including print, film, podcasts, art, and fans.  The Hugos are awarded at the annual World Science Fiction Convention, which will be held this year at LoneStarCon 3 in San Antonio, Texas, August 29-September 2, 2013.  This year’s toastmaster will be British author Paul Cornell.

This year’s nominees are:

Best Novel

  • 2312, Kim Stanley Robinson (Orbit)
  • Blackout, Mira Grant (Orbit)
  • Captain Vorpatril’s Alliance, Lois McMaster Bujold (Baen)
  • Redshirts: A Novel with Three Codas, John Scalzi (Tor)
  • Throne of the Crescent Moon, Saladin Ahmed (DAW)
  • [Cover]      [Cover]

Best Novella

  • After the Fall, Before the Fall, During the Fall, Nancy Kress (Tachyon Publications)
  • The Emperor’s Soul, Brandon Sanderson (Tachyon Publications)
  • On a Red Station, Drifting, Aliette de Bodard (Immersion Press)
  • San Diego 2014: The Last Stand of the California Browncoats, Mira Grant (Orbit)
  • “The Stars Do Not Lie”, Jay Lake (Asimov’s, Oct-Nov 2012)

Best Novelette

  • “The Boy Who Cast No Shadow”, Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
  • “Fade To White”, Catherynne M. Valente ( Clarkesworld, August 2012)
  • “The Girl-Thing Who Went Out for Sushi”, Pat Cadigan (Edge of Infinity, Solaris)
  • “In Sea-Salt Tears”, Seanan McGuire (Self-published)
  • “Rat-Catcher”, Seanan McGuire ( A Fantasy Medley 2, Subterranean)

Best Short Story

  • “Immersion”, Aliette de Bodard ( Clarkesworld, June 2012)
  • “Mantis Wives”, Kij Johnson (Clarkesworld, August 2012)
  • “Mono no Aware”, Ken Liu (The Future is Japanese, VIZ Media LLC)

Best Related Work

  • The Cambridge Companion to Fantasy Literature, Edited by Edward James & Farah Mendlesohn (Cambridge University Press)
  • Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them, Edited by Lynne M. Thomas & Sigrid Ellis (Mad Norwegian Press)
  • Chicks Unravel Time: Women Journey Through Every Season of Doctor Who, Edited by Deborah Stanish & L.M. Myles (Mad Norwegian Press)
  • I Have an Idea for a Book … The Bibliography of Martin H. Greenberg, Compiled by Martin H. Greenberg, edited by John Helfers (The Battered Silicon Dispatch Box)
  • Writing Excuses Season Seven, Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler and Jordan Sanderson

Best Graphic Story

  • Grandville Bête Noire, written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
  • Locke & Key Volume 5: Clockworks, written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
  • Saga, Volume One, written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
  • Schlock Mercenary: Random Access Memorabilia, written and illustrated by Howard Tayler, colors by Travis Walton (Hypernode Media)
  • Saucer Country, Volume 1: Run, written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)

Best Dramatic Presentation, Long Form

  • The Avengers, Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
  • The Cabin in the Woods, Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
  • The Hobbit: An Unexpected Journey, Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
  • The Hunger Games, Screenplay by Gary Ross & Suzanne Collins, hunger gamesDirected by Gary Ross (Lionsgate, Color Force)
  • Looper, Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

Best Dramatic Presentation, Short Form

  • Doctor Who, “The Angels Take Manhattan”, Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
  • Doctor Who, “Asylum of the Daleks”, Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
  • Doctor Who, “The Snowmen”, written by Steven Moffat; directed by Saul Metzstein (BBC Wales)
  • Fringe, “Letters of Transit”, Written by J.J. Abrams, Alex [Cover]Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
  • “Blackwater”, Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

Best Editor, Short Form

  • John Joseph Adams
  • Neil Clarke
  • Stanley Schmidt
  • Jonathan Strahan
  • Sheila Williams

Best Editor, Long Form

  • Lou Anders
  • Sheila Gilbert
  • Liz Gorinsky
  • Patrick Nielsen Hayden
  • Toni Weisskopf

Best Professional Artist

  • Vincent Chong
  • Julie Dillon
  • Dan dos Santos
  • Chris McGrath
  • John Picacio

Best Semiprozine

  • Apex Magazine, edited by Lynne M. Thomas, Jason Sizemore and Michael Damian Thomas
  • Beneath Ceaseless Skies, edited by Scott H. Andrews
  • Clarkesworld, edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker
  • Lightspeed, edited by John Joseph Adams and Stefan Rudnicki
  • Strange Horizons, edited by Niall Harrison, Jed Hartman, Brit Mandelo, An Owomoyela, Julia Rios, Abigail Nussbaum, Sonya Taaffe, Dave Nagdeman and Rebecca Cross

Best Fanzine

  • Banana Wings, edited by Claire Brialey and Mark Plummer
  • The Drink Tank, edited by Chris Garcia and James Bacon
  • Elitist Book Reviews, edited by Steven Diamond
  • Journey Planet, edited by James Bacon, Chris Garcia, Emma J. King, Helen J. Montgomery and Pete Young
  • SF Signal, edited by John DeNardo, JP Frantz, and Patrick Hester

Best Fancast

  • The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
  • SF Signal Podcast, Patrick Hester, John DeNardo, and JP Frantz
  • SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer)
  • StarShipSofa, Tony C. Smith

Best Fan Writer

  • James Bacon
  • Christopher J. Garcia
  • Mark Oshiro
  • Tansy Rayner Roberts
  • Steven H Silver

Best Fan Artist

  • Galen Dara
  • Brad W. Foster
  • Spring Schoenhuth
  • Maurine Starkey
  • Steve Stiles

The John W. Campbell Award for Best New WriterJacket.aspx
Award for the best new professional science fiction or fantasy writer of 2011 or 2012, sponsored by Dell Magazines. (Not a Hugo Award, but administered along with the Hugo Awards.)

  • Zen Cho
  • Max Gladstone
  • Mur Lafferty
  • Stina Leicht
  • Chuck Wendig

This Disc Won’t Play! (part 1, Fingering the Culprit)

imagesYou’ve put in your favorite CD or DVD, and the stupid thing just won’t play!  It skips, it freezes, it pixelates into pretty colors, or the player spits it out and declares “Bad Disc!”  Your heart was set on that, and now you’re out of luck and your kids are getting cranky.

Don’t despair! The solution is often very simple. By far, the most common, annoying, easily fixable problem with disc materials is FINGERPRINTS.  Turn it over and look at the non-label side. It should look like a mirror.  Are there fingerprints?  Is coffee spilled on it? Or maple syrup (that’s happened)?  CLEAN THE DISC.

“But it’s a library disc!” you say.  “If I damage it, they’ll charge me!”  Don’t worry.  While discs are fragile, they’re more durable than you think.  Some of our discs have been used more than 150 times and still play fine. CDs and DVDs are made from polycarbonate, with a layer of foil (gold or aluminum) protected by a layer of lacquer.  That’s the same plastic as your eyeglasses!  General rule is, if it’s safe for your eyeglasses, it’s perfectly safe for a disc.  You can clean them with eyeglass cleaner, water, hand sanitizer, baby wipes, even liquid dish soap, but *make sure you clean them with a liquid*.  You can even rinse them under the tap if you must. To dry them, you can use a glass-cleaning cloth, a clean piece of flannel, or in a pinch, a clean cotton dishcloth or Tshirt.

DON’T: rub the mark with something dry, use a paper towel, newspaper, or rough cloth.  All these things will leave fine scratches on the polycarbonate.  If the laser can’t penetrate the polycarbonate layer, it can’t read your disc.  You can clean them with Windex or window cleaner, but repeated exposure to the ammonia in them can eventually dull and damage your disc. Don’t run them through the dishwasher.

cd-cleaningClean the disc, try it again.  Audio CDs (music or audiobooks) are very forgiving.  They can look scratched and still play fine. Sometimes it’s the player: what plays perfectly in your computer or your cd player won’t play right in your car. DVDs, with their video component, are much fussier, and Blu-rays the fussiest of all.  If it still won’t play right, bring it back, but stick a note on it or tell us, and we’ll give it a more thorough diagnostic.  Be especially careful with those awful double-sided DVDs – always hold them from the very edge, or you’ll be cleaning one side while dirtying the other.

With a little polish and a little luck, you’ll be singing along again in no time!

Make Tonight the Night

imagesEver notice how some people seem to have it all – talent, timing, and a killer smile?  John Barrowman has all that, and more.  Born in Scotland and raised in Illinois, Barrowman is an actor with a huge array of talents.  You may not know his name, but you may have come across his face.  He’s performed on Broadway (Anything Goes, Putting It Together), done extensive theater in London’s West End, done American TV (Titans, Central Park West, Desperate Housewives), frequently featured on BBC programs (including Any Dream Will Do and Tonight’s the Night),  appeared in feature films (The Producers, De-Lovely), and written three books. He is most well-known for the lead role of the time-hopping, immortal rascal Captain Jack Harkness on the BBC TV series Dr. Who and Torchwood. And on top of all that, Barrowman is a singer.

And an accomplished singer at that – he has more than ten albums to his credit, some of which have debuted as high as number twelve on the British album charts.  Whether he honed his voice on Broadway, or it was his voice that put him there is anyone’s guess, but he certainly has the capability to belt out a tune with the best of them.

Cheshire Library recently acquired his album, Tonight’s the Night: The Very Best of John Barrowman.[Cover] Barrowman is a showman, singing cover songs, but if you like easy listening – Barry Manilow, Neil Sedaka, Broadway singers, America’s Got Talent – give Barrowman a try! This album is nice in that it allows enough of a variety to really showcase some of his talent. My favorite tracks: You’re Just to Good to Be True and The Winner Takes It All.  Weakest: Few people should be singing The Police, outside of The Police, and his Americanized over-enunciation on She’s Always A Woman  bothers me.  Barrowman has a fantastic voice that tends to be held back by poor musical direction – slow, plodding music does him no good.  He needs those catchy all-out showtunes to really shine – and he’s one star that shines very brightly.