The Savvy Shopper

dress5I am the antithesis of a fashion guru. I spent twelve years in sweats and T-shirts as stay at home mom. If I don’t like the colors of the year, I don’t buy clothes. I wear what I like, whether it’s gypsy skirts, rhinestones, boatnecks, or a tiara. I have a 20-year old bridesmaid’s dress that has more miles on it than my “regular” clothes, and a 15-year old coat with a broken zipper that I repaired with velcro and folk-art trim. I go to a mall maybe twice a year, when I can’t avoid it. I have a hoard of patterns I’ll pull out and whip up shirts or shorts or skirts from old clothes or sheets. So I am at a total loss about why I like reading books about fashion and purchasing. Maybe because it’s so foreign to me, it becomes a peep-show into another world.

My curiosity began with the book Deluxe: How Luxury Lost its Luster by Danalouis-vuitton-luggage-psd453544 Thomas. Thomas traces the rise of super-elite fashion items, from Vuitton to Chanel to Burberry and more – names I know only from magazine ads. What began as high-quality, individually hand-crafted merchandise, as was almost inevitable, is now made almost exclusively overseas to boost profits. The quality has decreased along with it, but not the price. After reading how these super-designers began as simple sewers who went home and made their own creations, I pulled out my sewing machine, designed and sewed my own custom-tailored handbags, and vowed never to purchase someone else’s design again.

[Cover]In Overdressed: The Shockingly High Cost of Cheap Fashion, by Elizabeth Cline, Cline focuses on how the clothing industry has taken a dive since the 1990’s. By 2000, almost all clothing production has moved overseas in an attempt to maintain high profits and offer low, low prices. The 2000s saw the rise of Fast Fashion, meaning stores try to be in perpetual production, having new items every week instead of seasonally at the sacrifice of quality, style, and size, with some companies able to follow trends from concept to store in as little as six weeks. The marketing scheme of low, low prices is disastrous for the environment and for the economy, balanced on people who compulsively buy more than they can afford and possibly wear, items that fall apart after three washings and then are thrown away at the rate of hundreds of tons per month – mostly polyester, which is uncomfortable, not recyclable, and not even useful as rags – and no, neither the Salvation Army nor the poor of Africa want these useless third-rate garments. It creates the sweatshops and child labor of Asia, where the focus is on ever-cheaper labor costs to maintain profit – modern slavery. It has destroyed the US garment industry, and put thousands of US workers out of jobs.

In Cheap: The The High Cost of Discount Culture, by Ellen Ruppert Shell, Shell [Cover]covers much the same idea but in the concept of our press-board, Ikea-Walmart-Dollar Store culture. Instead of buying fewer high-quality goods that may last decades, our instant-gratification society is held up with super-cheap garbage that might last a year, if lucky. As forests are cut away to make the pulp that goes into throw-away furniture, as the demand for metals goes up to furnish wire or aluminum for lamps and chairs, the ecology of entire communities can be laid waste – let alone trying to find landfill space for all the broken cheap items. Cheap is nowhere near as cheap as you think it is. While Shell makes many interesting and valid points, at times her book slipped into heavy economics, which made my head spin. Skip the numbers, read the rest of the book.

In Priceless: The Myth of Fair Value and How to Take Advantage of It, William Poundstone discusses the psychology involved in pricing items and making [Cover]purchases. Do you remember the gas crises of the ’70’s, when gas stations waged war by dropping to 48 6/10ths, or 54 and 3/10ths instead of 9/10ths?  And we rushed to save a quarter of a penny? Do you wonder how stores can afford to give  60% sale and stay in business?  Or why you jump for joy when you snatch an item at Marshall’s that reads $59 – Compare at $135 and think you’re getting the steal of the century? Did you know that people will work for chocolate with the same behaviors as for money? Poundstone discusses how consumers are manipulated by very precise, controlled, and deliberate pricing strategies meant to maximize profit and induce you to buy – and how you can avoid those traps.

Nothing in this world comes without a price. Fashion, art, craftsmanship, and superb quality are becoming lost to generations in our quest not for beautiful items that will last years, but for more, more, more, more, an unsustainable chant fueled by governments that don’t know what else to say, most of which winds up in landfills where it may take more than a century to degrade. Choose wisely when making purchases, think about where the product is made, is it made with fair trade wages, is it good for the planet.  If you do buy, no matter what quality or price, always remember: reduce, reuse, recycle.

A Different Drummer

Do you ever listen to a song and have the wrong words go through your head?  Do your kids substitute different words to Achy Breaky Heart?  If you think that’s funny, you or your kids may enjoy listening to ‘novelty music,’ or a parody band.  Parody bands take popular songs and twist the words to make a new song, or they may write original songs that are amusing but not your average “commercial” material.  Many people may familiar with the vocal antics of Spike Jones, or songs like “The Purple People Eater,” “The Monster Mash,” Kip Addotta’s fish tale “Wet Dream,” or the “Chipmunk’s Christmas Song” – all once popular radio plays.  The TV show Chicago Hope made frequent use of Tom Lehrer’s song “Poisoning Pigeons in the Park.”  If you listened to WHCN in the ’80’s, they often played Barnes & Barnes’ “Fish Heads.” (Trivia fact: Barnes & Barnes is the band name of actor Bill Mumy and his best friend.  Bill is best known as the young Will Robinson in Lost in Space, or Lennier on Babylon 5.)

Product DetailsPerhaps the most popular parody musician is three-time Grammy winner Al Yankovic.  Yankovic boasts such hits as “White and Nerdy,” “Eat It,” “Smells Like Teen Spirit,” and other ear-catching twisted tunes.  Like many parody musicians, Yankovic got his first airtime on the Dr. Demento radio show, which has been running sinc e1974.  Dr. Demento plays parody and comic songs that may or may not make it into popular culture.  Yankovic’s “Yoda,” a parody of The Kinks’ “Lola,” was first played as a basement tape on Dr. Demento, as was “Grandma Got Run Over by a Reindeer.” (Personally, I like the basement tapes better than Product Detailsthe commercials versions.).  The aforementioned Fish Heads remains the number one requested song on his program.  Dr. Demento is no longer in syndication, but can still be found streaming on the internet.

If you like songs that are a little off kilter, you might try some filk music.  Filk?  Don’t you mean folk?  Filk is a term that came from a typo sometime before 1955, and it refers to fandom – usually but not always science fiction or fantasy – folkmusic.  If you like a book series or a movie or a TV show, chances are someone somewhere has written a song about it.  A song about Game of Thrones?  Oh yes.  Batman?  Him, too.  Want to hear Homer’s Odyssey encapsulated to fit the tune from Gilligan’s Island?  The Boogie Knights have got you covered.  Filk music is serious Memories of Middle Earthbusiness, with several large conventions in the U.S., Canada, Germany, and England, resulting in the Pegasus Award for Excellence given at the Ohio Valley Filk Fest every year.  For a sampling, check out The Brobdignagian Bards “Memories of Middle Earth,” filed among CPL’s folk music, or their Fairy Tales, for their awesome Jedi Drinking Song.

Our music selections include a wide variety of creative music you won’t find on the beaten path, including Yankovic, Lehrer, Dr. Demento, Brobdingnagian Bards, The Chromatics (excellent a capella performed by real rocket scientists), Monty Python, Harry and the Potters, and more.

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Eat them up, Yum!

James Cromwell films

james cromwellYou may not know his name, but chances are you know his face. James Cromwell is one of those lucky actors who never seems to want for work, with more than 163 film and television credits to his name.  At 6′ 7″, he is the tallest actor ever nominated for an Oscar. Born in 1940, educated at Middlebury College and Cal Tech, Cromwell has been cropping up everywhere since the early 1970’s, and is still going strong.  A staunch vegetarian, he was once arrested for protesting a Wendy’s in Virginia.  Total Film ranked him 56th of the Top 100 Greatest Movie Villains for his role as Captain Dudley Smith in L.A. Confidential, which many people think he should have won an Oscar for. Whether you remember him as Farmer Hoggett in Babe (his Oscar nomination), Zephraim Cochrane in Star Trek: First Contact, or Archie Bunker’s loading d0ck buddy Stretch Cunningham in All in the Family (yes, that was James Cromwell), you’ve probably seen his work. Whether funny, serious, or villainous is your style, get that popcorn going, sit back, and check out some of these great Cromwell performances!

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Listen Up! with an Audiobook

Don’t have time to read?  Driving a long commute, or perhaps an out-of-state trip? Do you have trouble focusing on printed words?  Try an audio book! Cheshire Library has a large collection of books on cd, from mysteries to romance, to fiction, non-fiction, science-fiction, and foreign languages, and we add at least one new selection a day. Here’s a list of just some of our newest additions in the past month:

[Cover]  Whiskey Beach by Nora Roberts

Toms River by Dan Fagin

The Hormone Cure by Sara Gottfried

Suspect by Robert Crais[Cover]

Vampires in the Lemon Grove by Karen Russell

Coming of Age in Mississippi by Anne Moody

[Cover]Pukka’s Promise: The Quest for Longer-lived dogs by Ted Kerasote

Rita Moreno: A Memoir By Rita Moreno

The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte [Cover]Cristo by Tom Reiss

The Dogs of War by Lisa Rogak

When Your Parent Becomes Your Child by Ken Abraham

[Cover]Car Talk: 25 Years of Lousy Car Advice

Savage Continent: Europe in the Aftermath of World War II by Keith Lowe

A Land More Kind than Home by Wiley Cash

The Butterfly’s Daughter by Mary Alice Monroe[Cover]

The Tenant of Wildfell Hall by Anne Bronte

Red Ink: Inside the High-Stakes Politics of the Federal Budget by David Wessel

[Cover]My Beloved World by Sonia Sotomayor

This Disc Won’t Play! Part II – Scratch That Idea

So you’ve wiped down your CD or DVD, buffed it shiny, but it still skips, chirps, freezes, and refuses even to advance to the next section.  Now you’ve got a problem. Check that mirrored side.  Chances are, it’s covered with scratches.  Small scratches, especially those on audio media like CDs and audiobooks, and those that run outward from the center to the edge of the disc, may not have any effect at all on performance.  DVDs, however, are much fussier, and a minor ding may create havoc.  Scratches that run around the disc like an old record interfere the most.

41I5j7KgWNL Cheshire Public Library has professional equipment for resurfacing media discs.  If simply washing and wiping doesn’t help, we put troubled discs through a three-step process. Seriously damaged discs are scoured smooth with fine sandpaper, then buffed back into shape at high speed, and finished off with a polishing coat of protectant. Usually this is enough to bring them back into good-as-new shape. Small, light scratches will disappear; deep gouges – the kind you can click with your fingernail – are a very bad sign and usually cannot be repaired.

brokenSome damage cannot be fixed. Disc materials are a layer of polycarbonate, a layer of foil, and a layer of lacquer. Any damage to the foil layer, from pen marks, pavement divots, dog teeth, to separation of layers and peeling, is a death sentence for the disc. Likewise, cracks cannot be repaired, because they interfere with that all-important foil layer where the data is stored. Blu-Ray discs are generally much tougher than regular discs, which is good, because they cannot be repaired at all. Blu-Rays have a heavier coating that the cleaning machine cannot penetrate. Amazingly, despite several years of use, we have lost perhaps only two Blu-ray discs because of scratch damage.

The easiest way to keep discs working well is to be gentle with them!  Don’t wrestle them from packaging but press that center hub until the disk releases. Always handle them by the edges, and replace them in their case as soon as you are finished with them.  Make sure they click onto that hub – shaking around loose in the case will scratch them! Don’t let children play with them, and don’t leave them where your dog can chew them. Be especially careful with items you listen to in the car: the sand you carry in the carpeting of your automobile can damage a disc exceptionally fast. If a disc won’t work, let us know, so we can fix it as soon as possible – tell us which disc of a set, which scene or which track if possible.  If the case is broken and the disc is rattling inside, tell us, because those broken hubs are little scratch factories. Disc materials are an expensive part of library acquisitions, and we work hard to keep them in the best shape they can be.