Meet the author! Anya Liftig will come to the library on Thursday, August 1 at 6:30 pm for a conversation about her memoir. Cheshire residents can borrow the audiobook with Libby, and physical copies will be available for sale at the event. Reserve your spot for August 1st!
Anya Liftig grew up in Westport and graduated from Yale. She was an artist living in Brooklyn before it was cool. You wouldn’t expect her memoir to begin with a relative lying dead in a shack in rural Kentucky, cleaved in half by a piece of construction equipment. But as I learned from my recent reading (audiobook listening, really) of her memoir Holler Rat, Liftig defies expectations.
Liftig’s mother hails from that ramshackle home in Kentucky, and her father is from an upper-middle-class Jewish family in Connecticut. When school ends each year in Westport, the family drives down to the holler to spend summers with Mamaw, the family matriarch. The book initially caught my interest because it straddles the vastly different worlds of rural poverty and New England affluence. I’ve got my own history between those worlds, so I wondered how much of this book would resonate with me personally. Liftig’s narrative was so engrossing that from the first paragraph, I completely forgot about my search for parallels and just settled in to enjoy the ride.
She details medical traumas, cringeworthy adolescent romances, and her family’s quirks (her father plays the bagpipes and her grandmother won’t sell the old Studebaker that’s decaying in the middle of a potato field). Also, there was that time she made out with a dead fish in front of an audience and then put it in a blender and drank it. If it sounds both horrifying and hilarious, that’s a pretty good way to describe the memoir. Liftig moves from story to story with a masterful sense of pace, and her brilliant placement of her performance art pieces within the narrative helped me interpret and appreciate this art genre, which I knew only from parodies. The lead-up to the last chapter is heavy, and you don’t know how it’ll end until you reach the very last word. It’s the best memoir I’ve read recently, and I’m really looking forward to having a conversation with her at the library program on August 1!
It’s worth mentioning a book by another Yale alum and descendant of poor Kentuckians: Hillbilly Elegy, the 2016 memoir by J.D. Vance. This Ohio senator was announced as Donald Trump’s pick for VP candidate only a few days ago. Hillbilly Elegy was a bestseller upon release, but it was criticized for painting broad generalizations and reinforcing negative stereotypes about the rural poor. Now in 2024, it’s not hard to see Elegy as a calculated move from an aspiring politician. (It’s standard political playbook – Barack Obama made a similar move in 1995 when he released his memoir Dreams from My Father right before he ran for senate in Illinois.) Vance’s book is great if you want to better understand his politics, but if you’re looking for a more sympathetic and arguably more accurate portrayal of Appalachia, Holler Rat’s tight personal narrative from a longtime artist is a better pick.
Every novel must be edited, rewritten, checked, rechecked, spellchecked, polished, and inconsistencies and logic errors ironed out. Plot holes must be sewn shut. Grammar – please, oh please – must be fixed. No manuscript goes to an agent or publisher on the rough draft. Most writers doesn’t even let their beta readers – those friends whose opinions they trust – read their rough draft. You might slap that story together in 30 days, but the editing and rewrites are more likely to take months. And even when you’ve edited it twelve times, made the corrections of six beta readers, run it through grammar and spell check, there will still be some error that everything has still missed. 
. Learn editing. If you have a question, check it on the internet. Check your facts – if you aren’t sure an African Swallow can carry a coconut, look it up. Cross-reference to make sure your source is correct. Author 
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