Dum-Diddly-DUMB

220px-TiK_ToK_-_Kesha_(official_single_cover)I came across an article from May of 2015 (there are many on the subject) that mourned the dumbing down of American music based on the reading grade-level of the lyrics. The average ability one needs to read modern lyrics is a whopping  second grade reading level. Hip hop scored worst, with short little repetitive words that needed only a first-grader’s ability to read. Country music was the Big Brain, with a reading level of third grade and a few months. I found that a bit shocking.

You can find one of those informative studies here http://seatsmart.com/blog/lyric-intelligence/
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There are many criticisms of such a study. One is that they only covered music in the last ten years. Was music really all that smarter 20, 30, 50 years ago? Another is that repetition dumbs down the word level:

(Ke$ha, TiK ToK, Billboard #1 January 2010) (NUMBER 1 SONG IN AMERICA)
I’m talkin’ bout – everybody getting crunk, crunk
Boys tryna touch my junk, junk
Gonna smack him if he getting too drunk, drunk
Now, now – we goin’ ’til they kick us out, out
Or the police shut us down, down
Police shut us down, down
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I’m not sure it’s the repetition that’s dumbing that down.
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The other major complaint is how reading scores are measured: most have a mathematical formula that juggles word length, sentence length, or syllable length, and messes them around until an average is found. This is not always accurate, especially with poetry or lyrics, which may have 100 words before coming to the actual end of a sentence.

I had to find this out for myself. After all, we survived songs like “Doo Wah Diddy” and “Kookie, Kookie, Lend Me Your Comb.” I took a variety of older songs and plugged them through https://readability-score.com/, which uses fivChild in school distracted_0e different reading assessment tools to come to an average score. The Flesch-Kincaid Reading Ease was developed by the Navy, so that technical manuals wouldn’t get too difficult to understand. A score of 90 or better is good for a 6th-grade student, 60 or higher is good for high school students, and 30 or less is best left to college students (i.e., higher score is easier to read). Because the formula isn’t perfect it is possible, on the grade-level equivalent, to score well above a “grade” (as in, grade level 62).  That’s the number of years of schooling you may need to understand it. Ideally, if it’s for the average Joe or Jane on the street, you want a grade level of 8.  Don’t take it literally; just understand that the higher above 8 you go, the more complex it is to read.

Here was what I found when I ran nine popular songs through the analyzer:

Francis Scott Key, The Star Spangled Banner (1814) Everyone knows this one! Reading Ease: 87.6 (grade 7 or so). Average reading level – grade 7.3
Woody Guthrie, This Land is Your Land (1940) Come on! Okey folky here. Woody Guthrie was by far not an educated man. Reading ease: 33.8 (that’s in the college range). Average grade level: 37  (Blame no punctuation.)
Elvis Presley, Jailhouse Rock (1957) We’re talking Elvis. Hound dogs. Blue suede shoes. Reading ease: 77. 2 (high school). Average reading level: Grade 6.2
Frank Sinatra, A Very Good Year (1961) Thoughtful, but not Shakespeare, right? Average grade level: 11.6
The Supremes, Baby Love (1964)  Oooh, Baby Love, the reading ease is 54, with a grade level of 14, which, again, is almost guaranteed to be a result of no punctuation.
Bob Dylan, The Hurricane (1975) Ok, folk music by nature is going to score higher, because it tells a whole story. I only did the first four stanzas. Reading ease? 16.3. Grade level? 24.7  Big long sentences with grammar!
Queen, Bohemian Rhapsody (1975) Let’s face it. Scaramouche isn’t in a Ginn Reader, or even a Lippincott or Scott Foresman. Reading ease? 43. Grade level: 16.3. That’s a senior in college.  Thunderbolt and lightning.
The Police, De Do Do Do (1980) (Talk about repetition!) reading ease: 63. Grade level: 47.
REM, Drive (1992) Reading ease: 101.9 (that’s grade 5ish). Average reading level: 2.2  Ah! So music DID die off at the end of the 80’s!

knobAnd just for kicks (because it came up on my iTunes): Disney’s Bedknobs and Broomsticks, Substitutiary Locomotion (1971) (remember, this is a Disney kid’s movie): Reading Ease: 4.1 (that’s PhD level), and a grade level of 18.  A catchy kid’s tune.

#What it means:
Okay, even I was surprised. I expected lyrics to have come down, but I didn’t realize it was by that much. Don’t bother with “scores,” just read the lyrics. I did The Police as a joke, because that much repetition was certain to skew things down, but no: the rest of the lyrics have words like jamming transmissions, not baby words. I thought for sure Woody Guthrie would prove a point, but his lyrics, too, are full of long words and long sentences and imagery. Elvis? Really? Spider Murphy played the tenor saxophone,  Little Joe was blowin’ on the slide trombone. It’s not junk, junk. The Hurricane I knew would score high – it’s about as close to an entire novel as you can sing without going back into Child Ballads.
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While the measuring tool isn’t precise – measuring sentence length in a lyric that doesn’t use punctuation gives false positives as to complexity – the word lengths counter some of it (we know it obviously does not take a PhD to understand Police lyrics). All in all, I have to agree: many modern music lyrics are about as intelligent as dirty dishwater, and the content is worthless. All you need to succeed is some gibberish, a loud driving beat, a fast groove of the hips, and a really good publicity team to get you air time. The music industry is about money; artists are about the art and the message. Hence we’re here  discussing Sinatra and Elvis and Queen, who haven’t been around in decades, and no one remembers who had the number one hit four years ago.

Pete Seeger, An American Bard

Pete Seeger, the granddaddy of American folk music, passed away peacefully in his sleep January 27, at the age of 94. Pete left Pete-Seeger-001a legacy of not only a tremendous contribution to American music, but of political activism and ecology with an emphasis on peace.

If you’ve ever heard The Lettermen sing “Turn, Turn, Turn,” if you’ve ever heard “We Shall Overcome” sung at a protest, if you ever listened to Bruce Springsteen belt out his We Shall Overcome album, you’ve been touched by Pete’s music.  If you’ve ever driven along the Hudson River in New York and noticed the lack of garbage floating in it, you’re looking at Pete’s work.

Pete began singing with the Almanac singers back in the 40’s, alongside the bedrock of American folk singers such as Woody Guthrie (who wrote the iconic and ironic song “This Land is Your Land”), Lee Hays, and Cisco Houston, among others. The Almanac singers morphed into The Weavers by 1950, with Lee Hays, Ronnie Gilbert, and Fred Hellerman, and enjoyed great popularity (including a number one hit in “Goodnight Irene”) until 1953, when they were blacklisted by McCarthyites as being 5123Z66NNXL._SX300_suspicious for singing about such things as worker’s rights and political oppression around the world.  This did not stop them from playing Carnegie Hall in 1955.  By the 1960’s folk music was only increasing in popularity, and Pete had a great influence on such upcoming folk singers such as Joan Baez, Bob Dylan, and Arlo Guthrie, Woody’s son, with whom he kept a life-long friendship. Seeger  – four of his six siblings are also folk singers – continued to influence music through the 80’s, 90’s, and 2000’s by working with mega-musicians such as John Mellencamp and Bruce Springsteen, who released a well-received folk album after mentoring from Pete.

If Seeger was anything, it was tireless. It was he who introduced Martin Luther King Jr. to the song “We Shall Overcome.”  In 1966 he became part of the Clearwater effort to clean up the toxic waste and raw sewage that was 51PP4Dc+wyL._SY300_destroying the Hudson River in New York, something he never stopped doing. He stood behind Occupy Wallstreet.  He played at President Obama’s inauguration, at the age of 89. He was still playing and giving concerts at 93. He was predeceased by Toshi, his wife of 70 years, just last summer.  He has been a part of, well, generations of American history, from WPA projects to serving in World War II to facing down the House Committee on UnAmerican Activities to the civil rights movement, ecology, founded music festivals, and more. He is truly an American Icon, one we can all be proud of.5175nuV6svL._SL500_AA280_

If you want to listen to classical truly American music, if you’re looking for great songs for singing or guitar, if you want your children to listen to some fun and rolicking children’s songs, check out some of Pete’s extensive legacy.  Bob Dylan and Bruce Springsteen walk in his shadow, but there is no one alive who can come close to filling Pete’s giant footprints.