Movie Magic

When we talk about the powerhouses of music, we think of The Beatles or Michael Jackson or Reba MacIntyre or Beyonce, among others. People who have multiple-decade careers, whose very touch seems to turn to gold, who sell records just walking down the street. Everyone knows their name.

So if I said, Guess which musician has won four Oscars, four Golden Globes, seven BAFTAs (the British equivalent of the Oscar), 25 Grammys, was Knighted by Queen Elizabeth even though he was born in Queens, and has had 52 Oscar nominations – second only to Walt Disney, who would you pick?  Someone with a net worth of between $300 million and $50 billion, depending on how many assets you count?

Would you believe it’s composer John Williams?

Williams, who is 91 and still going strong, has a Master’s touch when it comes to composing music, and he’s written more film and television music than you realize. An alumni of the prestigious Juilliard School, Williams’ career has spanned more than six decades, and he’s written the scores for everything from the pilot of Gilligan’s Island and Lost in Space  to Schindler’s List (his fifth Oscar for score).  Although he didn’t write the music or win the Oscars, Williams played piano for the score for Bernstein’s West Side Story. His scoring of Jerry Bock’s music for the film adaption of Fiddler on the Roof won him his first Oscar. That iconic Jaws DA-dunt, DA-dunt that scared everyone from the water, won him his second. Spielberg then recommended him to his buddy George Lucas, who needed a composer for the movie he was working on. Star Wars became Williams’s third Oscar, a soundtrack among the most widely recognized music in history, and remains the highest grossing non-popular music of all time (interactive fun fact: you can dance the Macarena perfectly to Darth Vader’s theme music. Go ahead. Try it.). Williams went back to Spielberg for his fourth Oscar – the soundtrack to E.T.  Harry Potter? Yep, Williams wrote that. Superman? Home Alone? Jurassic Park? The Post? Sometimes, it seems as if a movie is destined for greatness if Williams writes the score.

March is Oscar month, and this year John Williams is the oldest Oscar nominee for the score to Spielberg’s The Fabelmans. So cheer for Williams on March 12, and in the meantime, check out one of his dozens of utterly amazing scores on the following films:

The BFG / Star Wars / Raiders of the Lost Ark / Schindler’s List / ET / Jaws / Harry Potter and the Sorceror’s Stone /

Superman / Jurassic Park / Saving Private Ryan / Towering Inferno / Close Encounters / Hook / JFK /

Memoirs of a Geisha / Minority Report

 

Cloning Around

Cloning seems new, but it’s technically been around longer than man – identical twins can be considered clones, splitting a single fertilized egg into two or even four genetically identical individuals from that one egg. Modern cloning, wherein cells are taken from a living donor and a primitive cell is induced to become an organism traces back to just 1996, when Dolly the Sheep was cloned from a mammary cell of another sheep, the first time a body cell was used instead of a sex cell – an egg or sperm.

The success of Dolly induced a rush to clone everything. Companies still offer to clone your pet, so that when it dies you can have an exact replica. Zoos and conservationists tried vainly to clone endangered species. And, due to the discovery of some well preserved remains of extinct creatures such as the mammoth and Otzi, the ancient hunter, biologists, paleoarchaeologists, and dreamers leaped at the chance to resurrect ancient animals, or possibly even a Neanderthal (if you believe they are truly extinct. It’s been found that modern people of European descent may have as much as 5% Neanderthal DNA .

Is this even possible? Jurassic Park resurrected the dinosaurs, and outside of making a tidy sum for their producers (four films have brought in more than 3.6 billion dollars. Billion with a B, not counting book sales), we understand the havoc that created, substituting frog DNA for missing strands of dinosaur.

Two recent books discuss this possibility in thoughtful detail.

Resurrection Science, by M.R. O’Connor, is philosophical and easy to read. She discusses reasonable ethics regarding several endangered species, but leaves the questions open for the reader to decide. Should millions of people be denied electricity because a mere handful of frogs live only in six square feet of mist of one waterfall deep in the jungle? Should we be captive-breeding the Florida panther, only to release them into a concrete jungle so they can be hit by cars and shot by people freaking out when they see them? Species have been going extinct for millions of years; should we be trying to save them if we’ve destroyed the very environment that made them what they are? And by the time you artificially recreate animals, hand-rear them (because the parents are extinct), and then set four of them free – are they really the animal you were trying to save? Because they were artificially created, they don’t know what to do, how to attract mates, what or how to forage and eat, and can starve to death.

How to Clone a Mammoth, by biologist Beth Shapiro, is still easy to read, but contains a chapter on the hard-core dynamics involved in splicing and replicating DNA material. While Shapiro is among those who would love to see mammoths cloned, she’s deep in the know and admits it’s not feasible. Not only has not a single complete strand of viable DNA been recovered, no study takes into account the near impossibility of actually making the goal: in trying to resurrect the recently extinct Bucardo (a type of Spanish Ibex), using frozen cells taken from a then-living animal (not a 20,000 year old dried out one), 780 cells were transplanted to eggs, but only 407 developed into embryos. Two hundred eight were implanted into hosts, of which only seven became pregnancies (an efficacy rate of 3%). Of these, just ONE made it to term (0.4%). That one animal had a lung defect so severe it lived less than ten minutes. Cloning, depending on specie, has a terrible rate of success, with animals frequently dying of defects or cancers. Shapiro discusses the ethical concerns of what to do with a mammoth if you do create one – no one knows its behaviors. The MAMMOTH won’t even know how to act like a mammoth. Are they solitary or social? Will it pine in loneliness? What does it eat? Does that diet still exist? Where will you keep it? We’re bringing alive an animal we have no data on whatsoever. Is this fair to the animal? If not a mammoth, should we try to resurrect something else recently extinct whose absence IS having a deleterious effect on the environment? Shapiro paints a harsher ethical – and realistic – picture.

Technology is closer than ever to reaching de-extinction goals, and with increasing earth temperatures melting permafrost and releasing better-preserved specimens every year, the chance of finding usable DNA grows ever closer. Both of these books present a balanced side to the argument. Of course we WANT to bring back mammoths. The question remains: should we?

Tales of Three Chrises

befunky-collage-5-11While looking at upcoming films, I watched the newest trailer for the Wonder Woman movie (due June 2, 2017, and it looks fantastic), and was surprised to see actor Chris Pine in the role of Steve Trevor – I had no idea he was in the film. I like Chris Pine, he’s a worthy actor, and I think he’ll do a wonderful job in the role. But I can’t help but notice, he’s been cropping up in an awful lot of films lately.

Sometimes Hollywood gets hooked on a new actor and they become “hot” – in high demand because they seem to pull in audiences and thus make a lot of money, worthy or not. They may hang around a while, then fade off into obscurity when it’s realized they have no real talent, only to reappear on a C-grade cable network show pushing designer socks. Sometimes actors let their popularity run for a few years, make their money, and then get out altogether, to pursue directing, theater, music, or sometimes even a college degree.

But lately the name Chris seems to be the favorite in Hollywood – Chris Pine, Chris Pratt, and the other blockbuster, Chris Hemsworth. All are fine actors who have taken on roles that shot them to stardom, yet all have solid resumes of good films behind them even if you’ve never heard of them.

mv5bmtm4otq4ntu3nv5bml5banbnxkftztcwnjewndu0oq-_v1_ux214_cr00214317_al_Chris Pine comes from an acting family – his dad was Robert Pine, Sgt. Getraer from CHiPs, and he’s one of those well-rounded actors with actual talent. Although currently best known for taking on the iconic role of Captain James Kirk in the Star Trek reboot, he’s done an array of very worthy films, from action hero in Jack Ryan: Shadow Recruit, to wine maker in Bottleshock (a very underrated movie with an excellent cast), to Coast Guard skipper in The Finest Hours. If you doubt his acting talent, listen to his singing voice as he belts out the tune “Agony” in Into the Woods. If he runs out of films, he can  switch easily to Broadway. If you’re of a certain age, or have daughters of a different age, you may remember him from Princess Diaries 2.  He’s not just taking on any role to make a buck.

On the other end, you have Australian actor Chris Hemsworth, who gained thirty8e289e037001b64b43665c8be542d3f9 pounds of pure muscle to take on the role of powerful comic book hero Thor in the multitude of Marvel films. But Hemsworth is not just eyecandy. His latest film was a comic role in the Ghostbusters reboot (okay, not exactly a great film, but not Thor either), but he’s popped up regularly in Snow White and the Huntsman, The Huntsman: Winter’s War, chasing Moby Dick in In The Heart of the Sea, racing cars in Rush, and escaping computer espionage in Black Hat, a worthwhile thriller though not of the same caliber of a Marvel film. He may look like he fell off the cover of a romance novel, but you can’t say he’s allowed himself to be typecast. He, too, was in the Star Trek reboot, as George Kirk, James T.’s father – a role he will be reprising in the next Star Trek film, which has not yet entered production (even though he’s three years younger than Chris Pine). If you really want entertainment, listen to him speak with his native Australian accent – you realize just how impressive his American accent is.

chris_pratt_-_guardians_of_the_galaxy_premiere_-_july_2014_croppedChris Pratt landed two franchises – starring in the latest Jurassic Park flick, Jurassic World, as well as the lead of Peter Quill in Marvel’s Guardians of the Galaxy (and the upcoming GG2, due out May 5 of 2017, and the next Jurassic, in pre-production, and reprising his Peter Quill role in the Avengers Infinity War, currently filming – talk about busy!). AND he starred with Jennifer Lawrence in December’s new release, Passengers. Before taking over the action-hero trade, he appeared in such varied films as Zero Dark Thirty, Moneyball, and the recent star-studded western, The Magnificent Seven. Of the three, he’s also done extensive television, with recurring roles on Parks and Recreation, The O.C., and Everwood.  He’s earned the right to be exhausted!

So while the weather is less than delightful, make it a weekend of high entertainment and Chris-cross some of these films off your list. No matter what your style of movie – westerns, intrigue, racing, science fiction, comic heroes, fairy tales, covert wars, musicals or more, one of these men has the perfect film for you.