Getting Cult-ured

We’ve all heard the term, “It’s a cult classic,” “It’s a cult film,” but what actually is a cult film? For one thing, it has zero to do with charismatic leaders or brainwashing. Cult films can be weird, but some are wildly popular.

While the definition itself is elusive, and films can theoretically lose their cult status if they become mainstream, there are several factors that help define which films can fall in that category. For one, it has to bomb at the box office. This doesn’t mean it was a bad film – Donnie Darko did lousy because the film revolved around a plane crash, and it was released just weeks after 9/11, and all the advertisers pulled out. The Princess Bride became a wildly popular film that did poorly in the theaters, mostly because the studio didn’t know how to market it – kid flick, or adult? Love story, fantasy, or comedy? With no marketing, it didn’t fare well.

A second common requirement is the movie has to be unconventional. It’s not something that will appeal to everyone. Quentin Tarantino films are widely lauded, but Pulp Fiction and Reservoir Dogs aren’t for everyone. Neither are David Lynch films. I love Eraserhead, but it’s a bizarre, trippy, nightmarish film of a man trapped in a dystopian Philadelphia, caring for his grotesquely deformed infant. It is not going to be a runaway hit. Lynch’s TV series Twin Peaks falls in this category, too.

A third is a wildly loyal fan base, who not only quote the film but can often recite most of the dialogue. Many films, of course, fall in this category, but don’t meet the other criteria. Thousands of people are rabid Star Wars fans, or Wizard of Oz fans, or Casablanca fans, but those are mainstream films that appeal to the masses. Fight Club can fall in here. Also Jim Henson’s Labyrinth and The Big Lebowski.

Some claim a cult film must be subversive – this opens the door to a host of horror (Human Centipede, Nosferatu), exploitation (Freaks), pornography, over the top documentaries (like Reefer Madness), and more, but that’s not always the case. Traditionally, cult films gained their popularity from midnight movie showings. Now thanks to streaming, any film on the internet can become a cult film.

Other films fall into the campy, grade-B (or -C) genre films under the guise of “It’s so bad, it’s good.”  Jane Fonda’s Barbarella can fall under here. Attack of the Killer Tomatoes was written specifically that way. Also Attack of the 50-foot Woman, Forbidden Planet, and Plan 9 From Outer Space – a movie credited with being the worst motion picture of all time. You have to laugh at how bad it really is.

The Granddaddy of all “Cult” films, of course, is Rocky Horror Picture Show. It checks every box – subversive (open sexuality!), midnight showings, camp (Tim Curry vamping it up in leather and lace), a guilty pleasure, definitely not mainstream, and a rabidly loyal fan base who can sing and quote the entire movie from memory, while throwing toast and raising umbrellas depending on the scene. It’s a great, if strange, film with a fabulous soundtrack, but not family friendly. It struggled in theaters initially, but Rocky Horror is currently the seventh highest grossing rock film when adjusted for inflation, and at 49 years old, it is the oldest continuously released movie in history – you can still find it playing in a theater somewhere. It now on the National Registry of films as culturally important.

So much for non-mainstream and subversive.

TV shows can be cult as well.  The original Star Trek would qualify – a show with such poor ratings it was cancelled after two seasons, only to have a huge outcry from a fanbase that got it renewed for a third season … and then a mega-empire of movies and TV series. Firefly too – a show of only 14 episodes with a fan base so active it spawned a motion picture (Serenity) – as are Buffy the Vampire Slayer, Lost, Arrested Development, South Park, and The Simpsons. While both South Park and The Simpsons were wildly popular, they’ve been in production for 26 and 36 seasons, respectively, which puts them into cult status.

You probably already love a “cult” film, but give some of these a try and see if you agree!

Eraserhead

The Man Who Fell to Earth

Plan 9 from Outer Space

Princess Bride

Barbarella

Big Lebowski

Big Trouble in Little China

Boondock Saints

Brazil

A Clockwork Orange

Elephant Man

Escape from NY

(TV) Firefly

Freaks

Harold & Maude

Kill Bill

Labyrinth

Monty Python and the Holy Grail

Napoleon Dynamite

Night of the Living Dead

Pulp Fiction

Reservoir Dogs

Rocky Horror Picture Show

This is Spinal Tap

Tommy

Kung Fu/ martial arts films such as Enter the Dragon

Hocus Pocus

The Delights of Pop Culture

It’s an awesome time to be a fan of pop culture. You can listen to podcasters going episode-by-episode through the shows you binge-watched on DVD in college. You can read delightfully bizarre theories about the characters in your preschooler’s favorite TV show. You can gather with other fans at venues like ConnectiCon. And as the main orderer of nonfiction books, I know this is an excellent time to read about pop culture, too. Here are some new and recent books to both entertain you and deepen your appreciation for your show / movie / franchise du jour. 

Did Arya, Maximus, or Chandler have the biggest surge in popularity as a baby name? How many parents start off dead in Disney movies? Is Ash Ketchum a better GM or coach? Find the answers in this book, which is a fun mix of visualized data and writing which explores how mere “entertainment” affects politics, the economy, and even shark populations. Pulitzer Prize-winning author Hickley used to be the Chief Culture Writer at FiveThirtyEight, and it shows in his love of statistics. 

The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic by Daniel DeVisé (2024) 

The saga behind The Blues Brothers is epic, encompassing the colorful childhoods of Belushi and Aykroyd, the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City, the early years of Saturday Night Live where the Blues Brothers were born, and the indelible behind-the-scenes narrative of how the film was made. Based on original research and interviews of principals from director John Landis and producer Bob Weiss to SNL creator Lorne Michaels and Aykroyd himself, The Blues Brothers vividly portrays the creative geniuses behind modern comedy. 

On Locations: Lessons Learned from My Life On Set with The Sopranos and in the Film Industry by Mark Kamine (2024) 

Married and with a child, the author takes unpaid gigs to get a foot in the door, and eventually ends up working on all seasons of The Sopranos. The show’s setting and its creator’s insistence on accuracy placed the native New Jersey author in the right place at the right time to become part of television history, and to witness the effects of sudden fame and acclaim on the show’s principal players. Includes many stories about guest stars, as well as the cast, including new tales of James Gandolfini. 

Opposable Thumbs: How Siskel & Ebert Changed Movies Forever by Matt Singer (2023) 

Award-winning editor and film critic Matt Singer eavesdrops on the iconic balcony set of Gene Siskel and Roger Ebert, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series. Their partnership was cut short when Gene Siskel passed away in February of 1999, but their influence on in the way we talk about (and think about) movies continues to this day. 

I Like to Watch: Arguing My Way Through the TV Revolution by Emily Nussbaum (2019) 

In this collection, New Yorker columnist and Pulitzer Prize winner Emily Nussbaum writes about her passion for television beginning with Buffy–as she writes, a show that was so much more than its critical assessment–the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And, she also explores the links between the television antihero and the rise of Trump. The book is an argument, not a collection of reviews. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that places one kind of culture over another. It traces her own development as she has struggled to punch through stifling notions of ‘prestige television,’ searching for a wilder and freer and more varied idea of artistic ambition. 

Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen by Brian Raftery (2019) 

In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace.  Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. 

Surely You Can’t Be Serious: The True Story of Airplane! by David Zucker, Jim Abrahams, and Jerry Zucker (2023) (downloadable audiobook) 

An in-depth and hysterical look at the making of 1980s comedy classic Airplane! by the legendary writers and directors of the hit film. With anecdotes, behind the scenes trivia, and never-before-revealed factoids, these titans of comedy filmmaking unpack everything from how they persuaded Peter Graves to be in the movie after he thought the script was a piece of garbage, how Lorna Patterson auditioned for the stewardess role in the back seat of Jerry’s Volvo, and how Leslie Nielsen’s pranks got the entire crew into trouble, to who really wrote the jive talk. It also features testimonials and personal anecdotes from well-known faces in the film, television, and comedy sphere, proving how influential Airplane! has been from day one. 

Titles we don’t have but you can borrow from other libraries in our consortium: 

No Crying in Baseball: The Inside Story of A League of Their Own by Erin Carlson (2023) 

The Coen Brothers: This Book Really Ties the Films Together by Adam Nayman (2018) 

Movies (And Other Things): A Collection of Questions Asked, Answered, Illustrated by Shea Serrano, illustrated by Arturo Torres (2019) 

Book-to-Screen Adaptations Coming in 2023

If you love seeing your favorite books come to life on the big or small screen, 2023 is shaping up to be a great year. And if you’re a read-it-before-you-see-it person, you’ll want to take note of the screen adaptations slated for release this year, and add the following books to your reading list! (Release dates are given when known, though they are subject to change).

Dear Edward by Ann Napolitano (on Apple TV+ Feb. 3)

The Cabin at the End of the World by Paul Tremblay (in theaters Feb. 5)

The Black-Eyed Blonde by Benjamin Black (in theaters Feb. 15)

Daisy Jones & the Six by Taylor Jenkins Reid (on Amazon Prime Mar. 3)

Are You There, God? It’s Me, Margaret by Judy Blume(in theaters Apr. 28)

Text for You (movie title: Love Again)by Sofie Cramer (in theaters May 12)

Killers of the Flower Moon by David Grann (in theaters May 2023)

Harold and the Purple Crayon by Crockett Johnson (in theaters June 30)

American Prometheus by Kai Bird and Martin J. Sherwin (in theaters July 21)

Hallowe’en Party (movie title: A Haunting in Venice) by Agatha Christie (in theaters Sept. 15)

Dune (Part Two) by Frank Herbert (in theaters Nov. 3)

The Ballad of Songbirds and Snakes by Suzanne Collins (in theaters Nov. 17)

Charlie And The Chocolate Factory (movie title: Wonka) by Roald Dahl (in theaters Dec. 15)

The Color Purple by Alice Walker (in theaters Dec. 20)

Expected to premier in 2023, but no release dates available yet for:

Red, White & Royal Blue by Casey McQuiston (on Amazon Prime)

The Last Thing He Told Me by Laura Dave (on Amazon Prime)

The Power by Naomi Alderman (on Amazon Prime)

Lessons in Chemistry by Bonnie Garmus (on Apple TV+)

American Born Chinese by Gene Luen Yang (on Disney+)

Romancing Mister Bridgerton by Julia Quinn (on Netflix)

The Three-Body Problem Series by Cixin Liu (on Netflix)

Three Women by Lisa Taddeo (on Showtime)

10 Movies Set in Ireland (perfect for St. Patrick’s Day!)

On St. Patrick’s Day, after you’ve eaten your corned beef and cabbage and drunk your green beer, why not settle in for a movie that sweeps you away to Ireland? In 2014 I put together a list of movies set in Ireland, perfect for St. Patrick’s Day viewing. Since then, there have been quite a few more good movies set in the Emerald Isle, so I thought an update might be in order. Here are 10 movies to add to your celebration of all things Irish.

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  1. The Banshees of Inisherin. On a tiny island off the coast of Irelend in 1923, two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them. This film was one of the highlights of 2022, nominated for multiple awards for cast and crew alike.
  2. Wild Mountain Thyme. Headstrong farmer Rosemary Muldoon has her heart set on winning her neighbor Anthony Reilly’s love. The problem is, Anthony believes he’s inherited a family curse, and remains oblivious to his beautiful admirer. Stung by his father’s plans to sell the family farm to his American nephew, Anthony is jolted into pursuing his dreams.
  3. Belfast. A semi-autobiographical film written and directed by Kenneth Branagh, which chronicles the life of a working class family and their young son’s childhood during the tumult of the late 1960s in Northern Ireland.
  4. Song of the Sea. When Saoirse and Ben’s mother mysteriously disappears into the ocean, the two children go on an epic journey to find out the truth about her, and in the process, discover mystical secrets about both their mother and Saoirse herself. The film takes inspiration from the mythological Selkies of Irish folklore, who live as seals in the sea but become humans on land.
  5. My Left Foot. Born with cerebral palsy, the 10th of 22 children of a Dublin bricklayer and his wife, Christy Brown was doomed to life as a vegetable by physicians in 1932. His strong-willed mother’s love and faith encouraged him to overcome this label. An astounding story of an artist who defeated a physical disability, degrading stereotypes, and poverty to fulfill his dreams.
  6. Michael Collins. The life of an Irish man whose dreams inspired hope, whose words ignited passion, and whose courage forged a nation’s destiny. His powerful gifts sparked the fierce battles that led to the Irish Republic that exists today, but his unshaken confidence in those gifts led him to become a victim of the very men he inspired to fight by his side.
  7. Once. A Dubln street musician and a young mother discover each other’s talents and push one another to realize their dreams. The soundtrack from this film won a Grammy award, and the song “Falling Slowly” won an Academy Award for Best Original Song.
  8. Albert Nobbs. A woman (Glenn Close) passes as a man in order to work and survive in 19th century Ireland. Some thirty years after donning men’s clothing, she finds herself trapped in a prison of her own making.
  9. Waking Ned Devine. When Ned Devine dies from shock after winning the lottery, two longtime friends, Micheal and Jackie, discover the body and agree Ned would want them to benefit from his good luck. They embark upon an outrageous scheme to claim the ticket but first they have to get all the townsfolk to go along with their plan.
  10. The Wind That Shakes the Barley. Set during the Irish War of Independence (1919–1922) and the Irish Civil War (1922–1923), this drama tells the fictional story of two County Cork brothers who join the Irish Republican Army to fight for Irish independence from the United Kingdom. It takes its title from the Robert Dwyer Joyce song “The Wind That Shakes the Barley”, a song set during the 1798 rebellion in Ireland and featured early in the film.

 

Movie Magic

When we talk about the powerhouses of music, we think of The Beatles or Michael Jackson or Reba MacIntyre or Beyonce, among others. People who have multiple-decade careers, whose very touch seems to turn to gold, who sell records just walking down the street. Everyone knows their name.

So if I said, Guess which musician has won four Oscars, four Golden Globes, seven BAFTAs (the British equivalent of the Oscar), 25 Grammys, was Knighted by Queen Elizabeth even though he was born in Queens, and has had 52 Oscar nominations – second only to Walt Disney, who would you pick?  Someone with a net worth of between $300 million and $50 billion, depending on how many assets you count?

Would you believe it’s composer John Williams?

Williams, who is 91 and still going strong, has a Master’s touch when it comes to composing music, and he’s written more film and television music than you realize. An alumni of the prestigious Juilliard School, Williams’ career has spanned more than six decades, and he’s written the scores for everything from the pilot of Gilligan’s Island and Lost in Space  to Schindler’s List (his fifth Oscar for score).  Although he didn’t write the music or win the Oscars, Williams played piano for the score for Bernstein’s West Side Story. His scoring of Jerry Bock’s music for the film adaption of Fiddler on the Roof won him his first Oscar. That iconic Jaws DA-dunt, DA-dunt that scared everyone from the water, won him his second. Spielberg then recommended him to his buddy George Lucas, who needed a composer for the movie he was working on. Star Wars became Williams’s third Oscar, a soundtrack among the most widely recognized music in history, and remains the highest grossing non-popular music of all time (interactive fun fact: you can dance the Macarena perfectly to Darth Vader’s theme music. Go ahead. Try it.). Williams went back to Spielberg for his fourth Oscar – the soundtrack to E.T.  Harry Potter? Yep, Williams wrote that. Superman? Home Alone? Jurassic Park? The Post? Sometimes, it seems as if a movie is destined for greatness if Williams writes the score.

March is Oscar month, and this year John Williams is the oldest Oscar nominee for the score to Spielberg’s The Fabelmans. So cheer for Williams on March 12, and in the meantime, check out one of his dozens of utterly amazing scores on the following films:

The BFG / Star Wars / Raiders of the Lost Ark / Schindler’s List / ET / Jaws / Harry Potter and the Sorceror’s Stone /

Superman / Jurassic Park / Saving Private Ryan / Towering Inferno / Close Encounters / Hook / JFK /

Memoirs of a Geisha / Minority Report