Myth-ing Persons : Heroes of Myth and Legend

January began as one of the last months of year, not the first.  The start of the Roman calendar (and the astrological one) was March. Back then there were only ten months to the year, totaling 304 days. Between was a miasmic 66 monthless days of “winter.” According to legend, Numa Pompilius, the second King of Rome (after Romulus himself), added January and February to codify that winter term (along with a catch-up month every other year of 22 days).

Was Numa a real figure? History leans toward yes, born around 753 BC. Both Plutarch and Livy (major Roman writers) wrote about him. He codified Roman laws and religion, so we know he actually lived, but like many legends, there are stories about him that are most likely fable.

Every culture has their grandiose heroes of myth and legend. Some we know are fantasy (Beowulf), while others we know are fact (Jesse James). Let’s look at some famous heroes that history can’t make up its mind about.

Mulan

Disney’s Mulan is based on a Chinese poem called The Ballad of Mulan. She is believed to have lived somewhere between 386 CE and 620 CE (if you’re not up on your history, Common Era has replaced the Anno Domini). She takes her aging father’s place in the army, and serves for twelve years without her fellow soldiers realizing she’s a woman. Depending on the source, her name might be Hua Mulan, Zhu Mulan, or Wei Mulan. Although she’s first mentioned by the 500’s, historians can’t decide if she’s real or just an interesting story.

 

 

 

 

John Henry

The steel-driving African American of song fame who managed to hammer more rock than the new-fangled steam drill before collapsing and dying was likely a real man. In the 1920’s, sociologist Guy Johnson tracked down not only people who claimed to have worked with John Henry, but one man who claimed to have seen the showdown. The front runner for the actual location is during the cutting of the Big Bend Tunnel in Talcott, West Virginia, around 1870, but no one has definitive proof.

 

 

 

 

William Tell

A folk hero of Switzerland, Tell was an expert bowman. When Switzerland fell under control of the Habsburgs, a magistrate put his hat on a pole and demanded all citizens bow before it, or be imprisoned. While in town with his son, Tell refused to bow, was arrested and sentenced to death – though, since he was such a marksman, the Magistrate would let him go if he could shoot an apple off his son’s head. Tell did so, was arrested anyway, escaped, and the people rose up in rebellion, in an act considered the founding of the Swiss Confederacy, around 1307. Some historians believe Tell is merely a new twist on an old Danish fable.

Robin Hood

     The story of Robin Hood, Maid Marian, Prince John, King Richard, and the Band of Merrymen has been told for almost a thousand years. We know King Richard and Prince John are real (Richard took the throne in 1189), but there is debate about Robin Hood. Most likely a yeoman, not a noble, the name Robin was about as common as fleas, and the word Hood (sometimes Wood; the Old English were creative spellers) simply meant a man who made or wore hoods – more common then than hats. History’s been singing about him since the 1300’s, but his true identity isn’t known. If you can, check out the BBC series Robin of Sherwood.

 

 

 

 

 

King Arthur

Oh, Arthur! How we want to believe! Of all legends, yours is perhaps the most influential of any! Your mage Merlin/Myrrdin is the direct ancestor of Gandalf, Dungeons and Dragons, Dumbledore, and more.  “Arthur” (depending on spelling) is believed to have actually been a military leader who fought battles against the Saxons around the end of the 5th century. The earliest possible references to him date to the 600’s, though some discuss a Battle of Badon but give no mention of a king named Arthur.  Geoffrey of Monmouth was the first to give a romanticized version in the 1100’s, then Thomas Malory came along in the 1400’s and standardized the legend. T.H. White called him the Once and Future King, and Lerner and Loewe put it all to music so we could remember it easier. Arthur was probably real, but not quite as mystical as we’ve been made to believe.

 

 

 

 

 

 

 

 

 

January’s a harsh month, but 31 days is sure better than 66, so curl up with a legendary figure, real or possibly not, and decide for yourself.

 

Tracking Black Panther

One of the more controversial topics in Hollywood is the concept of whitewashing – casting a white actor in a role meant to be Black, Asian, Native American, Latin, or other ethnic group. Some of the more egregious examples are Laurence Olivier (and Orson Welles) playing  Othello – in blackface, Ralph Fiennes playing Michael Jackson; Mickey Rooney (Breakfast at Tiffany’s), Katharine Hepburn (Dragon Seed), and John Wayne (The Conqueror) as Asians; Johnny Depp as Tonto (Lone Ranger); Tilda Swinton as an Asian man (Dr. Strange), or the one that ruined my childhood: finding out that Native American Iron Eyes Cody of the 1970’s Keep America Beautiful campaign was actually a man of Italian descent.

Big-Budget Black-Lead Films

In fact, serious big-budget black films are hard to come by. Indeed, most of the highest-grossing black-lead films are comedies (Eddie Murphy has 5 of the top 7, not including Beverly Hills Cop), despite some very top-quality dramas (The Color Purple, Fences, Moonlight, The Help, Soul Food). Yet Samuel L. Jackson – I’ll see anything he’s in – ranks number TWO on the list of actors with top box office revenues, pulling in a combined domestic gross of more than 7 BILLION dollars for his 126+ films (#1 is Stan Lee. He has a cameo in every movie he makes). Even Hollywood protested the lack of serious roles for black actors, and stirred a controversy over a glaring absence in Oscar nominations despite worthy black films, a problem starting to be rectified in 2017. Not great if you’re a black kid looking for role models. The Adventures of Pluto Nash just doesn’t cut it.

A New Superhero

Now, Hollywood may be on the verge of a true black superhero blockbuster with the release of February’s Black Panther, Marvel’s 18th release into its megahit superhero franchise. Following his debut in 2016’s Captain America: Civil War, T’Challa – holding the title Black Panther – is the king of the fictional African country of Wakanda, who gains superpowers from a heart-shaped herb and connections to a mystical Panther God. When his father is assassinated in Civil War, T’Challa returns to Wakanda to discover his claim to the throne being challenged. T’Challa must team up with a CIA agent and the Wakanda Special Forces to prevent a world war.

The History of Black Panther

Black Panther was the first black comic book superhero, ever (1966), so early he predates the political party. Chadwick Boseman does a phenomenal job as T’Challa, and the movie promises to have the same serious craft and attention as the rest of the Marvel films. The previews are visually stunning, with rich ethnic textiles and cultural details that leap off the screen, drawn from no fewer than five different African cultures. Not only a superhero, but a culturally relevant one as well – which of course, immediately started another controversy whether or not the movie is celebrating African culture or trying to appropriate it. The movie was originally green-lighted in 2011, and the script approved in 2015. Hollywood doesn’t get better than this.

Of course there are now other black superheroes. Luke Cage’s TV series has had luke-warm reviews. As the XMen movies progressed, Storm played less and less of a role. Sam Wilson is a great sidekick, but no Captain America. Iron Man’s buddy Rhodey Rhodes/War Machine/Iron Patriot may be Don Cheadle, but he’s still just a sidekick called in when an extra guy is needed (at least, in the films). In Black Panther, black youth – and everyone else – may finally have found a superhero they can look up to, in full, serious, big-screen, big-budget glory, and he is Marvel-ous.

Our staff’s favorite books of 2017

What was the best book you read in 2017? This is the question I posed to my fellow staff members at CPL. Interestingly, I got no duplicate answers! We have a wide variety of reading preferences among our staff, which means there’s something for everyone in this list. Maybe your next great read is below:

Our Library Director Ramona  picked the audiobook edition of  News of the World by Paulette Jiles, read by Grover Gardner. In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction.

Teen Librarian Kelley really liked Dusk or Dark or Dawn or Day by Seanan McGuire. In this urban fantasy, Jenna, who died  too soon, works to regain the years that were lost to her. But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.

Bill is our Head of Adult Services, and he picked the Bruce Springsteen autobiography Born to Run as his favorite read of 2017. In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl’s half-time show. The experience was so exhilarating that Bruce decided to write about it, which is how this extraordinary autobiography began. Springsteen traces his life from his childhood in a Catholic New Jersey family and the musical experiences that prompted his career to the rise of the E Street Band and the stories behind some of his most famous songs.

Children’s Librarian Lauren went with The Sun is Also a Star, a young adult novel by Nicola Yoon.  In this story Natasha, whose family is hours away from being deported, and Daniel, a first generation Korean American on his way to a prestigious college admissions interview, cross paths in New York. They unexpectedly fall in love during an intense day in the city.

 

More books our staff loved last year:

The Hate U Give by Angie Thomas,  Winter of the Gods by Jordanna Max Brodsky, Evicted by Matthew Desmond, All the Light We Cannot See by Anthony Doerr, Illusion Town by Jayne Castle,  The Purloining of Prince Oleomargarine by Mark Twain and Philip Stead, Border Child by Michael Stone, Small Great Things by Jodi Picoult, Letters from Skye by Jessica Brockmole, Where’d You Go, Bernadette? by Maria Semple, Devil in Spring by Lisa Kleypas, The Genius of Birds by Jennifer Ackerman, Glass Houses by Louise Penny

The Sleeper and the Spindle

The Sleeper and the Spindle by Neil Gaiman is a unique twist on the Sleeping Beauty story.  Sleeping Beauty and the people in her castle have been asleep for years. However, this sleeping sickness seems to be spreading. First, the nearby villages fall asleep, then the villages near them, and so on. Soon, the entire kingdom is asleep, and it’s up to three dwarfs and the queen of the neighboring kingdom to figure out how to put an end to the curse.

This story has an ingenious blend of fairy tales. For instance, the queen is a character from another story. I’ll just say that she is someone who has also been asleep for a long time and let you figure out who she is. There are also additional elements to the story that help flesh it out. Those who are asleep do more than sleep, an old woman who is trapped inside the castle and immune to the curse, and the more one delves into the story, the more it becomes apparent that the details of the Sleeping Beauty that appear in each retelling are not what they seem. Not to mention that the ending will leave you thinking, “Wait, what? What just happened?” Overall, this is a quick read that goes more in-depth than one would think the amount of pages would allow.

Genre: Fantasy

Setting: A fairy tale land in an unspecified historical era.

Number of pages: 66

Objectionable content? A small amount of violence, one death, an occasional corpse, and unsettling factors (i.e. the sleepers)

Can children read this? Yes, as long as they are not easily upset by unsettling elements in stories. However, this book is best for teenagers and adults.

Who would enjoy this? Anyone who enjoys Neil Gaiman’s other works, and anyone who enjoys fairy tale remakes.

Themes: Beauty, power, loss, choices, strong women, and the need to control other’s emotions vs. the strength of only feeling your emotions.

Rating: Five stars

Childhood Horrors

Sometime ago in the mists of the last century, there were only three TV networks. On holidays, you usually had the choice of a football game, a different football game, or the longest movies the network could find – usually Chitty Chitty Bang Bang and The Sound of Music.  Chitty, an overly technicolor musical, scared the daylights out of me. As soon as that Childcatcher came prowling, I was behind the sofa holding my breath. Today’s kids would just send his photo to Instagram and beat him up.

Children see things differently. Some are easily spooked, some are skeptical from birth. Kids misunderstand and misinterpret things, and that alone can create unfounded horror.

Obviously, most children’s films try to avoid horror, but what’s marketed to kids is not always Barney and Big Bird – few Grimm’s Fairy Tales end happily ever after. Poltergeist –  ghosts, demons, peeling faces, and evil clowns in child-swallowing glowing closets – was only rated PG. PG, because PG-13 hadn’t been invented yet.

Young Sherlock Holmes (the food nightmare) scarred one of my children; to this day she won’t eat cream puffs. Tim Burton’s Mars Attacks! and its disembodied heads was another. Another didn’t trust Nazgûl (nor should you), and was terrified by Matilda. The 1971 Alastair Sim animated A Christmas Carol, with its writhing starving waifs and the faceless, voiceless Ghost of Christmas Future taints every incarnation I’ve seen since.

If your child likes spooky things and wants to be a part of the Addams family, here’s a list of kid’s films – honest! – that just might give your kid the shivers. If you have a child with a more sensitive nature, you might want to wait a few years on these:

Toy Story – Oh, doll-headed spider and hook-bodied Barbie, how we hate you! You may be Pixar, but you’re scary!

Coraline – Creepy button-eyed fake parents trying to steal a child?  Hmm….

Labyrinth – Sure, we adore Bowie, but these are Muppets who steal babies, chase girls with drill bits with intent to kill, and drop people into pits lined with talking disembodied hands. ‘Nuff said.

Something Wicked This Way Comes – Disney likes to whistle and pretend this isn’t theirs, but Ray Bradbury didn’t edit the scariness out of his novel of two boys and an evil carnival run by Mr. Dark, complete with electrocutions and freakshow.

Who Framed Roger RabbitBut this is a comedy! you cry – and it is, until crying Toons get faced with The Dip. Be prepared for a talk on death.

Return to Oz – if the flying monkeys didn’t scare you, perhaps Dorothy’s electroshock treatments will.

Jumanji – sure, it’s a game, but a deadly one. Floors that swallow people are just some of the issues; the intensity and situations may be too much entirely for young viewers.

Harry Potter series – yes, the first one is a charming tale of an orphan boy who learns he’s a wizard, but the stories get darker, and major beloved characters start dying. By the third film, Voldemort is embodied evil and believably out to get Muggles. Like your child.

The Dark CrystalFraggle Rock it’s not. It’s a dark Muppet film with lots of dark themes. Preteens maybe, but there’s no Elmo to lighten it for the little kids.

Gremlins – another movie made before PG-13, so it was stuck with PG. Gremlins are cute little things until you feed them, and then they become psychopathic demons out to harm and kill.  If preteen horror films was a separate genre, this would be one of their cornerstones, along with perhaps The Witches, Watcher in the Woods, and Jaws (which is also only PG).

Willy Wonka and the Chocolate Factory – let’s face it, Roald Dahl is almost never nice to children. Here alone, he sucks them up pipes, dumps them down garbage chutes, and has them cornered by very scary men in dark alleys asking them to sell their souls for money. But the crowning touch cited by many critics is the boat ride  scene, all psychedelic and threatening – but that’s the way it is in the book, too – a disorienting journey where everyone believes Wonka’s looney.

Every parent knows their child best. Some kids like a scary movie, some kids will wind up sleeping in your bed for a week with all the lights on. If your kid shows interest in scary movies, these might be a gentler introduction over, say, The Exorcist. Just be aware that even a seemingly wholesome, kid-marketed movie can have some really scary moments when you least expect it.