fantasy

Emerging Genre Highlight: LitRPG

/ Adam / Leave a comment

LitRPG stands for “literary role-playing game.” These are fantasy or science fiction stories that incorporate elements from tabletop role-playing games (e.g., Dungeons & Dragons) and role-playing video games (e.g., The Elder Scrolls or Fallout series). For those unaware, role playing games (RPGs for short) involve players taking on roles in a fictional environment and developing their character in unique ways as the story progresses. This character development and its associated game mechanics are the common threads you will find in all LitRPG titles.

But haven’t RPG-influenced fantasy and science fiction been around for a while? What makes LitRPG unique? It can be difficult to parse genres because there are already novels that borrow quite a bit from RPGs. Dozens of authors have been writing authorized Dungeons & Dragons stories since the 80s—R. A. Salvatore and Margaret Weis among the most popular of this group. What differentiates LitRPG is that characters are aware of the game mechanics.

In traditional fantasy, a character might defeat an enemy and take their battle-axe. Perhaps the battle-axe emanates warmth and pulses with a red glow. In LitRPG on the other hand, a level 5 character might defeat a level 8 boss and take their Fire-Enchanted Dwarven Battle-Axe. A screen pops up in front of them, floating in mid-air, with text that reads: “This is a unique weapon. Wielder is granted +3 fire damage to melee attacks. When an enemy is slain with this weapon, they erupt in a fiery explosion that deals 5 fire damage to all creatures in a 3 meter radius.”

Ready Player One is a good touchstone when approaching this genre from a non-RPG background. Though some don’t consider it to be true LitRPG, it does feature a protagonist interacting in a video-game world and using game mechanics to become more powerful. There are passages like “This particular magic sword could only be used by an avatar who was tenth level or higher,” which is the kind of writing you would find in LitRPG.

Is this all sounding a little too video-gamey? Like Ready Player One, most LitRPG books can be read with no knowledge or interest in RPGs. I can attest that a number of my close friends are big fans and have never played an RPG in their life. As long as you find some thrill in cool loot, cool magic, and over-the-top action, there will be something for you in LitRPG.

“These books sound fun!” you say. “Where can I get my hands on one?” you ask. Well, LitRPG is still a relatively fledgling genre, and most books are self published. As such, you’ll only find a couple in our library system. More are sure to appear in the next year or two, but if you’re interested in diving into this genre now, you will find them online in eBook and eAudiobook formats. It’s also worth noting that, because of their emphasis on progression over time, many LitRPG series can be more than 10 books long. If you prefer short, self-contained stories, LitRPG is not for you.

So where is this genre headed? In May of this year, the author who brought LitRPG closer to the mainstream, Matt Dinniman, is releasing the next book in his Dungeon Crawler Carl series. It’s worth noting this will be the first new entry in the series published by a major publishing house (Ace, an imprint of Penguin Random House). This is a clear indication that there’s money to be found in LitRPG and I expect other publishing houses will follow suit.

Also important to note: In 2024, Universal International Studios announced they were developing a TV adaptation of Dungeon Crawler Carl. As far as I can tell, it’s too early to call this a done deal; projects like this fizzle into nothing all the time. But if the show comes to fruition, expect even more of a spotlight on LitRPG.

In the meantime, here are several books that serve as good introductions to the genre:

Dungeon Crawler Carl by Matt Dinniman

You know what’s worse than breaking up with your girlfriend? Being stuck with her prize-winning show cat. And you know what’s worse than that? An alien invasion, the destruction of all man-made structures on Earth, and the systematic exploitation of all the survivors for a sadistic intergalactic game show. That’s what.

Join Coast Guard vet Carl and his ex-girlfriend’s cat, Princess Donut, as they try to survive the end of the world—or just get to the next level—in a video game–like, trap-filled fantasy dungeon. A dungeon that’s actually the set of a reality television show with countless viewers across the galaxy. Exploding goblins. Magical potions. Deadly, drug-dealing llamas. This ain’t your ordinary game show.

Welcome, Crawler. Welcome to the Dungeon. Survival is optional. Keeping the viewers entertained is not.

Level: Unknown by David Dalglish

When an ancient alien artifact chooses research cadet Nick to explore the world stored within it—a place full of forgotten empires, heroes with strange powers, and monstrous creatures that he is automatically transported to when he sleeps—he finds he has no choice but to grow stronger within the realm of Yensere to uncover its mysteries. 

But Yensere isn’t all fun exploration. In this land guided by statistics and levels, Nick is seen as a demonic threat by its diseased inhabitants and always killed on-sight. When he dies in Yensere, he awakens in his bed upon the research station, his body in a state of panic; when he sleeps again, Yensere drags him back for another life…and another death. 

Nick can only keep this up for so long before he dies for real. But there’s a good chance Yensere holds the key to saving humanity from a terrible fate, and so he ventures on, getting stronger and stronger with each new enemy defeated. And there are a LOT of enemies to defeat…

He Who Fights With Monsters by Shirtaloon (a.k.a. Travis Deverell)

It’s not easy making the career jump from office-supplies-store middle manager to heroic interdimensional adventurer. At least, Jason tries to be heroic, but it’s hard to be good when all your powers are evil.

He’ll face off against cannibals, cultists, wizards, monsters…and that’s just on the first day. He’s going to need courage, he’s going to need wit, and he’s going to need some magic powers of his own. But first, he’s going to need pants.

The Wandering Inn by Pirateaba

It’s a bad day when Erin finds herself transported to a fantastical world and nearly gets eaten by a Dragon. She doesn’t belong in a place where monster attacks are a fact of life, and where Humans are one species among many. But she must adapt to her new life. Or die.

In a dangerous world where magic is real and people can level up and gain classes, Erin Solstice must battle somewhat evil Goblins, deadly Rock Crabs, and hungry [Necromancers]. She is no warrior, no mage. Erin Solstice runs an inn.

She’s an [Innkeeper].

The Path of Ascension by C. Mantis

Matt plans to delve the rifts responsible for the monsters that destroyed his city and murdered his parents. But his dreams are crushed when his Tier 1 Talent is rated as detrimental and no guild or group will take him.

Working at a nearby inn, he meets a mysterious and powerful couple who give him a chance to join the Path of Ascension, an empire-wide race to ascend the Tiers and become living legends.

With their recommendation and a stolen Skill, Matt begins his journey to the peak of power. Maybe then, he can get vengeance he seeks…

Making Sense of Book Awards

/ Adam / Leave a comment

Has this ever happened to you? You’re in a library or book store, minding your own business, when a ray of light blinds you, stopping you in your tracks. You think, “Is this aliens? Is this the rapture? What is going on?” You catch your breath and realize it’s just the gleam of one of those shiny emblems that says, “Booker Prize.” You pick up the book and even more questions flood your mind: “Who’s this Booker fella and what right does he have to tell me what to read?!” I’ve been there, I get it. But there’s no need to dismay. Once you make sense of book awards, they can be helpful tools in the eternal search for your next book.

Booker Prize

The Booker Prize (formerly the Man Booker Prize) is awarded to a book written in English and published in the United Kingdom or Ireland. A panel of five, made up of “creative peers,” choose the winning book. The award skews towards British and Irish authors, but winners hail from around the world, like Sri Lankan author Shehan Karunatilaka or Jamaican author Marlon James. These books land on the literary side side of things, and some recent winners include George Saunders’ Lincoln in the Bardo, Margaret Atwood’s The Testaments, and Bernadine Evaristo’s Girl, Woman, Other.

The International Booker Prize is also worth noting. These books are translated into English and must be published in the UK or Ireland. The Vegetarian by Han Kang, Flights by Olga Tokarczuk, and Time Shelter by Georgi Gospodinov won in 2016, 2018, and 2023 respectively.

Nebula and Hugo Awards

The Nebula and Hugo Awards are the two big names associated with science fiction and fantasy (SF/F) literature. The biggest difference between these awards is the voting body. To vote on the Nebula, you need to belong to the Science Fiction and Fantasy Writers Association. Essentially, you need to be a SF/F writer yourself. For the Hugo Award, all you need is a membership to the World Science Fiction Convention, which costs $50. Despite this difference, it’s not uncommon for a single title to win both awards. Some recent examples of this feat are Network Effect by Martha Wells, The Stone Sky by N. K. Jemisin, and This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone.

Edgar Award

The Edgar Award is named after (who else but) Edgar Allen Poe to honor the best of the mystery genre, and chosen by the Mystery Writers of America. In the past, some familiar names have won: Stephen King for Mr. Mercedes and Noah Hawley (writer of the Fargo television series) for Before the Fall. But overall, The Edgar Award stands out to me because the winning books tend to be less well known; it’s a good way to find underappreciated gems. Some recent winners include Notes on an Execution by Danya Kukafka, Djinn Patrol on the Purple Line by Deepa Anappara, and The Stranger Diaries by Elly Griffiths.

National Book Award and Pulitzer Prize

The National Book Award (courtesy of the National Book Foundation) and the Pulitzer Prize for Fiction (courtesy of Columbia University) are both meant for American authors. The Pulitzer Prize is awarded to novels that “deal with American life” and tend to be fairly popular, often getting the television or movie treatment in the years after its win. The National Book Award has more lofty goals, and is designed to “ensure that books have a prominent place in our culture.” These winners don’t generate as much buzz, but they’re just as profound and moving.

Winners of the Pulitzer Prize for Fiction include The Nickel Boys by Colson Whitehead, All the Light We Cannot See by Anthony Doerr, and The Goldfinch by Donna Tartt.

Winners of the National Book Award include Blackouts by Justin Torres, Sing, Unburied, Sing by Jesmyn Ward, and The Good Lord Bird by James McBride.

Nobel Prize in Literature

The Nobel Prize in Literature is voted for by the Swedish Academy and stands out in a couple ways: Authors from any country are eligible for the award, and awards are based on an author’s body of work as a whole. This means that the winning author can put the “Winner of the Nobel Prize in Literature” stamp on any book in their back catalogue and any future book they write. Sounds like a good deal to me! Past winners include Kazuo Ishiguro, Alice Munro, and Toni Morrison.

Women’s Prize for Fiction

The last award I’ll touch upon is the Women’s Prize for Fiction which is voted on by a panel of five notable women. This award, along with the Booker Prize and the now defunct Costa Book Awards, at one point made up the “trinity” of UK’s literary prizes. Recent winners include Piranesi by Susanna Clarke, Hamnet by Maggie O’Farrell, and An American Marriage by Tayari Jones.

It can also be interesting to look at the notable awards of non-English speaking countries. Winners usually have an English translation available, and their relative obscurity makes it feel like you’ve uncovered some esoteric text. Compass by Mathias Énard was a great find of mine that won the French Prix Goncourt Award in 2015.

At the end of the day, it’s important to remember that these awards are all made up. They were all chosen by people, and people have their own tastes, their own mercurial and indecipherable preferences. There is no trait–not intelligence, success, nor clout–that makes one person a better “book judge” than another. If you find an award that speaks to you, great! But otherwise, take them all with a grain of salt and keep in mind the only book award that truly matters: The (insert your name here) Award.

P.S. If you really want to dive into the dramatic side of the book award world, there is always heated discussion about each year’s Booker Prize shortlist. This year, the six shortlisted books will be announced on September 23rd, and the more bookish parts of the internet will be a-buzz, defending their favorites and attacking the books they deem unworthy. It’s a bit messy, but good fun.

Unconventional Ghosts

/ Adam / Leave a comment

I love ghosts. I’ve never met a ghost myself, so the best I can do is read about them. Why ghosts? Well, they don’t have to follow our rather tiresome rules of gravity and thermodynamics! They could do a loop-de-loop in the air, just for the fun of it. Maybe I’m a bit jealous…

There are many shades of ghost: vengeful ghosts, poltergeists, ghosts with the intent to improve the life of a living person à la A Christmas Carol… These are all fun in their own way, but I find it especially delightful when ghosts are given roles that betray their traditional raisons d’être–ghosts that are not strictly malicious, nor are just around to aid the protagonist. These ghosts are maybe just as complicated and multi-faceted as the humans who begat them.

It’s also interesting to see how authors answer fundamental ghost questions like: Why has the ghost come into existence? What makes the ghost different from a living person? What does the ghost want? The answers to these questions change dramatically from author to author and story to story. They also feel substantial, weighty. Making assumptions and declarations about ghosts is not so different from making assumptions and declarations about life. Like a Rubin vase, where the negative space around a subject becomes its own subject, writing about ghosts and death is a clever way of writing about life.

Anyway, here are some exciting and not-quite-traditional portrayals of ghosts.

Ghostwritten by David Mitchell

David Mitchell’s first novel is ghost-obsessed. “Ghost” is even in the title! But instead of offering a treatise on ghosts and ghostliness, Mitchell’s ghosts, or “noncorpora,” are hard to pin down. They come in many forms, sometimes existing independently and other times hopping from human to human, using bodies as a kind of macabre public transport. For part of the book, we follow one such noncorporum as it travels through rural Mongolia in the body of an American tourist. This particular noncorporum is a self-described “inhuman humanist” and provides some delightfully empathetic insights into the human condition.

Lincoln in the Bardo by George Saunders

Sometimes when driving home, I’ll hang out in the left lane even if the right lane is moving faster. In my head, I’m thinking, “I know the left lane is faster!” when that’s clearly not the case. People are stubborn, and George Saunders doesn’t see any reason why ghosts wouldn’t be stubborn as well. The ghosts in Lincoln in the Bardo are so stubborn, in fact, they cannot come to terms with the reality of death. Their “sick-forms” (read: corpses) lie in “sick-boxes” (read: coffins) and only need rest. With just a bit more rest, they’ll emerge in tip-top shape and be able to resume their prior lives (read: they won’t). These circumstances may seem hopeless and wretched, but Saunders is able to deliver one of the most affecting and life-affirming conclusions I’ve read. A jewel of a book.

Her Fearful Symmetry by Audrey Niffenegger

Her Fearful Symmetry is a hoot. Unlike some of the other books mentioned here that use the otherworldly to contrast comically with the mundane, Her Fearful Symmetry wholeheartedly commits to flights of fancy. Romance and death intertwine and are taken to their melodramatic extremes. There are envious ghosts, faked deaths, identical twins posing as one another: everything you could possibly want in a story. It’s often absurd and always sublimely entertaining.

100 Years of Solitude by Gabriel García Márquez

In 100 Years of Solitude, characters are haunted by their lineages. Decisions and dispositions repeat from generation to generation, entire lifetimes become ghostly echoes of the past. It is no surprise, then, that actual ghosts occasionally show up to haunt the residents of Macondo. Touchingly (and thematically), isolation is what brings several ghosts back from the dead. They return because they “could not bear the solitude,” or in another case, “the yearning for the living was so intense, the need for company was so pressing.” Human connection is so fundamental a force that not even death can stand in its way.

Welcome to the Monkey House by Kurt Vonnegut

Kurt Vonnegut is a famed humanist, but he has mixed feelings about human bodies. Take Breakfast of Champions for example: the protagonist’s rapidly declining mental health is due to an abundance of “bad chemicals” in the brain. Or both Slaughterhouse-Five and Sirens of Titan, where characters’ cannot even rely upon their bodies to stay rooted in space-time. It’s no surprise then that he was interested in a world where humans are not subservient to their oft-malfunctioning bodies. Such is the conceit of the short story, “Unready to Wear,” found in the collection, Welcome to the Monkey House. A mathematician discovers a technique that allows one’s soul to be separated from their physical being and float about unburdened by corporeal whims.

Beloved by Toni Morrison

Ghosts can represent trauma, guilt, love, regret, suffering, anger, dehumanization–really anything if an author can realize their vision. But since ghosts can mean so many things, they have the potential to become unwieldy, or conversely, underbaked. Toni Morrison does not have this problem. The ghost in Beloved is loaded with nuanced meaning, compelling but elusive. This is a literary balancing act and a depiction of ghostliness so unique that it stands alone. Brutal, beautiful, and haunting.

Teen Volunteer Reviews: “Serpent & Dove” and “Powerless”

/ Evelyn / Leave a comment

Serpent & Dove by Shelby Mahurin. Reviewed by SS ⭐⭐⭐⭐

Serpent & Dove is a fantasy romance novel following Louise Le Blanc and Reid Diggory. A few years ago, Louise ran away from her witch coven and tried to survive in Cesarine by forsaking magic and stealing. In Cesarine, witches are hunted, feared, and burned. On the other hand, Reid Diggory is Chausser, sworn to the Church to protect the people from witches. He’s only ever lived by the principle “thou shalt not suffer a witch to live”. When a chase gone wrong forces Louise and Reid to become tied together in marriage, the situation becomes much more dangerous. The war between the Church and witches has an ancient past, but when the pair’s feelings for each other grow, Louise realizes she must make a choice. And love might change everything.

I’ve been searching for a good romance novel in a fantasy setting. Recently, I’ve been reading a lot of realistic fiction romance, which is excellent, but sometimes the books just get a bit too real, which isn’t great. Hence the great search for a well-thought-out fantasy romance novel. When I read Serpent & Dove, I really loved it. I liked how the romance wasn’t immediate but rather a transition from hatred to tolerance to supporters and finally to lovers. It made the romance a lot more profound and more connected. I loved Louise’s character – the opposite of a “demure woman” – who Reid has always been surrounded by. She cusses like an old sailor, which I find quite funny, and Reid’s reactions to her actions are often quite comical. The only negative I have for this story is the beginning. The beginning was kind of abrupt, I had no context for what was happening, or why. However, once Reid and Louise got married, the story got into the swing of things. It’s also important to note that while this book is part of a trilogy, please stop reading after the Serpent & Dove. As many other readers have claimed, the other two books make you lose connections with the characters, and there is a lot of talking and no action. So while this book is truly unique, be aware that the next two will not live up to expectations. On that note, I think I would give this story four stars.

Powerless by Lauren Roberts. Reviewed by MP ⭐⭐⭐⭐⭐

“Powerless” by Lauren Roberts is the perfect romantic fantasy. Powerless follows Paedyn, a girl without powers, and Kai, a boy who hunts the powerless. Paedyn has to take part in a dangerous competition held at the castle. Kai is the prince. A romance starts to bloom. Expect enemies to lovers, pretty ball gowns, knife to the throat, dual points of view, and witty bantering!

Plot: While the plot is pretty simple and similar to the Hunger Games, it still manages to engage readers.

Characters: This book is primarily character-driven. Where the plot could be seen as bland, the characters make up for it. Being in Kai’s head was amazing. He’s amazing. I loved it. Paedyn was excellent, too. Dual point of view can be hit or miss, but I loved the use of it in this book. These characters are both grumpy and pretty morally grey. I love that combo. They both can be ruthless, but deep down, they are softies. Their romance is so sweet and extremely slow burn. It’s also full of tension as Kai kills people like Paedyn. They have many cute moments, such as a rock paper scissors game! Both characters are deep and compelling. They are not simply one-dimensional. Due to the first-person point of view, you get to understand their personality and get to know them well.

World-building: It’s quite simple, actually—think superheroes. The world is not one bit confusing (at least for me). If you’re new to fantasy, this book would be a great choice because it won’t overwhelm you. The world-building was minimal and simple.

Writing: The writing was gorgeous. I loved the pretty words, the metaphors, and the dialogue. Its poetic while being easy to understand. This book is highly quotable because of its beautiful sentences. The author is extremely talented.

Whether new to fantasy or not, this book is fresh and fun. You’ll adore the characters, root for them, and be at the edge of your seat for our girl, Paedyn. I know I was kicking my feet, smiling, and swooning. I read it twice because that’s how great it is!

10 Recent Favorites From Our Staff

/ Louise / Leave a comment

What was the best book you read in 2022? I recently asked staff members this question and have compiled their answers here. Interestingly, there were no duplications, everyone had a different favorite. Some books were published in 2022, some were many years older, some were fiction, some were nonfiction. Without further ado, here’s a selection of 10 recent favorites from our library staff.

Lessons in Chemistry by Bonnie Garmus. In the early 1960s, chemist and single mother Elizabeth Zott, the reluctant star of America’s most beloved cooking show due to her revolutionary skills in the kitchen, uses this opportunity to dare women to change the status quo.

Neopolitan series by Elena Ferrante. Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Ferrante’s four-volume story spans almost sixty years, as its protagonists, Lila and Elena, become women, wives, mothers, and leaders, all the while maintaining a complex and at times conflictual friendship.

Boneshaker by Cherie Priest. Commissioned to build a machine that will promote gold-rush land-breaking efforts between Civil War-era Seattle and Alaska, inventor Leviticus Blue inadvertently triggers the release of a deadly gas that transforms people into the living dead, a situation that prompts his teenage son to restore the family reputation years later.

Summer Sons by Lee Mandelo. When his best friend dies of an apparent suicide, Andrew uncovers lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death.

What We Wish Were True by Tallu Schuyler Quinn. A non-profit leader, humanitarian and minister, after being diagnosed with an aggressive form of terminal brain cancer, pens profound essays on what it means to live with a terminal diagnoses and still find meaning and how to discover beauty in life’s ordinary moments.

Foundryside by Robert Jackson Bennett. A thief in a city controlled by industrialized magic joins forces with a rare honest police officer to stop an ancient evil ritual that endangers thousands of lives.

Piranesi by Susanna Clarke. Living in a labyrinthine house of endless corridors, flooded staircases and thousands of statues, Piranesi assists the dreamlike dwelling’s only other resident throughout a mysterious research project before evidence emerges of an astonishing alternate world

The Book Woman of Troublesome Creek by Kim Michele Richardson. During Kentucky’s Great Depression, Pack Horse Library Project member Cussy Mary Carter, a young outcast, delivers books to the hillfolk of Troublesome Creek, hoping to spread learning in these desperate times, but not everyone is keen on her or the Library Project.

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin. A modern love story about two childhood friends, Sam, raised by an actress mother in LA’s Koreatown, and Sadie, from the wealthy Jewish enclave of Beverly Hills, who reunite as adults to create video games, finding an intimacy in digital worlds that eludes them in their real lives.

Finding the Mother Tree by Suzanne Simard. The world’s leading forest ecologist, in her first book, draws us into the intimate world of trees where she brilliantly illuminates the fascinating and vital truth — that trees are a complex, interdependent circle of life.