10 Movies Set in Ireland (perfect for St. Patrick’s Day!)

March 14, 2023March 8, 2023 / Louise / Leave a comment

On St. Patrick’s Day, after you’ve eaten your corned beef and cabbage and drunk your green beer, why not settle in for a movie that sweeps you away to Ireland? In 2014 I put together a list of movies set in Ireland, perfect for St. Patrick’s Day viewing. Since then, there have been quite a few more good movies set in the Emerald Isle, so I thought an update might be in order. Here are 10 movies to add to your celebration of all things Irish.

This slideshow requires JavaScript.

The Banshees of Inisherin. On a tiny island off the coast of Irelend in 1923, two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them. This film was one of the highlights of 2022, nominated for multiple awards for cast and crew alike.
Wild Mountain Thyme. Headstrong farmer Rosemary Muldoon has her heart set on winning her neighbor Anthony Reilly’s love. The problem is, Anthony believes he’s inherited a family curse, and remains oblivious to his beautiful admirer. Stung by his father’s plans to sell the family farm to his American nephew, Anthony is jolted into pursuing his dreams.
Belfast. A semi-autobiographical film written and directed by Kenneth Branagh, which chronicles the life of a working class family and their young son’s childhood during the tumult of the late 1960s in Northern Ireland.
Song of the Sea. When Saoirse and Ben’s mother mysteriously disappears into the ocean, the two children go on an epic journey to find out the truth about her, and in the process, discover mystical secrets about both their mother and Saoirse herself. The film takes inspiration from the mythological Selkies of Irish folklore, who live as seals in the sea but become humans on land.
My Left Foot. Born with cerebral palsy, the 10th of 22 children of a Dublin bricklayer and his wife, Christy Brown was doomed to life as a vegetable by physicians in 1932. His strong-willed mother’s love and faith encouraged him to overcome this label. An astounding story of an artist who defeated a physical disability, degrading stereotypes, and poverty to fulfill his dreams.
Michael Collins. The life of an Irish man whose dreams inspired hope, whose words ignited passion, and whose courage forged a nation’s destiny. His powerful gifts sparked the fierce battles that led to the Irish Republic that exists today, but his unshaken confidence in those gifts led him to become a victim of the very men he inspired to fight by his side.
Once. A Dubln street musician and a young mother discover each other’s talents and push one another to realize their dreams. The soundtrack from this film won a Grammy award, and the song “Falling Slowly” won an Academy Award for Best Original Song.
Albert Nobbs. A woman (Glenn Close) passes as a man in order to work and survive in 19th century Ireland. Some thirty years after donning men’s clothing, she finds herself trapped in a prison of her own making.
Waking Ned Devine. When Ned Devine dies from shock after winning the lottery, two longtime friends, Micheal and Jackie, discover the body and agree Ned would want them to benefit from his good luck. They embark upon an outrageous scheme to claim the ticket but first they have to get all the townsfolk to go along with their plan.
The Wind That Shakes the Barley. Set during the Irish War of Independence (1919–1922) and the Irish Civil War (1922–1923), this drama tells the fictional story of two County Cork brothers who join the Irish Republican Army to fight for Irish independence from the United Kingdom. It takes its title from the Robert Dwyer Joyce song “The Wind That Shakes the Barley”, a song set during the 1798 rebellion in Ireland and featured early in the film.

Solar Punk/Lunar Punk

October 18, 2022October 12, 2022 / Susan O. / Leave a comment

Blame Cyberpunk.

The novel Neuromancer is credited as kicking off the Cyberpunk genre. You may not have heard the term, but you probably know it – a dark blend of high-tech in a crumbling dystopian world where the poor get poorer and the rich have all the technology – think Bladerunner, Ready Player One, Alita: Battle Angel, Real Steel , Elysium, Guardians of the Galaxy, even Hunger Games and Divergent (you could make a serious argument for Star Wars, as well). They’re gritty, dark, and sometimes disturbing, and paint a not-so-nice view of the future, with emphasis on classism, violence, famine, and a disturbing police state.

Steampunk is also a well-established fantasy genre, carrying on as if the gasoline engine never materialized and the world was stuck in 1890 and using steam power and copper pipes for everything. They’re wildly imaginative and adventurous – check out Chris Wooding, Boneshaker by Cherie Priest, or Richard Preston Jr., or movies such as Chitty Chitty Bang Bang, League of Extraordinary Gentlemen, or The Golden Compass, among others.

Since then, just like music has a thousand nitpicky subgenres (Simpsonwave, anyone?), fiction has also fractured into microgenres. Most are so nitpicky they’re pretty much covered under larger categories, but two more are becoming increasingly prominent: Solar Punk and Lunar Punk (Punk seems to be a word thrown in because someone is going against the establishment). Never heard of them? Neither have most people, but the genre is growing and defining itself.

Solar Punk is a backlash against all that dreary doomsday cyberpunk. Solar Punk is full of hope and ecology. Everything is green spaces, clean power, civil rights, encompassing communities, anti-establishment, and personal choice. Renewable energy, harmony with nature, and spirituality are key themes. Solar punk is a view of the future where everything finally does work out, a world where everyone benefits from the progress of mankind, because they’re all in it together. If steampunk is Victorian, Solar Punk is art nouveau. Think Star Trek, The Disposessed by Ursula LeGuin, Ectopia, by Ernest Callenbach, Dune by Frank Herbert, Disney’s Tomorrowland, and Black Panther (is anything more Utopian than Wakanda?).

If Solar Punk is all bright lights and butterflies, Lunar Punk is Solar Punk when the sun goes down. It’s moths and the twinkling of fireflies. It’s night-blooming lilies instead of sunflowers. It may be dark but it’s not dreary, like your backyard party at night, with fairy lights everywhere. Lunar Punk often deals more in mysticism, spirituality, magic, and the occult. Their flowers are mushrooms, their light is moonlight, their colors are the blues and purples and silvers of twilight. They have no solar, so they use bioluminescence. Individuals are more important than the communities they live in. The movie Avatar – the world of the Na’vi – exemplifies Lunarpunk. Still utopian, still upbeat ecological fantasy, but out of the bright sunlight. Andy Weir’s Artemis can fall into this category. Many Anime series can fall into these categories.

Solar Punk and Lunar Punk are often categorized together, both supporting the same type of ecologically based, optimistic utopian fantasies, a genre that is growing to match our current promises of renewable energy and inclusive societies. Many of the new teen novels have been exploring the genre. They are the generation who has grown up with recycling, solar chargers, zero-emission footprints and Bald Eagles back in the wild. For them, Solar Punk could very well be the future. Check out some of it today!

Passing the Bechdel Test

June 8, 2021April 5, 2021 / Susan O. / 1 Comment

Have you given anything a Bechdel test? Have you ever heard of the Bechdel Test?
I’d never heard of it either (and I went to a women’s college!) until it popped up on an internet group I belong to, and I had to look it up.

The Bechdel test (or Bechdel-Wallace test) is a measure of representation of women in fiction. It first appeared in Allison Bechdel’s 1985 cartoon strip, Dykes to Watch Out For (I didn’t name it) commenting on films, brought on by a quote from Virginia Woolf, in that women in fiction might sometimes be mother and daughter, but rarely are two women friends in literature. Almost always, women were viewed by their relationship to men – wanting a man, chasing a man, depending on a man, chasing off a man, etc. (Hence Jane Austen, “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”). Real women in real life talk to other women about more than just men (even if it’s only about their cat or dog).

Therefore, Bechdel gave three commandments for films to be considered women-friendly (and by default, TV and books):

It must have at least two women in it (preferably with names)
Who talk to each other (preferably for at least 60 seconds)
About something besides a man

And the off-hand comment in a sarcastic lesbian cartoon strip surged until it’s become an almost a standard metric for the industry.

Seems pretty simple, right?

Various groups have researched more than 8000 films, and concluded that 42-50% of films cannot pass the test, and half of those that do pass do so only because two women are discussing marriage or babies. Being a female-oriented show about women does not mean the film or program can pass the test. Even female-cast TV shows such as Sex in the City don’t pass, because almost all the discussion is about men. Big-budget female-lead action films such as Lucy or Atomic Blonde or Salt fail, because the secondary characters are almost always men – there are no other women. Star Trek, which broke many TV taboos, can’t pass the test – there are many women, and they talk quite a bit, but almost never to each other. Lost in Space had three women trapped in a tin can together, and they almost never spoke to each other for more than one or two lines, occasionally. Firefly, for its very brief run, hits the mark more often than not. Okay, I Love Lucy wins for most realistic female friends ever, as does Gone With the Wind, thanks to Miss Melly, so time period is not a decisive factor. We haven’t necessarily gotten better with age, despite feminism.

Not passing the Bechdel test does NOT make a film bad, nor does it make it not worth watching. Not every movie is going to center around women – Dunkirk, for example, a splendid movie about a specific battle in World War II. Women were just not involved in that. Stand By Me – a magnificent story of four young boys on a quest. Girls aren’t in the story, and if you skip this movie because of that, then you’re missing one of the best American movies. Nor is every film required to pass the Bechdel test. Casino passes two of the three qualifications, but women are mistreated throughout the film. Inclusion is just that – inclusion, not a judgment of how women are treated by the story, not a judgment of female competence, not a judgment of feminism (Gravity, with a female astronaut who saves the day, can’t pass the test, though The Martian, with a male lead, does). A woman may love a movie that can’t pass the test, and a man can certainly love a film that does. Movies of every genre pass or fail; there is no specific type of film to look for.

All the Bechdel test does, really, is point out films in which women – a full 50% of the population – are a larger focus of the story, and even if they aren’t, they’re portrayed as real, well-rounded people who speak to each other about real subjects, even if it’s about burning a roast, not just love-starved buttercups who are nothing without a man. So, if you’re on the lookout for films that show women – important or background characters – in a more realistic light, here are 15 various films that do pass the Bechdel test:

Bill and Ted Face the Music

Knives Out

Facing the Music with Bill and Ted

October 6, 2020October 2, 2020 / Susan O. / Leave a comment

I don’t know when I first saw Bill and Ted’s Excellent Adventure, but I know it was likely on HBO. Dumb, mindless comedies were in, harmless “Teen” fluff that didn’t pay much attention to reality. It had George Carlin, and Carlin was cool.

I don’t know if it was the painful but common ignorance of misprounouncing “So-crates” or the stoner-intoned dialogue, but I did find it cute, amusing, it had an actual story line, and it introduced me to that actor with the weird name. This was an era when Saturday Night Live was high on the charts, and comedy was in.

A generation later, my kids loved the film and its sequel, Bill and Ted’s Bogus Journey, as well.

Fast forward 30 years later – Keanu Reeves is a household name that we can all pronounce. Alex Winter also appeared in The Lost Boys, one of the better vampire movies ever made, but has had a steady career as a director of movies, television, and music videos. Together, along with many of the original cast, they come back to the big (well, Covid-big) screen in Bill and Ted Face the Music. Bill and Ted are middle-aged, still stuck trying to make the Wyld Stallyns band work, when the future calls them into service to save the world with their music.

Can 1989 comedy work in 2020, or is this just a nostalgic film for middle-aged fans? It’s hard to say. After knocking back movies like The Matrix and John Wick, seeing Reeves break the dead-pan assassin mold and fall back into comedy was strange – and fun. Both actors pick up as if they’d never stopped. Conceived and written by the original creator, the script was predictable (did you expect otherwise?) but true to the characters. It has the same feel, the same style, the same details as the originals, which isn’t the easiest thing to do – too many movies bomb on the third try (Beverly Hills Cop 3, Lethal Weapon 3, Die Hard 3, X-Men 3, Superman 3, The Godfather 3, Divergent 3, etc). George Carlin has unfortunately passed on, with his character Rufus seen in tribute as a hologram, so they brought in a new character, Rufus’s daughter Kelly – played by Kristen Schaal. Viewers are introduced to Thea and Billie, Bill and Ted’s 20-something daughters, characters who do a marvelous job of both imitating their fathers and yet modernizing them for a new generation to identify with. While it makes Bill and Ted seem old and outdated, it’s actually a touching way of passing the torch.

If you loved the originals, if you like mindless fairly clean comedy (PG-13 for language), if you like movies you don’t have to think about that have happy endings, then the movie is well-worth seeing. Is it Oscar material? Of course not. But it is faithful fun.

If you like Bill and Ted, try these other similar movies you might have missed!

Sci-Fi at the Movies

November 19, 2019November 4, 2019 / cheshirelib / Leave a comment

Harold our sci-fi-guy is going to the movies in today’s blog post!

Science fiction is an extremely popular film and video genre and the Library has a sizeable collection of sci-fi movies, videos, and television programs.

If the Force is with you, you can check out a film from the most successful film series of all times: George Lucas’ Star Wars. The library has every Star Wars movie on DVD. My favorite is: Episode V, The Empire Strikes Back. The library also has a collection of Star Wars novels that have spun off from the films.

You can share in the voyages of the Starship Enterprise with Star Trek. The library has many of the Star Trek movies and television shows in their catalog including one of the most acclaimed Star Trek films: Star Trek II: The Wrath of Khan. I enjoy all of them, but one of my favorites is Star Trek IV: The Voyage Home. The library also has the complete first season of the new Star Trek Discovery Series along with a great collection of Star Trek books that span all the Star Trek television series and movies.

If more contemporary science fiction movies are more your style, there are some great ones on the shelves at the Cheshire Public Library. Some favorites:

Arrival debuted in 2016. It stars Amy Adams as a linguistic professor recruited by the U.S. Army to figure out how to communicate with intelligent aliens who have landed on earth. It is based on the 1998 short story “Story of Your Life” by Ted Chiang that is available from the Library as a downloadable audio book. His book of short stories, Exhalation, is also well worth reading.

Ex Machina is a 2014 British science fiction film. IMDB.com says that it is about “A young programmer [who] is selected to participate in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a highly advanced humanoid A.I.”

Gravity – This 2013 critically acclaimed film stars Sandra Bullock and George Clooney as American astronauts who are stranded in space because of a Shuttle accident and their attempt to return to Earth. It received 10 Oscar nominations and the Golden Globe Award for Best Director along with the 2013 Ray Bradbury Award.

The Martian – This 2015 film one of my favorites. Directed by Ridley Scott, it is a modern-day Robinson Crusoe story about an astronaut, played by Matt Damon, who is stranded on Mars and his efforts to survive. It is based on the book by Andy Weir that is also and available in print and as an audiobook at the library.

Here are some other great science fiction movies that are available at the CPL: