The Top 100 Films of All Time

What makes a fantastic film? You might as well ask what makes a good red wine, or abstract painting, or an attractive face.

Not every blockbuster is a “quality” film, and certainly not every “quality” film is a blockbuster. Some films are held in high regard, but are so “artsy” that it can be difficult to enjoy them (Eraserhead). Some movies are wildly popular (Die Hard), but hated by critics. A film can have a great script, but bad director, or a great director but the worst possible actor (Denise Richards in The World is Not Enough). Sometimes the special effects are awful (Howard the Duck, and let’s not forget the unfinished production on Cats). Sometimes the budget is practically zero (the $400,000 budget of Monty Python and the Holy Grail was partially financed by the rock bands Pink Floyd, Led Zeppelin, and Jethro Tull), while others have tremendous budgets and huge followings and are so awful they still fail (Solo, A Star Wars Story had a budget of $250 million and couldn’t break even—how can you lose with Star Wars?). When all these things come together—a good story, good writing, good actors, good directors, good marketing, and sometimes good timing (even Lilo and Stitch had to be retrofitted because of a plane and building scene right after 9/11)—you can hit a home run clear out of the park. 

Obviously, everyone has different tastes. Porky’s is my go-to when I need a stupid laugh. Yeah, it’s not high-brow. Forty years later, I still don’t understand the humor in Ghostbusters. 2001: A Space Odyssey is an incredibly beautiful movie, far ahead of its time, but with zero dialogue for the first 20 minutes, and I think it’s one of the most boring movies I’ve ever seen. I have endlessly tried to understand the hoopla of Blade Runner, read all the discussion on it, and I’m still missing the genius. I’ll just agree it’s an important film, and carry on. My favorite romance movie is Raiders of the Lost Ark—not generally on any romance list. 

So, anyone trying to pick the top 100 films of all time is truly facing an endeavor in futility, whether you’re the American Film Institute or a bunch of friends at dinner. I gathered results from eight different polls, and tried to tabulate the results. AFI, no surprise, is a bit snooty and prefers their films pre-1950, and doesn’t care much for popularity or genre films. Rotten Tomatoes focuses on user recommendation and critic reviews. Empire Online focuses more on popularity, artistic merit, and cultural impact. IMDB uses user ratings. British Film Institute includes far more foreign-language films than we get exposure to, with the ratings of more than 1600 critics, academics, and curators. Sight & Sound, which is run by the Criterion Channel, uses more than 1500 critics choices. Overall, drama far outweighed comedies, and musicals and animated films were few all around.

How many of these have you seen? Which ones would you recommend?

1.   12 Angry Men

2.  2001 a Space Odyssey

3.   400 Blows

4.   Alien

5.   All About Eve

6.   All the President’s Men

7.   Annie Hall

8.   Apocalypse Now

9.   Battle of Algiers 

10.   Battleship Potemkin

11.   Beau Travail

12.   Bicycle Thieves

13.   Blade Runner

14.   Bonnie and Clyde

15.   Breathless

16.   Bringing Up Baby

17.   Brokeback Mountain

18.   Casablanca

19.   Chinatown

20.   Citizen Kane

21.   City Lights

22.   Close Up (1990)

23.  Do The Right Thing

24.   Double Indemnity

25.   Dr. Strangelove

26.   Duck Soup

27.   ET

28.   Fellowship of the Ring

29.   Forrest Gump

30.   Get Out

31.   Godfather

32.   Godfather II

33.   Gone with the Wind

34.   Goodfellas

35.   In the Mood For Love (2000)

36.   Intolerance

37.   It Happened One Night

38.   It’s a Wonderful Life

39.   Jaws

40.   Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles

41.   King Kong

42.   Lawrence of Arabia

43.   M

44.  Mad Max Fury Road

45.   Maltese Falcon

46.  Metropolis

47.   Modern Times

48.   Moonlight

49.   Mulholland Drive

50.   Nashville

51.  Network

52.   North By Northwest

53.   On the Waterfront

54.   One Flew Over the Cuckoo’s Nest

55.   Parasite

56.   Passion of Joan of Arc (1928)

57.   Pather Panchali  

58.   Persona

59.   Psycho

60.   Pulp Fiction

61.   Raging Bull

62.   Raiders of the Lost Ark

63.   Rashomon  

64. Rear Window

65.  Rules of the Game

66.  Saving Private Ryan

67.   Schindler’s list

68.   Seven Samurai

69.   Shawshank Redemption

70.   Silence of the Lambs

71.  Singing in the Rain

72.   Some Like it Hot

73.   Sound of Music

74.  Spirited Away

75.   Star Wars: A New Hope

76.   Sunrise: Song of Two Humans  

77. Sunset Boulevard

78.   Taxi Driver

79.   The Dark Knight

80.   The General 

81.   The Searchers

82.  The Shining

83.   Titanic

84.   Tokyo Story

85.   Toy Story

86.   Vertigo

87.   Wizard of Oz

88.   American Graffiti

89.   Cabaret

90.   A Clockwork Orange

91.   French Connection

92.   The Empire Strikes Back

93. Easy Rider

94.   The Deer Hunter

95.   MASH

96.   Platoon

97.  Spiderman: Into The Spiderverse

98.   No Country for Old Men

99.   Up

100.  West Side Story (original)

Just to push myself, I tried, tried to pick my 100 top films, but couldn’t get further than 50. Do I pick the ones I’ve watched the most times (Star Trek: The Wrath of Khan)? Do I pick the ones I think are technically perfect (Casablanca)? Do I pick the ones I felt most deeply? (I cried for two hours after Edward Scissorhands) The most mind-bending (Dr. Strange)? Something sentimental I remember from childhood (The Poseidon Adventure)? It becomes too difficult to choose. So, these are the first ten films I’d pick to be stranded on a desert island with (assuming I had the means to watch them) (and I’d prefer more):

The Road Warrior

Serenity (2005)

Rogue One

Casino Royale (2006)

Casablanca

Raiders of the Lost Ark

Lord of the Rings

The French Connection

Planet of the Apes (1968)

Terminator 2

Able and Willing

Disability is a loaded word. 

I won’t debate the semantics of the term, what the current politically correct term is, or how to make your workplace more variant friendly.

Let’s talk about something far more inflammatory. The rights of the disabled to carry out adult relationships. At best, a disabled person is able to find a partner despite their difficulties, marry (or not), and live a happy adult life together, with or without kids (popular example: the TV show Little People, Big World). Sometimes, it’s disabled people fighting in court for the right to marry or raise their own children (the movie I Am Sam). At the very worst, it’s vulnerable people being preyed upon, taken advantage of, or controlled to the point of involuntary sterilization.

I grabbed the book Hunchback, partly because it was short, and partly because I’ve been in the field of disabilities for 40 years. Hunchback, a novella by Saou Ichikawa, was not the book I’d expected, despite winning multiple awards. Ichikawa’s character, Shaka, suffers from congenital myopathy (same as the author—write what you know), which has left her with progressively weak muscles. Her back is so hunched over she can’t breathe when holding a book, and she spends half the day using a ventilator. She can walk short distances, but her body is twisted and one leg is far shorter than the other. She has a tracheostomy, which makes talking difficult, so she uses a lot of alternative communication devices. Shaka spends her time writing erotica online, the money from which she spends on food for poor people and women. 

Winner of several Japanese awards, Hunchback calls out ableism on many levels. Ichikawa considers it political: Disabled people are hidden away by society, never considered because they’re never seen. People in wheelchairs are rarely mentioned in literature at all, unless they’re being “cured,” like in Heidi or A Secret Garden. Disabled people are portrayed as a drain on society, dependent on charity, so by making a wealthy disabled character (who generates income through pornography), she pokes a hornet’s nest.

Another book that touches on the subject of sexual autonomy is James Cole’s Not a Whole Boy. Cole was born in the 60’s with a severe case of exstrophy – most of his organs were born outside his body, and his pelvis malformed. Most babies with this condition do not survive. Due to Cole’s mother’s determination and a great team of doctors, Cole managed to thrive despite severe obstacles. While he seemed more or less normal to other kids, Cole hid the fact that he had double ostomies – all his waste was collected in bags, as he didn’t have the needed parts and couldn’t use a toilet. As he got older and puberty kicked in, it became necessary to undergo multiple surgeries just to have a sense of comfort, normalcy, and proper biological function. Cole’s book documents his struggles with medieval children’s hospitals, lack of pain management, and his eventual success with a career in art and film – certainly not hidden away.

A book that took me by complete surprise was Riva Lehrer’s Golem Girl, a golem being a creature formed from dirt or clay. Riva was born with Spina Bifida in 1958, a time when most afflicted infants did not survive, and almost certainly didn’t walk. She suffers dozens of painful surgeries to keep her mobility, most of which do nothing to ease her issues – she’s just a guinea pig for the surgeons. Although she attends a grade school for the disabled (disability laws hadn’t been written yet), she attends a mainstream high school, then university, where she gets a degree in fine art, all while dealing with surgeries and intense feelings of revulsion toward herself. Amplifying it is her mother’s overprotective codependency, spitting out helpful comments such as “You don’t need a nose job. No one wants to marry a cripple,” and “You shouldn’t have children; pregnancy will just mess up your spine worse,” – culminating in an involuntary hysterectomy at 15 on the mother’s order. 

Riva goes on to have multiple affairs with both men and women. While some relationships work out, many times she’s still hit with prejudice – “I can’t love a cripple.” Riva remains unstoppable. She becomes more comfortable with herself through meeting up with other people – often activists – with disabilities. As an artist, she gains renown (and awards) through her paintings of disabled people (and others) she has met. 

This book was so hard to put down, and read like you were in the middle of a conversation with her. Lehrer doesn’t go into detail on her disability or surgeries; she talks about herself, not her medical issues. After doing time as an anatomical artist, she sees people not so much as disabled, but as human variants – no one is “normal,” there is no “normal,” just human variations. But everyone has a right to love and happiness.

At the heart of it, people with physical disabilities are still people. It doesn’t mean they don’t have the same dreams, desires, or feelings as people who aren’t. All of these books will give you deep new insights into the strength of humanity.

Like a Hurricane

Every so often an actor seems to become a shooting star, rising to the top from seemingly nowhere, and now he or she seems to be in everything. Leonardo DiCaprio started as a 14 year old in a Matchbox commercial and by 19 had an Academy Award nomination for What’s Eating Gilbert Grape. Harrison Ford made American Graffiti at 31, an unknown actor who was remodeling a kitchen for the casting director, then made himself part of history just three years later when Star Wars sent him to superstardom faster than the Kessel run. Brad Pitt had a small role as a cowboy hitchhiker in Thelma and Louise, then rose to stardom a year later in A River Runs Through It. 

Some actors start out young – Shirley Temple was just three when she made Stand Up and Cheer, making 50 films before retiring at the age of 22. Judy Garland began performing with her sisters even younger – just two. Studio executives were feeding her amphetamines by 16 to keep her energy up, leading to an overdose death at just 47. Justin Henry is the youngest ever Academy Award nominee at just 8 years old, for Kramer Vs. Kramer. Tatum O’Neal remains the youngest winner of an Academy Award, landing her a Best Supporting Actress at just nine years old, for Paper Moon. Halley Joel Osment was just eleven in The Sixth Sense, but was already a veteran after playing the son of Forrest Gump at the age of six.

Now, another young actor is exploding on Hollywood, not yet thirty with dozens of awards to his name. Timothée Chalamet seems to be taking the world by storm. Although his mother danced on Broadway, Chalamet credits Heath Ledger’s performance as the Joker in 2008’s Dark Knight for starting his acting bug.

Born in just 1995 (ouch), Chalamet’s premiere was on Law and Order in 2009, moving to films with a role in Interstellar. From there, an almost non-stop string of movies came. Call Me By Your Name (2017) earned him an Academy Award Best Actor nomination, the third youngest nominee ever. His success culminated in the lead roles for the Dune films (another movie nominated for the Oscar), Wonka, and the recent A Complete Unknown, a biography of singer Bob Dylan (now 83), for which he was again nominated for an Oscar at 29 years old. Chalamet had Dylan’s approval for the role. He sang more than 40 of Dylan’s songs for the soundtrack (and did an excellent job), and yes, he himself played both the guitar and harmonica for it. On top of that, between acting, singing, and playing the actual instruments, Chalamet also co-produced the film. He lost the Oscar to Adrien Brody (The Brutalist), but became the youngest actor ever to win the Screen Actor’s Guild Best Actor award for the role.

Some actors start out unknown and bloom into fame in time; others seem to shoot straight to the top. Some who do fade out for a variety of reasons (James Dean made only 3 films; Mel Gibson’s behavior became a liability, Drew Barrymore was in substance rehab by thirteen, Ezra Miller became erratic), but others manage to navigate the pitfalls and go on to have long and amazing careers (Jeff Bridges, Clint Eastwood, Betty White, Kurt Russell, Mickey Rooney, for some). Time will tell if Chalamet can keep the fire burning. 

I’m betting he does. Check out his work, and see if you agree!

Side note: Both A Complete Unknown and The Brutalist have only been released on Blu Ray disc, so check your player first.

Tales of Shipwreck & Survival

Everyone knows about the Titanic since they found the wreckage and made a movie about it, but shipwreck is usually the last thing on anyone’s mind when they book a cruise. In reality, only 24 cruise ships have ever sank, and many of those had been pressed into service as warships at the time. Cruise ships, despite their top-heavy appearance, are quite safe. 

There are an estimated 3,000 shipwrecks off the coast of the Outer Banks, NC

There are an estimated three million shipwrecks under the waters, not counting small craft. Some of these date back as far as 2500 BCE, when the Mediterranean Sea was a hotbed of trade from Egypt and North Africa to the coasts of Italy, Greece, and Spain. The rate of commercial shipwrecks has been declining throughout this century, from 200 in 2000 to only 26 in 2023, and most of those are cargo ships, which are often in poor repair, overloaded, badly balanced, and cross some of the most difficult waters (releasing rubber ducks and sneakers). This does not include the fishing industry, which is nearly unregulated, especially in Asia and South America. It is estimated there are 100,000 deaths from fishing each year, due to poor industry standards and almost no oversight.

When we think about historical ships, we think back to Roman biremes, Viking longboats, and primitive rafts like Thor Heyerdahl’s Kon Tiki long before we come to the glory days of Spanish, British, French, and Portuguese galleons vying for naval power, leading to spectacular – and expensive – shipwrecks. The Bermuda Triangle, The Skeleton Coast, The Cape of Good Hope, and several rocky coastal areas around the continents were famous for wrecking ships, let alone the risk – then and now – for icebergs in the North Atlantic, and the real though rare possibility of rogue waves – lone giant waves of up to 100 feet, with no warning and no precursors, which have been implicated in a number of wrecks. There’s also the 1958 Lituya Bay, Alaska tsunami, which, due to the funneling nature of the bay, created a wave 1700 (yes, one thousand seven hundred) feet high, lifting a fishing boat, whose crew miraculously survived.

Like all natural disasters, ship disasters make for fascinating reading and occasionally a great movie. Here are some excellent works on the misfortunes of ocean-bound ships, some of which you may not have heard of, but really happened.

The Wager, by David Grann

If you haven’t yet read The Wager, you need to. A true tale of murder, mutiny, greed, heroism, and unbelievable survival in the harshest of conditions. Against better judgment, the Wager tries to round the dangerous Cape Horn in 1741, smashing against rocks in a gale. In a barren wasteland, with nothing to eat, the crew splits, half commit mutiny, some commit murder, and half of them will make it back to tell the riveting tale. A must read.

Graveyard of the Pacific, by Randall Sullivan

Who knew that more 2000 ships have been wrecked on the corner of the Oregon/Washington coast? Fierce storms, fog, reefs, sandbars, and tidal rips from the incoming flood of the Columbia river are so bad that there are specific ships and captains who must steer commercial ships through the area. While the book is partially taken up by one man’s quest to kayak through this deadly area, the rest of the book is quite fascinating.

Ghost Ship, by Brian Hicks   

There are many theories as to why the ship Mary Celeste was found abandoned at sea in 1872, with no clue as to what happened. The lifeboat was missing, and the crew abandoned ship so rapidly that food was still on the table and a sleeping child’s form was still outlined on the captain’s bed. Hicks combs through details to provide a solid, scientific reason, the best theory anyone has come up with yet, and the horrible fate of the crew.

In the Heart of the Sea, by Nathaniel Philbrick. 

The foundering of the whaleship Essex in 1820 became the inspiration for Melville’s novel Moby Dick. The Essex was sunk by a sperm whale in the Pacific, killing most of the crew. A handfull survived in a whaleboat for five months, surviving on cannibalism and rainwater. Melville allegedly met the son of survivor Owen Chase while at sea, and later met surviving Captain Pollard, who was considered bad luck after two lost ships, and no one would hire him. The combined diaries of the survivors were later made into a film.

When the Dancing Stopped, by Brian Hicks.

If Ghost Ship wasn’t enough, Hicks covers the perfect storm of disaster on the Morro Castle, a top of the line 1934 cruise ship traveling between Cuba and New York’s Pier 13. With horrific odds, the ship faced a tropical storm gaining on them, a nor’easter barreling toward them from the opposite direction, a murdered captain, an arsonist’s chemical fire underneath a ceiling filled with gunpowder, a crew that had never performed a fire or lifeboat drill, lifeboats whose launch mechanisms were painted closed, and a crew that fell apart at the first sign of trouble. How anyone survived (besides the crew, who abandoned ship without helping passengers) is a miracle. A book that reads like a novel, and is very hard to put down.

Deadliest Sea: The Untold Story Behind the Greatest Rescue in Coast Guard History, by Kalee Thompson

More fish are caught in Alaskan waters than almost everywhere else, yet many fishing boats remain virtually unregulated as to safety, and there are powerful political groups that push against it. In 2008, the Alaska Ranger meets with bad weather and too much ice, loses its rudder, and starts to sink. As in every disaster, few are trained, shortcuts were taken, lifeboats don’t work properly, wetsuits have holes, and they are more than 200 miles from the Coast Guard rescue planes. Thompson creates a tense tale of survival and aggravatingly poor working conditions as the Coast Guard rushes to save the crew. A lot of names, but hard to put down.

Futility, or, The Wreck of the Titan, by Morgan Robertson

Okay, this one is short fiction, and because it’s so old it’s hard to get a copy of (you can read it for free on Project Gutenberg, here), but it’s mentioned in so many memes as “The Titanic Foretold!” that I wanted to include it here. Published in 1898, the book, yes, involves an “unsinkable” ship called the Titan, that, in its second collision in two days, hits an iceberg and capsizes. The unlikable protagonist rescues a little girl in order to get a seat on a lifeboat, then plots to use her to extort money from her family, and most of the book is about him whining about being stuck with the kid. There is almost nothing in this novella that compares with the Titanic, beyond a name (common enough. It would have been more compelling if the name was Carpathia or something) and an iceberg (also common in those waters). It’s short, you can read it, but it’s trite, simplistic, outdated, boring, and sometimes painful to read. But, truly, it in no way predicted the wreck of the Titanic.

If you’d prefer, check out these films of ocean disasters:

In the Heart of the Sea

The Perfect Storm

Finest Hours

The Poseidon Adventure

Titanic

The Life of Pi

All is Lost

Lifeboat

Serial Solving

I never know what I’ll read next. What ever sparks my interest, either by title, by book cover, or by subject. I have no special direction or particular interest, but if I found one book on a subject interesting, I’m far more likely to read another on the subject, or by the same author.  Hence I’ve read an inordinate amount of books on Ebola, fast fashion, tea, books on the making of various movies, and, well, serial killers.

We know the names. Son of Sam. Ted Bundy. Green River Killer. BTK Killer. Long Island Killer. 

I have no fascination with them, find most of them repellent and frightening beyond description, and did not shed a tear when Jeffery Dahmer died in prison, but I find the psychological processes and forensics involved in tracking them down utterly intriguing. The science end, not the murder end. And there is SO much to be fascinated about. 

Most recently, I read the book American Serial Killers: The Epidemic Years, by Peter Vronsky, and I was blown away by the premise. America – which has more serial killers than any other country (well, that are reported and connected. Other countries have mass murders by corrupt governments, so maybe we’re better off) – had a major epidemic of serial killers (those that intermittently kill more than three people, as opposed to a spree all at once) from around 1970 to the mid 1990’s – more than 600 a year, and then it tapered off sharply. Why? Why did we have terrible trails of serial murders for 25 or 30 years, and then few?  Vronsky makes a very strong, documented  case for the fact that most of these killers were born in the late 40’s and early 50’s (25 or 30 by 1975) and their fathers fought in World War II. Vronsky documents that many of these fathers came back damaged from the war – PTSD, violent, depressed, alcoholic, received no help, and were unable to nurture their children. These boys – coming of age with violent sex images in men’s magazines, pulp fiction novels, and comics – grew up with attachment issues, poor self-image, and violent fantasies about sex, which they slowly began to work up the nerve to carry out. Why did things taper off? Most of those killers were either dead, in prison for other crimes, or had worn themselves out and were living a quiet life until something might trigger them again, unknown to their neighbors. Vietnam Vets received more services than soldiers in the 40’s, there was more public support, it wasn’t as big a deal to divorce a man, and those children did not have the same issues their grandfathers did. Those children of Vietnam vets would have been 25-30 in 1990-95 – years when serial killers were in decline.

Another utterly fascinating book – one that sent me down a long, long wormhole of research – is Barbara Rae-Venter’s I Know Who You Are: How an Amateur DNA Sleuth Unmasked the Golden State Killer and Changed Crime Fighting Forever. The Golden State Killer was alleged to have killed 13 people and committed more than 50 rapes across California between 1974-1986. Because police departments didn’t talk to each other or share information, no one was ever able to piece together all the information. Enter Rae-Venter. Rae-Venter spent her days helping people trace their genealogy and find their families using her home computer. Asked if she could do the same for a suspect, Rae-Venter needed 63 days and $200 to make a genetic profile of the killer from her dining room – something 30 years and $10 million of taxpayer money had never been able to do, leading directly to the apprehension of the killer. Since Rae-Venter, a huge number of backlogged, dead-end cases have been solved and cleared (like the Long Island Killer) due to the methods she used.

Spurred on by her methods, I fell down a rabbit-hole of genealogical research, aided by ancestry.com (free at the library), and in a week was able to trace my mother’s ancestry back 12 generations, connect some gaps, discover my grandmother had an older sister we never heard of (probably because she died at 5 months), and my grandmother’s younger sister was four when she died, not the two my grandmother remembered. Sometimes books are dangerous!

Through both of these books, several names kept popping up, and I realized I’d already read books by both men. John Douglas was the first real FBI criminal profiler, starting in the 1980’s, creating many of the procedures we use today. His book, Mindhunter, chronicles how he began, in a time where every department wanted the glory of solving the case, and thus no one ever shared information, and no one ever solved the cases. 

Unmasked: My Life Solving America’s Cold Cases by Paul Holes, is another. Holes learned the business under Douglas, pursuing cold-case investigations from the 1990’s into the 2000’s.  Some of the cold cases that perplexed them the most and they were never able to solve were later solved by Barbara Rae-Venter’s methods, like the Long Island Killer and the Golden State Killer.

If you don’t care so much about crime but like psychology and sociology, and want to find out why people kill, try I Am a Killer, by Danny Tipping.  It’s a sad book that dwells on the murderers and not so much the crime. Time after time, the horrific backgrounds of these killers are revealed (one father, to hide the bruises and welts on his kid when Social Services was coming, tied him to a mattress, poured lighter fluid on him, and set his back on fire). Many did not deserve the sentences they received, responding to unimaginable abuse. There are no winners in this book. 

Though he technically didn’t kill anyone, if you want local flavor, read Incendiary: The Psychiatrist, The Mad Bomber, and the Invention of Criminal Profiling, by Michael Cannell. Many people claim to have invented criminal profiling, but this was an early case. In the 1940’s, a bomber went around exploding devices all over New York City, then teasing the police through letters. After twenty years, he was determined to be George Metesky – from Waterbury, Connecticut, and the criminal profiling was eerily correct.

If you like crime stories and investigations, these are excellent books. If you like psychology and deviant behavior, these are also excellent books. The difficult part is that they had to be written at all.